Schilling & Graebner (or Gräbner) was an architecture firm based in Dresden, Germany, founded by the architects Rudolf Schilling (1859–1933) and Julius Graebner (1858–1917) in 1889. The firm was under their direction from 1889 until Graebner's death, but continued to exist until 1947, most notably under Graebner's son Erwin (1895–1945).Historisches Architektenregister (Graaf – Grazianski) The firm, which initially devoted itself primarily to historicism and later to Art Nouveau and early modernism, worked on mainly buildings in Saxony, including several noteworthy churches, Dresden villas, administrative buildings and entire residential districts. One of the firms' most important works is the Christuskirche in Dresden (1903–1905), which arguably marks the transition of sacral architecture in Germany from historicism to modernity.
Early life and formation of the partnership Both Schilling and Graebner had met each other when they were just over 20 years old around 1881 while studying architecture at the Polytechnikum Dresden. Even when they initially went their separate ways after completing their training, they did not lose touch, especially since they both worked in Berlin in two different offices in the mid-1880s. The two architects, who were roughly the same age, complemented each other very well.Ricarda Kube, Schilling und Graebner (1889–1917). Das Werk einer Dresdner Architektenfirma. Doctoral dissertation, Dresden 1988. Together they were a formidable and very versatile team, as evidenced by the fact that they not only designed very complex buildings, but they also showed great stylistic differences amongst their entire oeuvre. Schilling, as the son of the well-known sculptor Johannes Schilling, provided the necessary start-up capital and contacts to numerous potential clients. Graebner's strength, on the other hand, was more artistic design.
Schilling and Graebner hired several trained architects in their firm over the years, including Oswald Bieber, Heino Otto and Johannes Rascher. During the late nineteenth century, their biggest local competitors were probably William Lossow and Fritz Schumacher. At that time, Schilling and Graebner were the leading architects of the fifth largest city in the German Empire. They were generally considered within the first rank of German architects and were particularly regarded as experts in contemporary Protestant church architecture. They were also inspired in their work by suggestions from Franz Wilhelm Dibelius and Cornelius Gurlitt.
Stylistic evolution
At first, Schilling & Graebner preferred late historicism in their works in Dresden. Their first building commission, the Pieschen town hall, completed in 1891, shows clear features of the Neo-Renaissance,Pieschen, dresdner-stadtteile.de as well as the Villa Muttersegen built in 1891 in BlasewitzSchilling & Graebner: Villa Muttersegen, Dresden-Blasewitz, in Architekturmuseum der Technischen Universität Berlin. or the Lutherkirche in Radebeul. In the years before the turn of the century, Schilling and Graebner also designed neo-baroque buildings, such the commercial building called the Imperial Palace for Hermann Ilgen at Pirnaischer Platz that burned in 1945 during the bombing of Dresden and was later demolished.Kaiserpalast, Stadtwiki Dresden In 1895 they also designed the neo-baroque interior of the Schellenberger City Church of St. Peter, which was destroyed after a fire.Kleine (Bau-)Geschichte der Stadtkirche St. Petri, Ev.-Luth. Kirchgemeinde St. Petri Augustusburg (Erzgebirge) and around 1900 that of the Dresden Kreuzkirche.Gary L. Catchen, Julian M. Catchen: Kreuzkirche (Dresden), in: Deutschlands Architektur. The latter also showed a significant influence from Jugendstil. For a long time, Schilling and Graebner represented the views in line with the development of Heimatschutz Architecture as it emerged around the turn of the century.
With their practice flourishing, in 1899 Schilling and Graebner bought the large winery of Altfriedstein in the present Radebeul district of Dresden and developed the site by laying roads and parcelling the abandoned wine-growing areas into a "Villa Colony Altfriedstein." To do this, they tore down the west wing of the mansion and all the outbuildings of the winery and redesigned the west gable of the remaining east wing. Among other things, they built a pedestrian passage through the corner of the building on the ground floor. From 1902 until the First World War they built numerous villas and country houses there, many of them in the Heimatschutzstil, also called the "Reform Architecture Style."
After about 1902, Schilling and Graebner tried to overcome historicism and turned more to a kind of proto-modernism, which was particularly difficult in church building due to the Eisenach regulations that applied there. The first signs of modernity are the residential buildings built in the early twentieth century for the Dresdner Spar- und Bauverein with their austere facades and high functionality. The Christuskirche in Strehlen,Hans-Jürgen Haupt: built in 1903–05, went far beyond Art Nouveau and points in this direction,Fritz Löffler: Das alte Dresden. Leipzig, 1981. which is also very clearly expressed in the Zionskirche in the Dresden Südvorstadt built in 1912–14, but partially destroyed in 1945. This pioneering work also meant that the two architects were invited to join several professional associations. Graebner was member of the directorate of the Dürerbund. As members of the Deutscher WerkbundMembers of Deutscher Werkbund 1913 Schilling and Graebner designed many of their later villas, public and sacral buildings according to the principles of modernity as propagated by this association of artists and industry. The former Zionskirche, built from 1908 to 1912 and destroyed in 1945, was an extraordinary example of this architectural style. However, despite this general line of evolution, it is worth noting Schilling and Graebner also liked to experiment with mixtures of styles.
Work after 1917 After Julius Graebner died in 1917, the firm was continued by his son Erwin Graebner, who returned from the Western Front in October 1918, and replaced his father in partnership with Rudolf Schilling. During this period, further plans for larger buildings such as the Kriegersiedlung in Trachau and the development on the west side of Aachener Strasse in Dresden were implemented.Großsiedlung Trachau: Flachdächer contra Schrägdächer, das-neue-dresden.de Schilling died in 1933 and Erwin Graebner ran the office alone from then on. During this time he developed, among other things, the plans for several factory buildings of the Leipziger Kammgarnspinnerei, which were blown up in 2007 and captured on video.Video der Sprengung Industriehalle am Zoo Leipzig on YouTube In 1947, two years after Erwin Graebner's death, the firm was finally dissolved.
Selected works Villas Goetheallee 24 (Pernwaldhaus/Villa Muttersegen), Blasewitz, begun 1891, Neo-RenaissanceSchilling, Rudolf, Photo of the villa in Blasewitz (Dresden), Goetheallee 24 by Wolfgang Nützenadel (1987) in the Deutsche Fotothek Goetheallee 26 (:de:Villa Fliederhof), built in 1891, burned down and demolished in 1979 Kaitzer Str. 82, Dresden-Plauen, built in 1891, renovated in 1999 Barteldesplatz 2, Blasewitz, 1893, Neo-Renaissance style, today the seat of the Bürgerstiftung Dresden Goetheallee 43, Blasewitz, 1894, eclecticGoetheallee, Dresden -stadtteile.de Extension to the Villa Zillerstraße 5, Niederlößnitz, 1895 :de:Villa Friedrichsruh, Hermsdorfer Straße 16, Löbtau, 1898Rectangular 43 streets and squares in Löbtau: Hermsdorfer Straße, dresdner-stadtteile.de :de:Villa Rautendelein for Gerhart Hauptmann, Hochuferstraße 12 (today Käthe-Kollwitz-Ufer 84), Blasewitz, 1899–1900, destroyed in 1945Ulrich Hübner, Ulrike Grötzsch et al. (Ed.): Symbol and veracity. Reform architecture in Dresden. Husum 2005, , p. 21f. (there dated 1900, address given as Hochuferstraße 14) Franz-Liszt-Strasse 19, Strehlen, 1899 Hähnelstraße 13, Johannstadt, four-story country house, destroyed Degelestraße 3 (Villa Wolff), Weißer Hirsch, 1901, Neo-Baroque Residential colony Altfriedstein in the Niederlößnitz district of Radebeul, from 1902 Conversion of the mansion Altfriedstein, 1902 Villa at Prof.