Juguemos a Cantar (Let's play singing), was a children's competition festival that was held yearly in Mexico City beginning in 1982. Televisa produced this show, and it was transmitted on the program, Siempre En Domingo, which was hosted by Raúl Velasco. This competition was developed to seek out young talent, and was open to all Mexican resident children up to the age of 13. Juguemos a Cantar was first and foremost a "Festival De La Canción" (Festival of the Song), meaning that the songwriter and the song itself is celebrated along with the performer. All songs performed in the competition were required to be original, and the song writing is judged, as well as the artist performance. The popularity of its first transmission in 1982 made it one of the most important talent Festivals in all of Latin America. In the years it aired, it served to propel an impressive number of artists, such as: Lucero, Thalía, Edith Márquez, Eduardo Capetillo, and Lorenzo Antonio, as well as many songwriters, such as Omar Alfanno, Tirzo Paiz, Lorenzo Antonio, and Sergio Andrade.
History In 1981, Raúl Velasco, Alberto Del Bosque, and "Siempre En Domingo" teamed up with record company Discos Musart, to produce a show that would seek out young talent, and the idea of Jugemos a Cantar was born. At that time, "Siempre En Domingo" was one of the most popular programs in television history, and its main focus became this children's Festival. Discos Musart would also focus entirely on this project.
1er Festival Juguemos A Cantar In late 1981, Raúl Velasco announced on "Siempre En Domingo" that they, along with Discos Musart, would be holding a children's talent competition. "Convocatorias" (entry forms), were distributed all across Mexico so that any child up to the age of 13 could enter by submitting a photo, and a cassette recording of themselves to Discos Musart. A committee then chose the 40 acts that were to compete in the televised portion of the festival. Over 3000 convocatorias were sent into Discos Musart.
The competition was held over the course of 5 weeks. The first 4 weeks were the “eliminatorias” (elimination rounds) and they were held at Televisa San Angel's Foro 2, and the 5th week was the grand final, which took place at Televisa Chapultepec on April 25, 1982.
One of the most misunderstood concepts about this 1er Festival Juguemos A Cantar is that it was first and foremost a "Festival De La Canción" (Festival of the Song), with a secondary (yet still very important) emphasis on how the performer interpreted the song as well. This can be seen in the way the prizes were distributed - the performer's prize was dependent on the winning song:
Prizes For The Composers (1982 Mexican pesos): 1st Place - $100,000.00 2nd Place - $75,000.00 3rd Place - $50,000.00
Prizes For The Performers Of The Winning Songs: 3 appearances on "Siempre En Domingo" A professional recording session (with Discos Musart)
The Top 10 There were 10 acts that passed the elimination rounds and made it to the finals. Here are the standings for the 1er Festival Juguemos A Cantar competition, as well as the composers and songwriters as published on the original commemorative album of the Festival:
+Final Standings of the 1er Festival Juguemos A CantarPlaceArtistSongSongwriterArrangerTotal Points (out of 100) 1 Lorenzo Antonio Y Su Grupo Vamos A Jugar Lorenzo Antonio Julio Jaramillo 98 2 Byanka Y Maleza Katy Igual Que El Universo La Risa De Las Vocales Rosalía Sánchez A. Tirzo Paiz Julio Jaramillo Gustavo A. Santiago 92 3 Grupo Ábaco El Combate Ma. Eugenia De Esesarte Julio Jaramillo 90 4 Grupo Aventura Las Vicuñitas Vamos A Mi Fiesta Fiesta En Mi Pueblo José A. Garay Sergio Andrade Julio Jaramillo Sergio Andrade 84 5 Yvette Y Monique Rock And Roll Francisco Curiel Julio Jaramillo 83 6 Sara Eugenia Lolita Cortes Si Yo Fuera Presidente Don Quijote Y Sancho Panza Pedro Krishmar Ignacio Copani Martha Heredia Jorge Neri Jorge Neri 82 7 Juanito Farias Caballo De Palo Omar Alfano Chucho Ferrer 80
Impact
The impact of the 1er Festival Juguemos a Cantar was so great that in many ways, it was a moment that defined a generation of children. Most of the people that were children in 1982 remember this Festival very well with great happiness, as do the parents of those children. They remember where they were when the winners were announced. They remember many of the songs. The famous yellow album with two children holding balloons could be seen throughout Mexico in all the store fronts. Schools across Mexico held their own versions of a Juguemos A Cantar contest where the children would imitate their favorite participants of the Festival.
Due mostly to the success of this Festival, that year (1982), particularly in Mexico, the whole of the entertainment industry would become all about children and youth. Songs, radio, TV, and other entertainment media were all aimed at the children’s market. This "phenomenon" was so great that even the mainstream adult artists of that time had difficulty finding a spot in any and all forms of media.
