EastEnders: E20 (sometimes just E20) is a British Internet soap opera, which aired from January 2010 to October 2011. A spin-off from the established BBC soap EastEnders, it is set in EastEnders regular setting of Albert Square, a Victorian square in the fictional borough of Walford, in the East End of London. Each series follows a group of teenage characters: Zsa Zsa Carter (Emer Kenny), Leon Small (Sam Attwater), Fatboy (Ricky Norwood) and Mercy Olubunmi (Bunmi Mojekwu) in series 1; Asher Levi (Heshima Thompson) and his brother Sol (Tosin Cole), Naz Mehmet (Emaa Hussen), and Stevie Dickinson (Amanda Fairbank-Hynes) in series 2; and Ava Bourne (Sophie Colquhoun), Donnie Lester (Samuell Benta) and Faith Olubunmi (Modupe Adeyeye) in series 3. The show's title comes from Walford's fictional London postcode district, E20. The four characters from series 1 also appear in EastEnders, as well as Faith from series 3.

EastEnders: E20 originally aired as part of the main show's 25th anniversary celebrations. It was devised in a bid to develop and nurture new talent, including writers, actors, composers and remixers, and target a younger audience, as well as to attempt to drive more people onto the Internet. The series was the idea of executive producers Diederick Santer, who wanted a show where regular EastEnders characters would be in the background, and John Yorke, who wanted to improve the portrayal of teenagers in EastEnders and to get younger people writing for it.

The show's writers, all newcomers aged between 17 and 22, were selected through a writing competition, and created the series at a BBC summer school. The theme tune was also selected through a competition, promoted on BBC Radio 1. The show primarily operates as a standalone series but also cross-references storylines of the main soap, and features cameo appearances from several of the regular characters from EastEnders. The episodes are between three and 16 minutes each in length and are available via EastEnders official website. Omnibus editions were also available on BBC iPlayer, BBC Red Button and, from April 2010, BBC Three.

Conception and development EastEnders: E20 was conceived by executive producer Diederick Santer as part of EastEnders 25th anniversary celebrations. Described as the "naughty little brother or sister to the main show", it was devised in a bid to target younger viewers and to develop and nurture new talent. Executive producer John Yorke, who oversaw the show, and is also controller of BBC drama production and new talent, said "Fundamentally the whole idea of the show is it's a training ground for new talent, be that acting, writing, composing, remixing, everything. The fact is because it's online, we can take risks." Nevertheless, the makers said they knew they had to get it right because "the eyes of the World Wide Web would be watching."

Santer conceived the idea of a "parallel universe show" with new characters, where the regular characters are in the background. Yorke sought to improve the portrayal of teenagers in EastEnders and to get younger people writing for it. The ideas came together and EastEnders: E20 was created in what Yorke described as "one of the quickest periods from idea to screen I've ever known." Regarding the decision to create an online drama, Yorke said, "People don't watch television at fixed times anymore, they use iPlayer [to] get it at their convenience and so it made sense to make a programme that [viewers] can specifically get at their convenience." The show's producer, Deborah Sathe, added, "Technology is changing and it's changing really quickly and I think it's really appropriate that the BBC is leading the way in offering online content." The first series was commissioned by multi-platform commissioning executive Rosie Allimonos.

Another incentive for the show was to get more people to use the Internet. Sathe stated that it was an opportunity for younger people to bring the older members of their families onto the internet, and Yorke hoped that it would bring people onto the internet who had not used it before. Simon Nelson, BBC Vision controller of multiplatform and portfolio, said that this was an opportunity for the BBC to develop its expertise in drama production by exploiting the creative potential of the Internet to create a new online drama where few have succeeded. EastEnders: E20 primarily operates as a standalone series but also cross-references storylines of the main soap. According to Santer, the series also explores the stories of the soap's anonymous bystanders. He said, "There are always other people [in EastEnders] milling round the market and houses that we never go into. There are four or five parallels you could do. It will be nice to see well-known characters through strangers' eyes. Ian Beale may show up and he is just a strange, irritating man. Or they might ask: 'Who is that moody girl in the market?' And it will be Stacey Slater."

Series 2

The second series was announced on 8 April 2010, brought back by Santer's successor, Bryan Kirkwood and commissioned by Sarah Clay. Nelson explained "We had no hesitation in commissioning another series, something which will delight the 17,000 fans who've been calling for more episodes on the E20 Facebook page." Script producer Peter Mattessi promised that the second series would take the characters to darker, scarier and more unattractive parts of their personalities, writer Muge Ahmet said it would be sexier, and Sathe stated there would be big secrets, while writer Alex Oates said that the show and the writers had grown up a lot since the first series. The Daily Star newspaper reported that the second series would be more controversial than the first, including scenes of drug dealing and violence.

With the return of the series, Sathe explained that some of the show's writers had already worked with the EastEnders team on storylines for the characters they had created, and hoped this would continue as the E20 brand develops, and that the show would become a "junior version" of the BBC Writers Academy. Series 2 sees the introduction of street dance to the series to give it an "authentic East End flavour of youth". The episodes were made all the same length following complaints about the length of episodes in the first series and the decision to show the series on BBC Three. Social networking site Twitter was also used to introduce teasers, with four of the characters having their own profiles.

Series 3 A third series was announced on 27 September 2010, commissioned by BBC Learning, as part of a new BBC strategy to provide learning opportunities for all audiences. Saul Nassé, Controller of Learning, said, "I want to use BBC programmes that are known and loved by audiences that can serve as springboards for learning. [...] We'll be enlisting the help of the BBC's best talent to maximise the reach of our output," and Sathe commented, "We are thrilled with the success of the first two series and have already started to storyline the third. Be prepared for a few familiar faces, a couple of new ones and a lot of fireworks." It was confirmed that Learning would fund the third series and work with young people to develop storylines "that bring to life subjects in the Personal, Social, Health Education (PSHE) curriculum such as bullying or peer pressure." A regional schools tour was organised to tie in with the launch of the series, with pupils writing short scenes based on scenarios tying in with the PSHE curriculum, which were performed, filmed and edited. Sarah Miller, BBC Learning commissioner and executive producer of series 3, explained: "The schools tour was a terrific opportunity to deliver powerful face-to-face workshops, giving students and teachers the opportunity to develop key media production skills and to get behind the scenes of a top BBC drama."

Production The show was produced by television newcomer Deborah Sathe. The production process for series 1 took about six months, from commissioning to the final cut. Yorke stated that, "Television takes a notoriously long time to make and one of the joys of doing this online is that it's been incredibly quick, about a quarter of the time it would take a normal show to get off the ground. It's smaller, it's easier to do and also there's a collective will for it to succeed."

Writing The first series was written by a team of 13 writers from London aged between 17 and 22 who responded to a writing competition and attended a summer school in August 2009 as part of the BBC's new talent initiative, where they created the entire series. The summer school took place over four weeks, with the first two weeks in Theatre Royal Stratford East and the last two at the BBC Elstree Centre. The writers did not know they would be writing a spin-off to EastEnders until they arrived. The writers, including Florence Vincent, Alex Oates, Kashman Harris and Emer Kenny, also wrote the ten episodes of series 2. They are from various parts of London, which Sathe said was "brilliant" as they represent different parts of life in London, and they have grown up with the Internet as a native medium. Santer stated that the writers created a new Walford, calling it a "fresh perspective on a British classic." The writers were given a day to travel around East London to listen to people talking to get ideas. Sathe commented: "We created some brilliant scenes from the eavesdropping stuff." After the summer school, the writers were commissioned to write the 12 episodes of series 1. Some of the scripts were allowed by be changed by the actors if they thought lines were not authentic, such as the use of London street slang. Sathe considered the use of slang to be a highlight of the series, calling it her proudest moment. Storylining and character creation for series 2 started in January 2010. The third series used mostly different writers to the first two. Each potential writer had to send in a monologue for a character they would like to see on television and the production team chose their favourites. The writers were then asked to write a scene between their character and one of the established EastEnders characters. Following this, the writers were interviewed and the most promising fifteen were selected. Kenny returned as a writer for series 3 and was joined by several of the young EastEnders cast members: Arinze Kene (Connor Stanley), Himesh Patel (Tamwar Masood) and Charlie G Hawkins (Darren Miller).

Filming EastEnders: E20 was filmed on the same set as EastEnders, using three handheld cameras to give it a more "edgy" feel compared to EastEnders, which is filmed with cameras on tripods. Director Michael Keillor stated that although using handheld cameras is normally easier, the fact it was shot with a multiple-camera setup made it more challenging and created problems for the lighting and props teams as nobody knew exactly where the camera would be. Keillor said it was a "particularly tough day" when filming a party scene in a flat, as normally walls of the set would be removed but all the walls were left in to make it look more realistic, meaning the crew overheated. Series 1 was filmed over ten days with approximately 120 minutes of television being shot. Each of the first series' 12 episodes are between three and 16 minutes in length. The second series features 10 episodes averaging 14 minutes each, which was a response to complaints from viewers about the length of some of the episodes in series 1. Series 3 began production in May 2011, and took about four weeks to film.

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