The 2009 National Artist of the Philippines controversy refers to the controversial proclamation as National Artists of the Philippines of four individuals via the Presidential prerogative of Gloria Macapagal Arroyo, when the four had not been nominated by the selection committee, composed of representatives from National Commission for Culture and the Arts (NCCA) and the Cultural Center of the Philippines (CCP).

The title National Artist of the Philippines is given to a Filipino who has been given the highest recognition for having made significant contributions to the development of Philippine arts, namely, Music, Dance, Theater, Visual Arts, Literature, Film, Broadcast Arts, Fashion Design and Architecture, and Allied Arts. Such Filipinos are announced, by virtue of a Presidential Proclamation, as National Artist, having been conferred membership in the Order of National Artists. Benefits they enjoy from then on include a monthly pension, medical and life insurance, arrangements for a state funeral, a place of honor at national state functions, and recognition at cultural events.

On July 16, 2013, the controversy finally ended after the Supreme Court of the Philippines voted 12-1-2 that voided the four proclamations created by former President Gloria Arroyo that made these people National Artists.

Controversy

President’s prerogative The controversy began when conferred the Order of National Artists to seven individuals in July, 2009. Controversy arose from the revelation that musician Ramon Santos had been dropped from the list of nominees short-listed in May that year by the selection committee, and four other individuals had been nominated to the title via "President’s prerogative": Cecile Guidote-Alvarez (Theater), Magno Jose "Carlo” Caparas (Visual Arts and Film), Francisco Mañosa (Architecture), and Jose “Pitoy” Moreno (Fashion Design)

Members of the Philippine art community, including a number of living National Artists of the Philippines, protested that the proclamation politicized the title of National artist, and made it "a way for President Gloria Macapagal-Arroyo to accommodate her allies."

Film director Eddie Romero, himself a National Artist for Film and the Broadcast Arts, explained in an interview that the rules allow the President to pick a National Artist. He noted, however, that: “It seems it’s the first time the presidential prerogative was used to declare four artists. It’s like a wholesale declaration.”

National Artist for literature and chairman of the Concerned Artists of the Philippines Bienvenido Lumbera, said that in the 2009 nominations, there was “heavy campaigning because the government wanted to ensure the selection of four people.”

In addition, specific protests were raised regarding the nomination of NCCA executive director Guidote-Alvarez, because it was purportedly a breach of protocol and propriety, and of Carlo Caparas, because protestors assert that he is not qualified to be nominated under either the "Visual Arts" or "Film" categories in which he was proclaimed to the order.

Alvarez Lumbera, who happened to be a member of the combined “final selection committee" of the NCCA and CCP, noted that: “It was Cecile Guidote-Alvarez, as executive director of the NCCA, who had insisted on the President’s right to add names that were not discussed in the committee.”

Calling the situation "outrageous", he said that:“She should have not allowed herself to be named as national artist. She’s close to the President. Nobody in the committee thought that she deserved to be named." Alvarez heads the NCCA secretariat that receives nominations for national artists.

Caparas Complaints regarding Caparas' proclamation centered on the complaints that he did not illustrate the comic books he wrote and therefore did not meet the qualifications for being honored under the visual arts category, and the assertion of protesting artists that his work in the category of Film is supposedly "sub-par", being largely exploitation films: "pito-pito" ("seven-seven") films rush-finished in seven days, and "massacre films" whose focus was sensational crimes.

Bienvenido Lumbera remarked that Caparas’ nomination was twice rejected by two NCAA panels: “[Caparas] was first proposed as a nominee for literature, but the committee rejected him. He was again proposed as nominee for visual artist but the panel again turned him down." Film Academy of the Philippines director general Leo Martinez noted that "He was obviously added by Malacañang." Caparas is known as a vocal supporter of President Gloria Macapagal Arroyo.

Committee-shortlisted nominees Protestors, however, were careful to note that three of the individuals proclaimed as National Artist in 2009 were in fact recommended by the selection committee: Manuel Urbano a.k.a. Manuel Conde (Film and Broadcast), Lazaro Francisco (Literature), and Federico Aguilar Alcuaz (Visual Arts, Painting, Sculpture and Mixed Media).

Non-inclusion of Ramon Santos Protesters also lamented the dropping of musician Ramon Santos from the list of new National Artists. Philippine entertainment news website PEP says that a CCP official, who had asked not to be named, revealed that Santos actually won the most votes during the selection process. Lumbera verbalized dismay about the snubbing of Santos, saying: "What makes this even more outrageous is that Ramon Santos, who received a good number of votes in the panel selection, was dropped from the list. The basis for him being scrapped, one doesn't know"

The same report that quoted Lumbera also noted that "Santos still has not spoken about the whole brouhaha up to this day.[August 4, 2009]"

Malacañang Honors Committee Another aspect of the controversy regards the existence and of the Palace Honors committee which allegedly prepared the final list of nominees, which was eventually enacted by Arroyo.