The tremendous success of this first Festival was immense, but no one, including everyone involved, expected it to be as popular as it was. One obvious reason for its success was that it was heavily backed by Televisa, and by Discos Musart, but there were other factors as well:
The amount of talent in this 1st festival was incredible. The competition between the top 10 was very close and very intense. 1st-place winners, Lorenzo Antonio Y Su Grupo, were huge crowd favorites because of the instruments they played (violins and harmonicas), their unique choreography, and their country/bluegrass sounding song, “Vamos A Jugar” (Let’s Play), which was about a dance move, “la mano izquierda va adelante y la derecha para atras” (the left hand goes in front and the right goes in back). Lorenzo Antonio was also the author of the song, making him the only “cantautor” (singer/songwriter) in the top 10. 2nd place was a tie between Byanka Y Maleza and Katy. Byanka Y Maleza were two sisters that had astounding voices as well as a beautiful song, “Igual Que El Universo” (The Same As The Universe). Katy was a very cute little girl that had a wonderful song about the vowels called “La Risa De Las Vocales,” and her charisma on stage made her very popular. Both were huge crowd favorites. 3rd-place winners, Grupo Abaco, had a very catchy song, “El Combate", written by Ma. Eugenia De Esesarte, which they performed with much enthusiasm and a great choreography. 4th place was a tie between Las Vicuñitas, who performed a song by Sergio Andrade, “Fiesta En Mi Pueblo", and Grupo Aventura, who performed a song by José A. Garay, “Vamos A Mi Fiesta". The former all played instruments, and the latter were a group of girls that sang and danced. 5th place was Yvette Y Monique (2 sisters that performed the song, “Rock And Roll” by Francisco Curiel), In 6th-place there was a tie between Lolita Cortes, who had already starred in the theater play, "Anita La Huerfanita", had a tremendous stage presence, and participated with the song, “Don Quijote Y Sancho Panza” written by Martha Heredia, and Sara Eugenia, a female soloist that sang “Si Yo Fuera Presidente” by Pedro Krishmar & Ignacio Copani. Juanito Farias very surprisingly ended up in 7th (last) place. A huge crowd favorite, Juanito performed the song, “Caballo De Palo” (Wooden Horse). He had a phenomenal voice, and during his performance at the final, something happened to his music track, and it completely cut out, leaving Juantio to finish his song a cappella. Juanito showed an enormous amount of poise and continued singing, proving that he was actually singing and not lip-synching like the rest of the participants. The crowd sang with him and cheered him on with much enthusiasm.Being that he was such a big crowd favorite, this sparked a controversy that still continues to this day.
The Controversy After the results were announced, a great controversy ensued: Many people believed that Juanito Farias was robbed of first place, while others believed that Lorenzo Antonio Y Su Grupo won fair and square.
The people on the side of Lorenzo Antonio Y Su Grupo felt that the decision was fair because: Juguemos A Cantar was a "Festival De La Canción" (Festival Of The Song), therefore, Lorenzo Antonio was worthy of more consideration because he was the only finalist who wrote the song they participated with. Their song, “Vamos A Jugar,” was happy, up-tempo, and very positive. In contrast, Juanto Farias’ song, “Caballo De Palo,” was slow, more somber, and had a sad message. They played instruments (violins, violas, and harmonicas). They had choreography. The judges ultimately had them very far ahead in points from even the 2nd-place winners with an almost perfect 98 points (out of 100). Juanito came in a distant last place with 80 points.
The people on the side of Juanito Farias argued that he should have won because: He was the only participant that sang live, truly showing his vocal talent. He continued singing even after his track cut out. After the winners were announced, Raúl Velasco proclaimed Juanito, “El Mejor Interprete Del Festival” (The Best Singer Of The Festival). Juanito became known as “El Campeon Sin Corona” (The Champion With No Crown).
Had the Festival been more about vocal talent alone, Juanito Farias might have won. But this Festival was not solely about vocal talent. It was about the Song, the interpretation of the Song, and about happiness and children. The fact that Lorenzo Antonio wrote "Vamos A Jugar" gave Lorenzo Antonio Y Su Grupo a considerable edge over Juanito Farias, and all the other participants. Also, all the songs in the top 10 were happy and positive, as was the general ambience and theme of the Festival. Juanito's song, "Caballo De Palo," was the only song that was slow and sad. That made it an uphill climb for Juanito's song, and in the end, it was probably the biggest factor as to why he came in last place.
Regardless of these reasons, the people who viewed the festival, especially the Mexican "pueblo," felt that an injustice had occurred: Juanto Farias' performance was incredibly strong and for him to have come in last place was viewed as very unfair. This sentiment was instantly felt in the "Siempre En Domingo" studios, and around the country as soon as it became apparent that Juanito Farias didn't even place in the top 3. In an unplanned event, Raúl Velasco reacted by awarding Juanito Farias a "Mejor Interprete Del Festival" award, even though that "award" was not formally part of the Festival's rules and regulations. Because of this, Juanito became known as, "El Campeon Sin Corona," and the general consensus back then as well as today, is that Juanito Farias should have at least placed in the top 3, and possibly even 1st place.
There are other arguments about this, such as Raúl Velasco favored Lorenzo Antonio Y Su Grupo, and was more disparaging towards Juanito Farias due to the color of their skin (Lorenzo Antonio and his sisters being more “white” and Juanito Farias being more “brown”). This however, is an unfounded argument. At the time, Raúl Velasco’s opinion of Juantio was quite the opposite. After the finals, Juanito was one of the artists that was most heavily backed by “Siempre En Domingo” and Raúl Velasco.
Ultimately, all this controversy boosted the Festival’s popularity, as well as the popularity of all involved, even more.
More Details
In Mexico and other Latin American countries, Juguemos a Cantar was the most important musical event of 1982. The commemorative album of this first Festival sold over 1 million copies. The album contained the 10 winning songs, plus 4 songs that just missed the top ten (Semifinalists), and the theme song, "Juguemos A Cantar," sung by, Lucerito. The 10 judges at the final were 4 children, and 6 radio programmers from the most popular radio stations in Mexico City.
The children judges were: