Pulse-code modulation (PCM) is a method used to digitally represent analog signals. It is the standard form of digital audio in computers, compact discs, digital telephony and other digital audio applications. In a PCM stream, the amplitude of the analog signal is sampled at uniform intervals, and each sample is quantized to the nearest value within a range of digital steps. Claude Shannon, Bernard Oliver, and John Pierce were inducted into the National Inventors Hall of Fame for their PCM patent granted in 1952.
Linear pulse-code modulation (LPCM) is a specific type of PCM in which the quantization levels are linearly uniform. This is in contrast to PCM encodings in which quantization levels vary as a function of amplitude (as with the A-law algorithm or the μ-law algorithm). Though PCM is a more general term, it is often used to describe data encoded as LPCM.
A PCM stream has two basic properties that determine the stream's fidelity to the original analog signal: the sampling rate, which is the number of times per second that samples are taken; and the bit depth, which determines the number of possible digital values that can be used to represent each sample.
History Early electrical communications started to sample signals in order to multiplex samples from multiple telegraphy sources and to convey them over a single telegraph cable. The American inventor Moses G. Farmer conceived telegraph time-division multiplexing (TDM) as early as 1853. Electrical engineer W. M. Miner, in 1903, used an electro-mechanical commutator for time-division multiplexing multiple telegraph signals; he also applied this technology to telephony. He obtained intelligible speech from channels sampled at a rate above 3500–4300 Hz; lower rates proved unsatisfactory.
In 1920, the Bartlane cable picture transmission system used telegraph signaling of characters punched in paper tape to send samples of images quantized to 5 levels. In 1926, Paul M. Rainey of Western Electric patented a facsimile machine that transmitted its signal using 5-bit PCM, encoded by an opto-mechanical analog-to-digital converter.U.S. patent number 1,608,527; also see p. 8, Data conversion handbook, Walter Allan Kester, ed., Newnes, 2005, . The machine did not go into production.
British engineer Alec Reeves, unaware of previous work, conceived the use of PCM for voice communication in 1937 while working for International Telephone and Telegraph in France. He described the theory and its advantages, but no practical application resulted. Reeves filed for a French patent in 1938, and his US patent was granted in 1943. By this time Reeves had started working at the Telecommunications Research Establishment.
The first transmission of speech by digital techniques, the SIGSALY encryption equipment, conveyed high-level Allied communications during World War II. In 1949, for the Canadian Navy's DATAR system, Ferranti Canada built a working PCM radio system that was able to transmit digitized radar data over long distances.
PCM in the late 1940s and early 1950s used a cathode-ray coding tube with a plate electrode having encoding perforations. As in an oscilloscope, the beam was swept horizontally at the sample rate while the vertical deflection was controlled by the input analog signal, causing the beam to pass through higher or lower portions of the perforated plate. The plate collected or passed the beam, producing current variations in binary code, one bit at a time. Rather than natural binary, the grid of Goodall's later tube was perforated to produce a glitch-free Gray code and produced all bits simultaneously by using a fan beam instead of a scanning beam.
In the United States, the National Inventors Hall of Fame has honored Bernard M. Oliver and Claude Shannon as the inventors of PCM, as described in "Communication System Employing Pulse Code Modulation", filed in 1946 and 1952, granted in 1956. Another patent by the same title was filed by John R. Pierce in 1945, and issued in 1948: . The three of them published "The Philosophy of PCM" in 1948.
The T-carrier system, introduced in 1961, uses two twisted-pair transmission lines to carry 24 PCM telephone calls sampled at 8 kHz and 8-bit resolution. This development improved capacity and call quality compared to the previous frequency-division multiplexing schemes.
In 1973, adaptive differential pulse-code modulation (ADPCM) was developed, by P. Cummiskey, Nikil Jayant and James L. Flanagan.P. Cummiskey, N. S. Jayant, and J. L. Flanagan, "Adaptive quantization in differential PCM coding of speech," Bell Syst. Tech. J., vol. 52, pp. 1105–1118, Sept. 1973.
Digital audio recordings
In 1967, the first PCM recorder was developed by NHK's research facilities in Japan. The 30 kHz 12-bit device used a compander (similar to DBX Noise Reduction) to extend the dynamic range, and stored the signals on a video tape recorder. In 1969, NHK expanded the system's capabilities to 2-channel stereo and 32 kHz 13-bit resolution. In January 1971, using NHK's PCM recording system, engineers at Denon recorded the first commercial digital recordings.Among the first recordings was Uzu: The World Of Stomu Yamash'ta 2 by Stomu Yamashta.
In 1972, Denon unveiled the first 8-channel digital recorder, the DN-023R, which used a 4-head open reel broadcast video tape recorder to record in 47.25 kHz, 13-bit PCM audio.The first recording with this new system was recorded in Tokyo during April 24–26, 1972. In 1977, Denon developed the portable PCM recording system, the DN-034R. Like the DN-023R, it recorded 8 channels at 47.25 kHz, but it used 14-bits "with emphasis, making it equivalent to 15.5 bits."
In 1979, the first digital pop album, Bop till You Drop, was recorded. It was recorded in 50 kHz, 16-bit linear PCM using a 3M digital tape recorder.
