The Infinite Worlds of H. G. Wells is a four-hour television miniseries conceived by Nick Willing and released in 2001 by the Hallmark Channel. It is based on a number of short stories by H. G. Wells, and in some territories was titled The Scientist.
Structure and plot Each episode adapts — and sometimes quite radically changes — two of Wells's short stories. The first episode adapts "The New Accelerator" and "The Queer Story of Brownlow's Newspaper." The second episode adapts "The Crystal Egg" and "The Remarkable Case of Davidson's Eyes," and the third, "The Truth About Pyecraft" and "The Stolen Bacillus". Each episode is written as if it were a "real" incident that Wells had investigated with his girlfriend, Jane Robbins, and as if it had served as an inspiration for a short story.
Each short story adaptation is presented as a flashback to 1893 within a frame story set in 1946, near to the end of Wells's life, when he is interviewed by members of a secret military research institute interested in his past exploits.
First episode Ellen McGillvray, a young and promising American journalist, meets the famous science fiction writer H. G. Wells, to interview him. She has been sent by an acquaintance of his, Arthur, editor of the Sunday Chronicle. After an initial cold and annoyed approach, caused by the delay of the journalist, Wells begins narrating the adventures of his past, flanked by the famous prof. Cedric Gibberne, recently deceased. Ellen hopes that the interview gives a complete portrait of him, including his early academic years.
The New Accelerator
London 1893. The scene opens showing a pleasant bickering between Wells and Dr Jane Robbins, who has just started working at Imperial College London. This bickering continues through the halls of the university and leads Wells and Jane in a classroom where some teachers and some students gathered to attend a demonstration by prof. Gibberne on the relationship between the nervous system and electricity, through the use of an electrovoltaic spectrograph.
During the activation of the spectrograph, however, a frightening roar makes Gibberne and the assistant Whittaker literally fly a few meters from the desk where the experiment was in progress. At the same time the doors open and are literally unhinged.
Recovering from the accident, Gibberne notices the disappearance of the spectrograph. To this mystery is added the fact that the doors are unhinged in the opening directions, and not as they should be in the case of an explosion or an implosion (theory discarded thanks to Wells' observation); moreover, the windows have not suffered any damage.
Wells and Jane thus begin to investigate, finding clues that lead them to a surprising discovery: the existence of an "accelerating drug", invented by Mark Radcliffe, another professor at the university, which allows people, for a short period of time, to be faster than sound.
Found out the responsible for the accident that occurred to prof. Gibberne, Wells and Jane go to Radcliffe's laboratory, seeing him disappear before their eyes. It will be up to Wells and Gibberne to find out where Radcliffe has disappeared with his drug, facing a sad reality: perhaps the accelerating drug is not only a step forward for humanity, but also a sacrifice of one's existence.
When the story is over, Wells gets up from his chair, convinced that Ellen's interview is over. At that point the journalist takes an agenda from her bag and hands it to the writer, who not only recognises it, but skims through it, beginning to tell another extraordinary story.
The Queer Story of Brownlow's Newspaper
Wells' flashback takes us to an underground tunnel, where Arthur Brownlow, controller of the subway's power lines, is about to work on a generator. An oversight by Arthur leads him to come into contact with some cables, from which he receives an electric shock that knocks him out.
Recovering from the accident, Arthur goes to the pub that he attends regularly. Once he sits down, he orders a drink and, in that moment, he experiences a sensation that he himself defines as when everything that's happening has happened before, a feeling of déjà vu, so much so that he manages to anticipate events and phrases before they happen. Feeling the victim of a joke, Brownlow leaves the pub annoyed, and goes back home.
Returning to the pub the following day, and apologising for his behaviour towards his friends, he explains to them that, in his opinion, the underground accident made him go to the future and then brought him back to the past. Mocked by his friends, Arthur promises to give them a proof, remembering a betting journal he had in his pocket at the time of the accident, which actually bears the date of the supposed coming week. The next day Arthur takes his friends to the hippodrome, winning and making them win huge sums of money.
The scene shifts to Wells, discouraged for lack of inspiration, and to Jane, worried about him, given the evolution of the relationship between the two. Jane tries to help him by bringing him newspapers, hoping that some particular article will help him to find an inspiration. Skimming through the newspapers, Jane finally finds an article worthy of merit, which tells of the wins of Arthur and his friends.
Meanwhile Arthur continues with his bets and wins, followed by his friends. Back in the pub in the evening, they celebrate; among the new faces in the pub, we spot Wells and Jane. At that moment, a friend of Brownlow has an accident, being crushed by a carriage. Shocked by the accident, Brownlow confides in Wells, telling of the underground accident and the lucky week.