-Wilhelm-Ring 20, 1902 Landhaus Ludwig-Richter-Allee 27, 1902–03 Country house Prof.-Wilhelm-Ring 16 (Radebeul), 1903 Hermann Ebert tenement house, Moritzburger Strasse 45, 1903 Villa Elisabeth's peace, Prof.-Wilhelm-Ring 10, 1903 House at Lindenaustrasse 7 (Radebeul), 1903–04 House Schilling, Auenstraße 51, Apolda, Thuringia, 1904–06 Detached house at Ludwig-Richter-Allee 30, 1905 Detached house at Ludwig-Richter-Allee 31, 1905–06 Detached house at Ludwig-Richter-Allee 32, 1905–06 Detached house at Ludwig-Richter-Allee 33, 1905–06 Paul Nieschke House, Ludwig-Richter-Allee 28, 1906 Landhaus Lutzmann House, Lindenaustrasse 3, 1906 Landhaus Prof.-Wilhelm-Ring 18, 1906 Villa Alfred Sparbert, Prof.-Wilhelm-Ring 19, 1907 Landhaus Altfriedstein 7, 1910 Meyerburg, Mohrenstrasse 5, 1911–12 Landhaus Lindenaustrasse 1, 1916–17 Villa Würzburger, Johannstadt, 1910
Churches
Lutherkirche (Radebeul), Neo-Renaissance, 1891 (with neighboring vicarage and the associated cemetery chapel on the Friedhof Radebeul-Ost) Church in :de:Hohenfichte, 1893–96To the church of Hohenfichte on www. Hohenfichte.de Interior of the Church of St. Peter in Schellenberg, Neo-Baroque, 1895 Resurrection Church in Stenn, 1895–96 Competition design for the new church in Leuben, 1898, 2nd prize, not executed New interior of the burnt out Kreuzkirche in Dresden, 1897–1900, destroyed during the Second World War except for small remains Conversion of the evangelical church in Cannewitz, 1900 New tower of the evangelical church in Bergen (Vogtland), 1900 Protective porch for the Golden Gate at the Freiberg Cathedral, 1902 Christ Church (so-called “Green Church”) in Teplice, (now Czech Republic), 1899–1905, Art Nouveau, demolished 1973 Lutherkirche in Dux, 1899–1901 Churches in Hohenelbe and Klostergrab, 1900–03 Church of the German Evangelical Congregation in Mittel Langenau, 1902, elevated to a parish church in 1916, demolished in 1979lanov.cz/obeclanov/galerie/historie/kostel2.jpg View of the church Mittel Langenau St. Trinity Church in Wiesa (Ore Mountains), 1902–1904 Christuskirche in Dresden-Strehlen, 1903–05 Cemetery chapel in Rochlitz, 1905 Lutherkirche in Zwickau, Art Nouveau, built in 1906 as a garrison church Reconstruction of the cruciform church in Hirschberg in the Giant Mountains, 1909 Conversion of the Jakobikirche in Chemnitz, redesign of the west facade, Art Nouveau, 1911Bernd Frauenlob: chemnitz.de/news.php?show=390&beitrag=1100 "Ev.-Luth. Jakobi-Johannis parish", kirche-chemnitz.de Zionskirche, Südvorstadt, Dresden, 1912–14Photo of the Zionskirche in Dresden in the large slide library of the Institute for European Art History and Archeology at the Martin Luther University Halle-Wittenberg Peace Church in Aue-Zelle, 1912–14 Design for a Protestant parish church in Schinkel near Osnabrück, published in 1915Ernst Kühn: Rural Buildings. Göschen, Berlin / Leipzig 1915. Volume 1: Kultus- und Gemeinde-Bauten, pp. 20-31. Design for a Protestant parish church in :de:Reumtengrün near Auerbach/Vogtl., published in 1915Ernst Kühn: Rural Buildings. Göschen, Berlin / Leipzig 1915. Volume 1: "Cultural and Community Buildings", pp. 11-18. Villa Würzburger, Johannstadt, 1910
Houses in Dresden
Leipziger Strasse 32–34, :de:Leipziger Vorstadt, residential buildings for the Dresdner Spar- und Bauverein, 1901, sparsely decorated and functionalist Coschützer Strasse 54–56, Plauen, residential buildings for the Dresden Spar- und Bauverein, 1902, sparsely decorated and functionalist