Unhealthy overuse of corsets was a topic of public concern throughout the 19th century, at times escalating to a moral panic. Female fashion trends such as tightlacing or wasp waists encouraged excessively thin waists, leading to women possibly harming themselves to achieve certain bodily proportions.

Background Corsets, variously called a pair of bodys or stays, were worn by European women from the late 16th century onward, changing their form as fashions changed. In spite of radical change to fashion geographically and temporally, the corset or some derivative beneath an outer gown shaped the body or provided structure.

There were brief periods in which corsetry was not part of mainstream fashion. In the 1790s, there was an abrupt change to fashion as the Empire silhouette became fashionable. During the following Regency era, the highly supportive corsets of the early Georgian era were dismissed in favor of short garments worn primarily to support the breasts, leaving the waist and hips in their natural shape.Jenkins, David (ed.), The Cambridge History of Western Textiles, Cambridge University Press, September 2003, p. 903

Beginning in the mid-1820s, women's fashion returned to the full skirts of the prior century. In a repudiation of the Empire silhouette, the waist became the central focus of female dress and the corset evolved to encompass the waist and hips. In addition, the advent of steel boning, clasps, and eyelets allowed wearers to lace their corsets tighter than ever before without damaging them.Ewing, Elizabeth, Dress and Undress, A History of Women's Underwear, London 1978 Doctors and much of the press deplored the garment in spite of continued use.The Lancet, Volume 94, Issue 2400, August 28, 1869, "The Waist of the Period"

Media

Wearing corsets has been subject to criticism since the era of tight lacing during the prior early 18th century. Cartoons of the period satirized the practice. However, by the 19th century, women were writing letters to publications expressing their views directly and articulately. The one-sided denunciation of the past turned into a dialogue. Women made their voices heard, sharing their experiences and their opinions, some in favor of the corset and even tight lacing, and some in disfavor of the restrictive garment. Newspapers and popular journals became the media for the exchange of hundreds of letters and articles concerning the corset.

Known as the "corset controversy" or the "corset question", the controversy spilled over multiple publications, countries and decades. Of particular concern was the issue of tight lacing. The flow of articles and letters waxed and waned over time, reaching a crescendo in the late 1860s, which may be taken to be the peak of the frenzy. However, the issue surfaced long before and continued long afterward. Throughout this period, advertisements in the same publications promoted the sale of corsets with enthusiasm.Wikimedia Commons, Category: Corset advertisements

In the United Kingdom, publications in which the controversy raged included The Times, The Lancet, Queen, The Scotsman, Ladies Treasury, The Englishwomen's Domestic Magazine, and All the Year Round. In the United States, the Chicago Tribune commented that English journalists discussed both sides of the controversy "with very great fervor and very little common sense," though it published its own contributions. Other American newspapers and periodicals also participated, including The New York Times, The Washington Post, The Boston Globe, the Hartford Daily Courant, the North American Review, and The Saint Paul Daily Globe. Other parts of the English-speaking world joined from time to time, reprinting articles from England and America, as well as contributing their own. Even provincial newspapers such as the Amador Ledger of California, the Hobart Town Courier, the Otago Witness, and the Timaru Herald of New Zealand had their say.

This eruption of published discourse on this topic was a break from propriety norms at the time; particularly noted was the series of "corset correspondence" in The Englishwomen's Domestic Magazine, which ran from 1867 to 1874. This volume of correspondence has become influential in later perception of the practice of tightlacing, and corset usage in general, although doubt has been cast on the veracity of the letters, which were submitted anonymously. In this series of letters, a number of extreme tightlacing practices were described in salacious detail, including use of corsetry as punishment and of a sadomasochistic nature, resulting in waist sizes as low as 13 inches.Steele, Valerie (2001). The Corset: A Cultural History. Yale University Press. .