Wells understands that Brownlow does not live the future, but the electric discharge has brought him into the past; by modifying the past, Brownlow has irremediably changed it. The only way Arthur has to fix things is to relive the incident in the same way as the week before, in order to go back to the past.
The next day Wells and Jane accompany Brownlow, ready to repeat the incident the week before. After wishing him good luck, they leave, but not before Jane puts Wells's notebook on this fantastic story in Arthur's pocket. Arthur will have the choice whether to repeat the incident in order to return to the past, or continue in the present.
At that point Wells ends his story, and asks Ellen to explain the reason for her visit, as well as her real identity, since the writer considers the entire interview and the journalist a farce. The alleged reporter, surprised by Wells' intuition, tells the truth about her identity and her visit. It turns out that Ellen is actually a government official sent to Wells to gather as much information on Gibberne as possible.
Ellen informs Wells that Gibberne's research was observed and considered of great importance by the Ministry of War. After his death, an armoured trunk was found among his personal effects, containing the writer's diary and other very particular objects of evident scientific importance for the professor. Ellen and Wells go therefore to a building that seems uninhabited but it reveals to be a sort of military base. Ellen brings Wells to the room with the mysterious trunk; having opened it, the writer exclaims: "Uh! Good God alive ... Good God!"
Second episode Wells takes from the inside of the trunk an oval-shaped object resembling a stone; according by Ellen, it is a crystalline substance of unknown origin weighing 13 3/4 ounces, resistant to any acid and any attempt to engrave with a diamond. Wells states that the stone, once upon a time, was of rare beauty, and not black and dull as it now appears. The Crystal Egg The scene shifts into a clear night, a drunken bum named Skinner with his dog wanders around what appears to be a field. Suddenly a fireball crashes not far from him, and at the moment of impact Skinner falls to earth beating his head and fainting.
In the morning, once awakened, Skinner, attracted by the dog's barking, approaches a huge crater, noticing a large meteorite on the bottom. As he descends into the crater, he hears his dog yelp, followed by several echoes; Skinner keeps calling his dog who seems to have vanished into thin air. Approaching the meteorite, he notices a stone inside that gives off a strong intermittent golden light; as he approaches further, the light seems to go out, becoming crystalline white.
The scene shifts to the university, where Jane meets the bizarre William Cave, according to her naturalist, in search of the vivarium. Jane accompanies him, and, after selling some frogs he had with him for a paltry sum, realises he is late. Leaving his business card with Jane, William runs away, terrified of being late with his wife Rosa.
Once the scene is moved back to Skinner, he is seen walking into an antique shop, hoping to sell the strange stone found in the crater. Entering the store Skinner finds himself having to negotiate the price with the despicable Mrs. Cave, William's greedy and mean wife, who gets the stone for a paltry sum.
At night William, awakened by Rosa's cat, who bursts into the bedroom of the couple terrified, goes to the shop, located downstairs, and notes with amazement that the egg gives off a strange whitish light. He also notes that that light appears to be stimulated by the Moon, whose glow enters in the room through a window.
The following day Mr. Jacoby Wace, a regular customer looking for second-hand jewelry, comes to the shop, and Rose shows him the stone Skinner brought. Analysing it with a monocle and after having discarded several theories (Quartz, Rock Crystal, Lead glass, Tourmaline, etc.), he asks the greedy owner to take a sample with a scalpel. However, as soon as the man touches the crystal egg, it illuminates and emanates a sound similar to a moan, as if endowed with his own will, and then it pushes the scalpel back towards Jacoby, scratching his cheek and sticking itself to the wall behind him.
The scene shifts for a moment to Ellen and Wells, where we learn that Gibberne, about 5 years after the events (according to Ellen, as soon as the devices are available), x-rayed the egg, discovering that its internal structure resembles a human brain in all its characteristics.
Back in the antiques shop, the scene focuses on William, maniacally attracted to the mysterious object. Meanwhile Wells goes to the shop, following Jane's advice not to stay holed up in the house; however, as he is about to enter the shop, he finds the door closed and sees William grabbing the egg from the window and disappearing into the dim light.
Locking himself in a room, William tries to recreate the situation of the previous night, making a glimmer of light touch the egg. Realising that the egg reacts to any light source, as long as it receives it at a precise angle, the man reactivates the strange object, remaining enchanted. Looking more carefully he notices that a sort of world hides in that glow, a sandy expanse with a reddish color, where a few moments later a strange creature reminiscent of an insect appears. The unexpected arrival of Mrs. Rosa awakens William from the enchantment that the egg was exercising on him, bringing the latter to his natural state.
Frightened by the vision of the creature inside the egg, William goes to Jane asking for information about her strange being, given her knowledge of the matter. A few moments later Wells enters the room, and after learning of the details about the crystal egg, he goes to the antique shop to view the object.