The compact disc (CD) brought PCM to consumer audio applications with its introduction in 1982. The CD uses a 44,100 Hz sampling frequency and 16-bit resolution and stores up to 80 minutes of stereo audio per disc.
Digital telephony
The rapid development and wide adoption of PCM digital telephony was enabled by metal–oxide–semiconductor (MOS) switched capacitor (SC) circuit technology, developed in the early 1970s. This led to the development of PCM codec-filter chips in the late 1970s. The silicon-gate CMOS (complementary MOS) PCM codec-filter chip, developed by David A. Hodges and W.C. Black in 1980, has since been the industry standard for digital telephony. By the 1990s, telecommunication networks such as the public switched telephone network (PSTN) had been largely digitized with very-large-scale integration (VLSI) CMOS PCM codec-filters, widely used in electronic switching systems for telephone exchanges, user-end modems and a wide range of digital transmission applications such as the integrated services digital network (ISDN), cordless telephones and cell phones.
Implementations PCM is the method of encoding typically used for uncompressed digital audio.Other methods exist such as pulse-density modulation used also on Super Audio CD.
The 4ESS switch introduced time-division switching into the US telephone system in 1976, based on medium scale integrated circuit technology. LPCM is used for the lossless encoding of audio data in the compact disc Red Book standard (informally also known as Audio CD), introduced in 1982. AES3 (specified in 1985, upon which S/PDIF is based) is a particular format using LPCM. LaserDiscs with digital sound have an LPCM track on the digital channel. On PCs, PCM and LPCM often refer to the format used in WAV (defined in 1991) and AIFF audio container formats (defined in 1988). LPCM data may also be stored in other formats such as AU, raw audio format (header-less file) and various multimedia container formats. LPCM has been defined as a part of the DVD (since 1995) and Blu-ray (since 2006) standards. It is also defined as a part of various digital video and audio storage formats (e.g. DV since 1995, AVCHD since 2006). LPCM is used by HDMI (defined in 2002), a single-cable digital audio/video connector interface for transmitting uncompressed digital data. RF64 container format (defined in 2007) uses LPCM and also allows non-PCM bitstream storage: various compression formats contained in the RF64 file as data bursts (Dolby E, Dolby AC3, DTS, MPEG-1/MPEG-2 Audio) can be "disguised" as PCM linear.
Modulation
In the diagram, a sine wave (red curve) is sampled and quantized for PCM. The sine wave is sampled at regular intervals, shown as vertical lines. For each sample, one of the available values (on the y-axis) is chosen. The PCM process is commonly implemented on a single integrated circuit called an analog-to-digital converter (ADC). This produces a fully discrete representation of the input signal (blue points) that can be easily encoded as digital data for storage or manipulation. Several PCM streams could also be multiplexed into a larger aggregate data stream, generally for transmission of multiple streams over a single physical link. One technique is called time-division multiplexing (TDM) and is widely used, notably in the modern public telephone system.
Demodulation The electronics involved in producing an accurate analog signal from the discrete data are similar to those used for generating the digital signal. These devices are digital-to-analog converters (DACs). They produce a voltage or current (depending on type) that represents the value presented on their digital inputs. This output would then generally be filtered and amplified for use.
To recover the original signal from the sampled data, a demodulator can apply the procedure of modulation in reverse. After each sampling period, the demodulator reads the next value and transitions the output signal to the new value. As a result of these transitions, the signal retains a significant amount of high-frequency energy due to imaging effects. To remove these undesirable frequencies, the demodulator passes the signal through a reconstruction filter that suppresses energy outside the expected frequency range (greater than the Nyquist frequency ).Some systems use digital filtering to remove some of the aliasing, converting the signal from digital to analog at a higher sample rate such that the analog anti-aliasing filter is much simpler. In some systems, no explicit filtering is done at all; as it is impossible for any system to reproduce a signal with infinite bandwidth, inherent losses in the system compensate for the artifacts — or the system simply does not require much precision.
Standard sampling precision and rates Common sample depths for LPCM are 8, 16, 20 or 24 bits per sample.
LPCM encodes a single sound channel. Support for multichannel audio depends on file format and relies on synchronization of multiple LPCM streams. While two channels (stereo) is the most common format, systems can support up to 8 audio channels (7.1 surround) or more.
Common sampling frequencies are 48 kHz as used with DVD format videos, or 44.1 kHz as used in CDs. Sampling frequencies of 96 kHz or 192 kHz can be used on some equipment, but the benefits have been debated.
Limitations The Nyquist–Shannon sampling theorem shows PCM devices can operate without introducing distortions within their designed frequency bands if they provide a sampling frequency at least twice that of the highest frequency contained in the input signal. For example, in telephony, the usable voice frequency band ranges from approximately 300 to 3400 Hz.https://www.its.bldrdoc.gov/fs-1037/dir-039/_5829.htm For effective reconstruction of the voice signal, telephony applications therefore typically use an 8000 Hz sampling frequency, which is more than twice the highest usable voice frequency.
Regardless, there are potential sources of impairment implicit in any PCM system: