Bridge over Troubled Water (song)

"Bridge over Troubled Water" is a song by the American folk rock duo Simon & Garfunkel, released in January 1970 as the second single from their fifth and final studio album, Bridge over Troubled Water (1970). It was written by Paul Simon and produced by Simon, Art Garfunkel and Roy Halee.

"Bridge over Troubled Water" features lead vocals by Art Garfunkel and a piano accompaniment influenced by gospel music, with a "Wall of Sound"-style production. It was the last song recorded for the album, but the first completed. The instrumentation, provided by the Wrecking Crew, was recorded in California, while Simon and Garfunkel's vocals were recorded in New York. Simon felt Garfunkel should sing solo, an invitation Garfunkel initially declined. Session musician Larry Knechtel performs piano, with Joe Osborn playing bass guitar and Hal Blaine on drums.

The song won five awards at the 13th Annual Grammy Awards in 1971, including Grammy Award for Record of the Year and Song of the Year. It is Simon & Garfunkel's most successful single, topping the US Billboard Hot 100 singles chart for six consecutive weeks, and was the No. 1 song on the Billboard Year-End Hot 100 singles of 1970. It also hit number one in the United Kingdom, Canada, France and New Zealand. It reached the top five in eight other countries, eventually selling over six million copies worldwide. It became one of the most performed songs of the 20th century, covered by over 50 artists, including Elvis Presley, Aretha Franklin and Johnny Cash. It is ranked number 66 on Rolling Stones 500 Greatest Songs of All Time. American politician George McGovern used it as the theme song for his 1972 presidential campaign.

Background "Bridge over Troubled Water" was written by Paul Simon in early 1969; the song came to him very quickly, so much so that he asked himself: "Where did that come from? It doesn't seem like me." The title concept was inspired by Claude Jeter's line "I'll be your bridge over deep water if you trust in my name", which Jeter sang with his group, the Swan Silvertones, in the 1959 song "Mary Don't You Weep".Sisario, Ben. "Claude Jeter, Gospel Singer With Wide Influence, Dies at 94 ", The New York Times, January 10, 2009. Accessed January 11, 2009. According to gospel producer and historian Anthony Heilbut, Simon acknowledged his debt to Jeter in person, and handed Jeter a check. Simon named Johann Sebastian Bach's "O Sacred Head, Now Wounded" as inspiration for parts of the melody. Simon wrote the song initially on guitar but used the piano to reflect the gospel influence and suit Garfunkel's voice.

Simon told his partner, Art Garfunkel, that Garfunkel should sing it alone, the "white choirboy way", though Simon adds harmony on the final verse. Garfunkel felt it was not right for him; he liked Simon's falsetto on the demo and suggested that Simon sing. At the suggestion of Garfunkel and producer Roy Halee, Simon wrote an extra verse and a "bigger" ending, though he felt it was less cohesive with the earlier verses.Kingston, Victoria, Simon and Garfunkel: the Definitive Biography, Sidgwick & Jackson, UK, 1996 p.101-02 The final verse was written about Simon's then-wife Peggy Harper, who had noticed her first gray hairs ("Sail on, silvergirl"). It does not refer to a drug abuser's hypodermic needle, as is sometimes claimed. The verse was Garfunkel's idea, but Simon reportedly did not like it.

"Bridge over Troubled Water" was the final track recorded for the album but the first completed, with an additional two weeks of post-production. Simon initially wrote the song in G major, but arranger and composer Jimmie Haskell transposed the song to E-flat major to suit Garfunkel's voice. The song's instrumental parts were recorded in August 1969 in California, to make it easier for Garfunkel to go to Mexico to film Catch-22. Simon wanted a gospel piano sound, and hired session musician Larry Knechtel. Joe Osborn played two separate bass tracks, one high and the other low. A string section entering in the third verse completed the arrangement. The drums were played by Hal Blaine in an echo chamber to achieve a hall effect and Los Angeles session percussionist Gary Coleman played the Vibraphone. Haskell misheard the demo's chorus, writing "Like a Pitcher of Water" on the title page of his sheet music: Simon later framed it.

Simon and Garfunkel returned to New York in November 1969 to record the vocals. The vocal style in "Bridge over Troubled Water" was inspired by Phil Spector's technique in "Old Man River" by The Righteous Brothers. Simon said it sounded like the Beatles' "Let It Be", stating in a Rolling Stone interview: "They are very similar songs, certainly in instrumentation."

As their relations frayed preceding their 1970 breakup, Simon began to experience regret for allowing Garfunkel to sing it solo:

Personnel Art Garfunkel – lead vocals Paul Simon – backing vocals Larry Knechtel – piano Joe Osborn – bass guitar Hal Blaine – drums and percussion Jimmie Haskell, Ernie Freeman – string arrangements

Critical reception Billboard called it a "beautiful, almost religious-oriented ballad" whose "performance and arrangement are perfect". Cash Box said that "set in parable, this love ballad carries a two-level interpretation" and praised "Garfunkel's magnificent vocal performance and the material." Record World predicted that the song would "equal [the duo's] 'Boxer' success".

