The sambuca (also sambute, sambiut, sambue, sambuque, or sambukeWebster's Revised Unabridged Dictionary, C. & G. Merriam Co. (1913)) was an ancient stringed instrument of Asiatic origin. The term sambuca is also applied to a number of other instruments.

Original The original sambuca is generally supposed to have been a small triangular ancient Greek harp of shrill tone, cites: Arist. Quint. Meib. ii. p. 101. probably identical with and , the Greek form being or or .A Dictionary of Greek and Roman Antiquities (1890), Sambuca

Eusebius wrote that the Troglodytae invented the sambuca, while Athenaeus wrote that the writer Semus of Delos said that the first person who used the sambuca was Sibylla, and that the instrument derives its name from a man named Sambyx who invented it.Athenaeus, Deipnosophists, 14.40 Athenaeus also wrote that Euphorion in his book on the Isthmian Games mentioned that Troglodytae used sambuca with four strings like the Parthians.Athenaeus, Deipnosophists, 14.34 He also add that the Magadis was an ancient instrument, but that in latter times it was altered, and had the name also changed to that of the sambuca.Athenaeus, Deipnosophists, 14.36

The sambuca has been compared to the siege engine of the same name by some classical writers; Polybius likens it to a rope ladder; others describe it as boat-shaped. Among the musical instruments known, the Egyptian enanga best answers to these descriptions, which are doubtless responsible for the medieval drawings representing the sambuca as a kind of tambourine, notes: see and plate 42, where the illustration resembles a tambourine, but the description mentions strings, showing that the author himself was puzzled. for Isidore of Seville elsewhere defines the symphonia as a tambourine.

The is mentioned in the Bible ( verses 5 to 15). In the King James Bible it is erroneously translated as "sackbut".

Ancient sources

Primary information regarding the origins, structure, and reception of the sambuca survives in classical works, most notably Athenaeus's Deipnosophistae, Polybius's Histories, and Eusebius's Praeparatio evangelica. In Book XIV of the Deipnosophistae, Athenaeus records several traditions concerning the instrument's origin and configuration, citing the poet Euphorion and the philosopher Pythagoras of Rhegium: Athenaeus further compiles conflicting accounts of its invention from Semus of Delos and church tradition: Eusebius records an alternative tradition attributing its creation to African peoples: "The Troglodytae invented the sambuca, a stringed instrument." In Book IV of his Onomasticon, the 2nd-century grammarian Julius Pollux categorizes the sambuca among high-pitched stringed instruments (trigona and sambykai) of foreign provenance.

Other instruments

During the Middle Ages the word "sambuca" was applied to: a stringed instrument, about which little can be discovered a hurdy-gurdy, a hand-cranked stringed musical instrument from the Middle Ages, sometimes called a sambuca or sambuca rotata a wind instrument made from the wood of the elder tree (sambūcus).

In an old glossary article on (flute), the sambuca is said to be a kind of flute: cites:

Isidore of Seville describes it in his Etymologiae as: cites:

In a glossary by Papias of Lombardy (c. 1053), first printed at Milan in 1476, the sambuca is described as a kithara, which in that century was generally glossed "harp": "Sambuca, cytherae rusticae" (Sambucas, simple harps).

In Tristan (lines 7563–7572) when the knight is enumerating to King Marke all the instruments upon which he can play, the sambiut is the last mentioned:

A Latin–French glossary cites: has the equivalence Psalterium = . During the later Middle Ages was often translated "sackbut" in the vocabularies, whether merely from the phonetic similarity of the two words has not yet been established.

The great Boulogne Psalter (11th century) contains many fanciful instruments which are evidently intended to illustrate the equally vague and fanciful descriptions of instruments in the apocryphal letter of Saint Jerome, ("to Dardanus"). Among these is a , which resembles a somewhat primitive sackbut without the bell joint. In the 19th century it was reproduced by Edmond de Coussemaker, Charles de la Croix and Eugène Emmanuel Viollet-le-Duc, and has given rise to endless discussions without leading to any satisfactory solution.

Fabio Colonna created the pentecontachordon, a keyboard instrument which he called a sambuca.

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