Protesters claim that they were not aware of the existence of such a committee, and that at first, they had no idea who precisely were supposed to be on the committee. According to them, nominating committees were made by the CCP and NCCA, and a final list of nominees was prepared by a joint committee. NCCA sub-commission on the arts head Ricardo de Ungria, one of the panelists involved in the selection process, insisted before a congressional committee meeting on the matter that the arts community “were never apprised of the existence of this animal since the start of the selection process this year or eight years ago.”

According to Malacañang and to Cecile Guidote-Alvarez, however, the selection process had always involved the participation of three committees - those of the CCP, the NCCA and the Malacañang honors committee, whose head was Executive Secretary Eduardo Ermita.

Prominent protestors

Living National Artists of the Philippines who protested the proclamation of the four new National Artists included: Eddie Romero F. Sionil Jose Arturo Luz Bienvenido Lumbera Virgilio Almario BenCab Salvador Bernal

Other prominent critics include prominent Filipino Comic Book artist Gerry Alanguilan, multiple Palanca Award laureate Lourd de Veyra, Film Academy of the Philippines Director General Leo Martinez (who had played a part in the original nomination process).

Defense

Arroyo Administration The Arroyo administration was quick to defend its choices of individuals to be named to the Order of National Artists. Acting Executive Secretary and Presidential political adviser Gabriel Claudio told reporters that: "I think we can defend [their] track record and qualifications and reasons [for their selection].” He also said the administration would “stand by the qualifications, qualities, track record and reputation of those named as National Artists.”

Carlo J. Caparas Caparas defended his proclamation, saying that other aspirants to the honor ought to wait their turn.

“Ganyan talaga kung may something for grabs. E, iisa lang ang pipiliin. Sana, maghintay na lang sila ng tamang panahon sa gusto nilang manalo. Hindi naman ito palakasan.”(That's the way it is whenever something is for grabs. Only one person can be selected. They ought to wait for the right time for them if they want to win. It's not as if this were a case of sucking up.) Kaya wag mag-alala ang mga critics ko, may pagkakataon pa sila o ang mga manok nila na manalo in the future. (So my critics shouldn't worry, they or their fighting cocks still have opportunities to win in the future.) They cannot take the award from me anymore." “Baka ang nasa isip nila ay bata pa ako. Pero hindi naman ‘yon ang basehan. Sino naman ang ko-contest sa decision ng Cultural Center, ng NCCA at ng Malacañang tungkol sa award na ito? Mabuti na nga at ngayon pa lang ay ibinibigay na ang ganitong award sa mga taong nandito. Ang akala kasi nila ay sa matatanda o sa beterano o sa mga patay na ibinibigay ang ganitong award.” (Maybe they think I'm too young. But that's not a valid basis [for a choice]. Who would contest the decision of the Cultural Center, the NCCA, and Malacañang regarding this award? It's a good thing they're giving this award to someone who's still here. They think awards like this should only be given to the old, to veterans, or to the dead.)

Caparas said that instead of criticizing his award, entertainment people “should unite and work together to revive the ailing movie and komiks industry.” He attributed his win to the fact that he managed to cross over from comic books to film and television, and saying that his triumph was significant because he was a National Artist who came from the working class. “I am a National Artist who came from the masses," the Philippine Daily Inquirer quoted him as saying. "I work and struggle with them.” He said it was time for a National Artist “who the masses can identify with—someone who walks beside them, someone who can inspire them.” Noting that some Filipinos did not even know the National Artists he said “Hopefully, since I am still active in TV and in the movies, this will encourage our countrymen to learn more about our National Artists.”

Others who have come to his defense include Philippine Charity Sweepstakes Office (PCSO) director and former Movie and Television Review and Classification Board (MTRCB) chief Manoling Morato, Volunteers Against Crime and Corruption (VACC) head Dante Jimenez, boxer Manny Pacquiao, Senators Ramon Revilla Jr. and Jinggoy Estrada, Komisyon sa Wikang Filipino chair Joe Lad Santos, and Polytechnic University of the Philippines president Dante Guevarra.

Cecile Guidote-Alvarez Guidote-Alvarez also defended her qualifications for receiving the award. “Before you make a judgment," she said, "read my achievements first as an artist. Was I an idiot before I became a national artist?" As proof of her achievements, she cited previous awards, including the Ramon Magsaysay public service award for the arts, the CCP Gawad Sining Award for Literature, and the Outstanding Women in the Nation's Services award. She also cited her important role in the development of Philippine theater, having founded the Philippine Educational Theater Association (PETA) in 1967. She asserted that the President had the prerogative to name national artists who were not named in the selection committee's shortlist, and denied lobbying for the award, saying that President Arroyo had “never talked to [her] about it."

Significant events

On July 27, 2009, it was announced to the public that President Gloria Macapagal-Arroyo had named seven National Artists for 2009: National Commission on Culture and the Arts executive director Cecile Guidote Alvarez (theater); Manuel Conde (film and broadcast arts, posthumous); Lazaro Francisco (literature, posthumous); Federico Aguilar Alcuaz (visual arts in painting, sculpture and mixed media); Magno Jose Carlo Caparas (visual arts and film); Francisco Mañosa (architecture); and Jose "Pitoy" Moreno (fashion design).