The song has also been lauded as one of the greatest by Simon & Garfunkel. In 2017, The Guardian called the song one of the best by the duo, describing it as "heart-stirring". The Independent similarly lauded the song in 2020, calling it "a transcendent experience" and ranking it as the best song by the group. In June 2026, CBS News included the song in its list of the 250 essential American songs of the past 250 years.

Commercial performance Despite the song's five-minute length, Columbia decided to release "Bridge over Troubled Water" for play on pop radio. AM radio had previously played Bob Dylan's "Like a Rolling Stone" in 1965, despite its running over the conventional three-minute playtime limit. This figured in Columbia's decision to release the five-minute version of "Bridge over Troubled Water" as a single. It reached number one on the Billboard Hot 100 chart on February 28, 1970, and stayed at the top of the chart for six weeks. "Bridge over Troubled Water" also topped the adult contemporary chart in the US for six weeks.Whitburn, Joel (1996). The Billboard Book of Top 40 Hits, 6th Edition (Billboard Publications) Billboard ranked it as the No. 1 song for 1970.Billboard Year-End Hot 100 singles of 1970 In Canada it was number one for four weeks and was in the top 10 for seven weeks.

The song was certified Gold for over one million copies in the US by the Recording Industry Association of America, and sold over six million copies worldwide.

Awards The single won the Grammy Award for Record of the Year, Song of the Year, Best Contemporary Song, and Best Arrangement, Instrumental and Vocals in the Grammy Awards of 1971, with its album also winning Album of the Year.

Charts and certifications

Weekly charts +Weekly chart performance for "Bridge over Troubled Water" Chart (1970) Peakposition Finland (Suomen virallinen lista) 8 Indonesia (Aktuil) 1 South Africa (Springbok Radio) 4

Year-end charts +Year-end chart performance for "Bridge over Troubled Water" Chart (1970) Position Australia 5 Netherlands (Dutch Top 40) 29 Netherlands (Single Top 100) 30 UK Singles (OCC) 5 US Billboard Hot 100 1

All-time charts +All-time chart performance for "Bridge over Troubled Water" Chart (1958–2018) Position US Billboard Hot 100 229

Certifications

US chart performance "Bridge over Troubled Water" entered the Billboard Hot 100 top 40 at no.13 on February 9, 1970. It jumped to no.3 the following week before climbing to no.1. During a six-week run at the top – the most for any single that year – Simon and Garfunkel held off strong competition from Creedence Clearwater Revival ("Travelin' Band") and The Jaggerz ("The Rapper"). Then, on April 11, the song fell to no.5 – replaced by The Beatles' "Let It Be". "Bridge over Troubled Water" concluded a 13-week run in the US top 40 on 9 May as their follow-up hit "Cecilia" began its rise to no.4.

UK chart performance As in the US, "Bridge over Troubled Water" made its UK top 40 bow at no.13, on February 28, 1970. The song climbed steadily over the next four weeks before claiming no.1 on March 28. During a three-week stay at the top, it held off strong competition from Mary Hopkin with "Knock, Knock Who's There?" and "Can't Help Falling in Love" by Andy Williams. Then, on April 18, the song fell to no.2 – replaced by "All Kinds of Everything" by Dana. In total, "Bridge over Troubled Water" spent seventeen weeks in the UK top 40 (concluding on June 27).

Covers "Bridge over Troubled Water" has been covered by over 50 artists, including Elvis Presley and Willie Nelson. Merry Clayton recorded a version in gospel style on her 1970 album Gimme Shelter. A cover was included on The Supremes' 1970 release New Ways But Love Stays with vocals by Jean Terrell, Mary Wilson, and Cindy Birdsong. Roberta Flack covered the song on her 1971 album Quiet Fire. A cover recorded by Johnny Cash and Fiona Apple for Cash's American IV: The Man Comes Around album was nominated for the Grammy Award for Best Country Collaboration with Vocals in 2003.

Aretha Franklin version

Aretha Franklin's gospel-infused cover version was recorded in the summer of 1970, during the sessions for what would become her 1972 album Young, Gifted and Black. Franklin's rendition is recorded in the key of B major, and contains a brief interpolation of the Four Tops' 1970 hit "Still Water (Love)". Franklin debuted her version on March 5, 1971, during her landmark three-night stint at San Francisco's Fillmore West, which was later released as Aretha Live at Fillmore West. Eleven days later, she performed the song on television for the first time at the 13th Annual Grammy Awards, at which an already-disbanded Simon & Garfunkel won five Grammy Awards for the song. Franklin's Grammy performance was released decades later on the 1994 compilation Grammy's Greatest Moments Volume III. Paul Simon identified it as his favorite cover of a song he wrote. Franklin's rendition was included in CBS News's list of the 250 essential American songs of the past 250 years, one of five Franklin songs to make the list.

Elvis Presley

In 1970, Elvis Presley covered the song for his album That's the Way It Is. He went on to include the song in many concerts until his death in 1977.

Chet Atkins and Jerry Reed Chet Atkins and Jerry Reed recorded an instrumental version of the song and released it on their 1970 album Me & Jerry. The song appears as the second song on the album's first side and features both Reed and Atkins playing guitar trading lines back and forth with each other. The album and their rendition of the song received generally positive reviews with the former going on to win the 1971 Grammy Award for Best Country Instrumental Performance.[ AllMusic entry for reissue of Me & Jerry and Me & Chet.]

Linda Clifford