Criticism

The line between wearing corsets in general and tight lacing in particular was never drawn precisely. Many detractors denounced both, obviating the distinction, while many advocates endorsed both. Additionally, many women who wore corsets denied that they tight-laced, adding confusion to the controversy. The West Coast Times wrote that "consequences of tight lacing are universally admitted," yet ladies' denial persisted. They preferred to claim that their small waist was "a gift of Nature" and that they wear a corset for "comfortable, if not necessary support."

Although the discussion around this topic ran to the extremes at times, ultimately most agreed that some degree of corseting was beneficial and necessary, as women's bodies were believed to be weaker than men's. However, the degree of reduction and the regimen used to achieve the reduction were highly controversial, with many doctors blaming mothers for pushing their daughters to corset too early or too tightly, and many mothers bemoaning their daughters' insistence in tightlacing despite their warnings. Few openly claimed to tightlace; the accounts from The Englishwomen's Domestic Magazine of proud tightlacing practitioners drew much ire and controversy. Only a few argued that corsets should be entirely discarded.

The dress reform movement

Advocates of dress reform deplored the impractical and restrictive fashions of the time. The bloomer dress was a mid-century attempt at rational clothing for women. It attracted considerable ridicule in the press and relatively few adopters. Other attempts at dress reform fared no better.

Various dress reformers turned to the printing press. In 1873, Elizabeth Stuart Phelps Ward wrote:

Louisa May Alcott devoted Chapter 18 ("Fashion and Physiology") of her 1875 young adult fiction, Eight Cousins, to advocating for dress reform in the form of the "freedom suit," which is described as being different from and more socially acceptable than bloomers. The young main character, Rose Campbell, is under the guardianship of her physician uncle Alec. However, her aunt Clara wishes Rose to dress appropriately to her position as an heiress, and one day gives her a fashionable outfit to try. Rose ultimately rejects it in favor of Alec's freedom suit, consisting of close-fitting pantaloons and shirt under a long-skirted petticoat and dress. Earlier in the novel, Rose had been wearing a tight belt to keep her waist small, which Alec insisted she stop doing for the sake of her health (Chapter 5, "A Belt and a Box"). When Clara tries to convince her to wear a corset, Alec is furious.

But dress reform had little mainstream impact. Fashion continued to emphasize the waist and, so long as it did, the corset continued to be regarded as an indispensable of dress. An unusually perceptive reformer described the situation in an address to the National Christian League in 1895. Her speech was reported in The New York Times:

It seemed that change would be glacially slow at best. A year later, The New York Times wrote:

End of the controversy

From 1908 to 1914, the fashionable narrow-hipped and narrow-skirted silhouette necessitated the lengthening of the corset at its lower edge. A new type of corset covered the thighs and changed the position of the hip, making the waist appear higher and wider. The new fashion was considered uncomfortable, cumbersome, and furthermore required the use of strips of elastic fabric. The development of rubberized elastic materials in 1911 helped the girdle replace the corset. This was the huge turnaround for the history of the waist trainer.

The corset controversy changed in the early 20th century when the world of fashion circled back to styles reminiscent of the Empire silhouette. Fashionable dress was fluid and soft, with flowing lines. What rational dress reform was unable to accomplish in decades of rhetoric, the wheel of changing fashion brought about almost overnight. The waist became unimportant and the waist-restricting corset lost its significance.

Paul Poiret was a leader in this movement. He replaced the corset with the hobble skirt, which, while equally restrictive, was different and thus readily adopted in an era eager for change.Ewing, Elizabeth, Dress and Undress, A History of Women's Underwear, London 1978, p. 113 In his autobiography, Poiret wrotePoiret, Paul, My first fifty years, Gollancz, 1931, p. 73

The hobble skirt lasted but a few years, but its adoption marked the beginning of the end. Other designers such as Madeleine Vionnet, Mariano Fortuny, and Coco Chanel soon followed with simple comfortable fashions that freed the entire woman. With their adoption into mainstream fashion, the corset controversy receded into a historical curiosity while the controversy about bras had just begun.

See also History of corsets Hourglass corset Tightlacing Victorian dress reform Victorian fashion Wasp waist Swedish Dress Reform Society

References

External links

That Waist - Photo editing at the turn of the century