Last radio show on Sirius XM was 10/4/2026.
Rodney Ray Bingenheimer (born December 15, 1946) is an American radio disc jockey who is best known as the host of Rodney on the ROQ, a radio program that ran on the Los Angeles rock station KROQ-FM from 1976 to 2017. In the early 1970s, he also managed a Los Angeles nightclub called Rodney Bingenheimer's English Disco.
Bingenheimer helped numerous bands become successful in the American market. He developed a reputation for being the first American DJ to identify new artists and play "edgy new bands" such as Blondie, the Ramones, the Sex Pistols, Van Halen,Morning Edition, June 2, 2017, NPR, After 40 Years, DJ Rodney Bingenheimer Will Say Goodbye To KROQ, Retrieved June 5, 2017 Guns N' Roses, Duran Duran, the Cure, Joan Jett, the Hollywood Squares, Hole, Symbol Six, No Doubt, Blur, Nirvana, Sonic Youth, the Bangles, X, the Pandoras, Germs, and many others.
In 2003, Bingenheimer was the subject of the documentary Mayor of the Sunset Strip. He was described as a "famous groupie, now respectable" by Mick Jagger, and the film documented Bingenheimer's status as a person with numerous high-profile friends. In 2007, he was honored with the 2,330th star on Hollywood Boulevard. In 2017, Bingenheimer joined SiriusXM's Little Steven's Underground Garage.
Early life Bingenheimer was born in Mountain View, California, to a star-struck mother who separated from Bingenheimer's father when he was only three years old. His father had wanted to be a celebrity but settled for attending celebrity golf events. His mother was described as a "difficult woman" and a "relentless autograph hound".
One report suggested he had a lonely childhood, since he often spent nights alone while his mother worked as a waitress. Another report suggested that the emerging rock music of the day became his "home" and a way for him to deal with the divorce of his parents. He devoured fan magazines; he was "obsessed" with stars.
When Bingenheimer was 16,Note: another report was this happened when Rodney was 17; another one suggests he was there when he was 14. his mother drove him to southern California and dropped him off at the house of Connie Stevens, and instructed him to get the star's autograph. Then she left abruptly. This was the beginning of a six-year separation from his mother, and he was on his own in Los Angeles, around the year 1963.
Career When Bingenheimer arrived in Los Angeles actor Sal Mineo dubbed him "the Mayor of the Sunset Strip". He formed friendships with pop stars of the day such as the Byrds and Sonny & Cher, for whom he was a live-in publicist. In his own words, Bingenheimer "became the talk of the town because I had the perfect Brian Jones 'do' (hairstyle)."
Bingenheimer worked as an intern at Mercury Records. He escorted British pop star David Bowie to L.A. hot spots. He auditioned for the Davy Jones part in the Monkees. While he did not get chosen, he dressed like Davy Jones and had a similar haircut then later worked as a double or stand-in for Jones in the Monkees episode "Prince and the Pauper". The Monkees stand-in role was a "break" for Bingenheimer.
Bingenheimer was described as shy, thin and unassuming with a "squeaky voice", usually described as soft. One report suggested his voice was "so soft you have to lean in to hear it". Another writer described his voice as soft like a "harmonica that cuts through the angry noise of today's frat jocks". His voice has also been described as "tentative" and not a "vibrating personality" or a "great radio voice" but reflecting almost "painful sincerity". He was described as having a "small, womanish face" and that he's worn the "same haircut (shaggy with bangs)" for most of his life. Actor MacKenzie Phillips reportedly called him a "gnome" and he's been described as having a faint resemblance to Andy Warhol.
Bingenheimer became a groupie of sorts and formed attachments with prominent artists including Sonny and Cher. He met Cher by going backstage after a concert and according to Bingenheimer, she looked at him and said "Oh my God, you look just like Sonny!" They "bonded" and he went to work for them and "they took care of me", he said.
In a later interview, Bingenheimer explained that many artists grew to like and trust him because of his sincerity, taste in music and not being pushy. Writer Alison Powell in The Guardian wrote that his "sincerity helped him gain the trust of Brian Wilson, the Beatles, even Elvis". During these years he was photographed near countless celebrities from the worlds of acting and music and Hollywood, including John Lennon and Yoko Ono, Mick Jagger, Adam Ant, the Beach Boys and many others, almost like a "real life rock'n'roll Zelig". He ingratiated himself to many stars, people liked him. He got himself a job as a gofer for the Monkees and worked as a caterer at one point.
In those days of "free love", he found many young women to "mother him" and sometimes have sex with him. He was described as being a go-between serving the needs of young women and rock stars and often had sex with women as a precondition for them meeting rock stars later on, according to writer David Edelstein in Slate magazine. Wherever he went in the music and club scene, "his face was his passport". According to Led Zeppelin vocalist Robert Plant, Bingenheimer had sex with more women than Plant.
Incidents contributed to Bingenheimer's notoriety. He and Sonny Bono were reportedly asked to leave the Hollywood restaurant Martoni's because of their hippie appearance, which reportedly prompted Bono to write the song "Laugh at Me". Bingenheimer brought Beach Boys singer Brian Wilson to the recording session for Tina Turner's lead vocal on the Phil Spector classic "River Deep, Mountain High", and he was included in a dialogue by the all-female band the GTOs on their Frank Zappa-produced LP Permanent Damage.
In the late 1960s he was hired by Nik Venet to do publicity for Linda Ronstadt's group the Stone Poneys but he became so disenchanted with the LA music scene during this period that he moved to the United Kingdom where he enjoyed the London nightclub vibe with the help of his friend David Bowie. He discovered the nascent British glam rock scene and met other emerging stars such as Rod Stewart. Bingenheimer bought many records in London. It was Bowie who suggested that Bingenheimer return to Los Angeles and open a new music club.
Club days
Bingenheimer flew back and opened a nightclub initially called the E Club on Sunset Strip with his record producer partner Tom Ayres and one other partner. Outside there was the British flag, the Union Jack. It served "British bangers" and beer. It had a small "VIP area" which was a roped-off section near the dance floor.
The club opened in October 1972 at 8171 Sunset Boulevard, near his various West Hollywood apartments, and Bowie was one of the club's first guests. It subsequently moved to 7561 Sunset Blvd. and was renamed Rodney Bingenheimer's English Disco. In this version it became a favorite hangout for many rock stars (and a favored haunt for young female groupies) and through the Disco Bingenheimer introduced much of the Los Angeles music scene to glam rock. At one point, Elvis Presley dropped by for "pints of Watney's".
The English Disco also featured occasional live performances, including appearances by the New York Dolls and the Stooges in 1973, and Iggy Pop staged his infamous concert on August 11, 1974, during which he performed an improvised "play" called Murder of the Virgin (in which he was whipped by guitarist Ron Asheton, who was dressed in a Nazi uniform) and which climaxed with Iggy repeatedly slashing his chest with a knife. In October 1974, Jerome T. Youngman and the band Punk performed with fellow Detroit band Mighty Quick.
Speaking of this period, David Bowie later recalled:
When the club closed in 1975, Bingenheimer was reportedly disenchanted with the stylized dance-genre disco to the extent that he abruptly abandoned his club "English Disco", so as not to be associated with the popular movement. But a later report suggested that a disagreement between the owners was the primary cause of the club's closure. During this brief period between his nightclub and KROQ, he made extra money selling his Beatles memorabilia to David Daniel, a friend from his nightclub and the Rainbow Bar and Grill.
Radio days: KROQ Due to his connections within the burgeoning L.A./Hollywood music scene, Bingenheimer was given a show on the then-relatively unknown Pasadena radio stations KROQ-AM and FM, called Rodney on the ROQ, which began in August 1976 and had its last broadcast June 5, 2017. His tentative voice conveyed a "painful sincerity", suggesting that he "loves the music he plays", discussing it like a matchmaker introducing a person to a song.
His radio show had an influence on the emerging Los Angeles punk scene in the late 1970s, while Bingenheimer was at stated odds with the prevailing country-rock style that dominated West Coast music. The show featured the latest punk, new wave and glam rock releases from London and New York, and labored to help artists build their careers alongside "anybody brave or stupid enough to put out a record in Los Angeles," he said. Bingenheimer later summed up his programming philosophy:
Bingenheimer was one of the very few DJs on commercial radio in Los Angeles who was said to have autonomy over music selection. He has been described as the first DJ to play many up-and-coming bands, including the Runaways, Blondie, the Ramones, the Pandoras, the Hollywood Squares, Social Distortion, Van Halen, Duran Duran, Oasis, the Donnas, No Doubt, Dramarama, the Offspring, the Go-Go's, Germs, the B-52's, X, Sex Pistols, Teenage Fanclub, the Smiths, Siouxsie and the Banshees, and others.
Nena's song "99 Luftballons", after charting in German-speaking countries in early 1983, became a hit in the U.S. in 1984 after Bingenheimer played it. When Nina Hagen and Christiane Felscherinow came on his show to promote the film Christiane F. – We Children from Bahnhof Zoo, Christiane was asked by a listener what kind of music she liked. Her answer led to "99 Luftballons" being played on air.Christiane Felscherinow/Sonja Vukovic: Christiane F. - Mein zweites Leben. Deutscher Levante Verlag, Berlin 2013. P. 95. In 1983, KROQ became the first radio station to play the thrash band Suicidal Tendencies, when Bingenheimer added their song "Institutionalized" to the playlist.
Bingenheimer developed a reputation in Los Angeles for being a kingmaker for new artists. His show became an influential part of KROQ, and helped the station become a strong influence nationally. One reporter wrote "if you make it onto KROQ in America, you've made it in America. This is the house that Rodney built and which corporate radio has spread like spores across the nation."
Many bands knocked on the parking lot door of KROQ's studio in Pasadena and handed Rodney a copy of their new record or tape. If he liked a track, such as Agent Orange's 1979 hit "Bloodstains," he would play that song within the hour.