The Melos Ensemble is a group of musicians who started in 1950 in London to play chamber music in mixed instrumentation of string instruments, wind instruments and others. Benjamin Britten composed the chamber music for his War Requiem for the Melos Ensemble and conducted the group in the first performance in Coventry.
They should not be confused with two other chamber groups of similar name, the Melos Quartet or the Melos Art Ensemble (an Italian group).
Founding period, 1950 The Melos Ensemble was founded by musicians who wanted to play chamber music scored for a larger ensemble in a combination of strings, winds and other instruments with the quality of musical rapport only regular groups can achieve. The Melos Ensemble played in variable instrumentation, flexible enough to perform a wide repertory of pieces. All its members were excellent musicians who held positions in notable orchestras and appeared as soloists. The founding members, namely Gervase de Peyer (clarinet), Cecil Aronowitz (viola), Richard Adeney (flute), and Terence Weil (cello) planned a group of twelve players, a string quintet and a wind quintet with harp and piano, that might be expanded by other players, to perform the great octets by Schubert and Mendelssohn, the septet by Beethoven, Ravel's Introduction and Allegro and the Serenade by Arnold Schoenberg.Melos Ensemble All Music Guide, Joseph Stevenson Neill Sanders (horn, a member for 29 years until 1979), Paul Beaumont Draper (bassoon) and Adrian Beers (double bass) were members from the beginning. All these musicians stayed with the group for decades.
Early members Other early members included Gervase de Peyer (first clarinet) Emanuel Hurwitz (leader 1956–1972), Ivor McMahon (second violin), William Waterhouse (bassoon), Osian Ellis (harp), James Blades (percussion), Lamar Crowson and Ernst Ueckermann (piano), Peter Graeme and Sarah Barrington (oboe), James Buck (horn), Edgar Williams (bassoon) and Keith Puddy (clarinet), expanded by Colin Chambers (flute and piccolo), Alan Hacker (bass clarinet), Eric Roseberry (piano), Leonard Friedman (violin), Kay Hurwitz (viola), William Bennett (flute), Stephen Pruslin (piano), Leonard Friedman (violin), Hilary Wilson (harp)Wardour Castle Summer School Concert programme 1965 and Timothy Brown (horn). In the opinion of William Waterhouse (writing in 1995), "it was the remarkable rapport between this pair of lower strings" (i.e. Terence Weil and Cecil Aronowitz) "which remained constant throughout a succession of distinguished leaders, that gave a special distinction to this outstanding ensemble.",Obituary Terence Weil The Independent, William Waterhouse, 9 March 1995 Obituary Gervase de Peyer"the Guardian"
Special projects A remarkable premiere for the group was Jacques-Louis Monod's 1962 presentation of Roberto Gerhard's Concerto for Eight. This was followed by the 1962 premiere, and subsequent 1963 recording, of Benjamin Britten's War Requiem, for which the instrumental sections accompanying the English texts had been written specifically for the Melos, and were directed by the composer in the performance. The recording received a Grammy Hall of Fame Award in 1998. In 1964 and 1965 the Melos Ensemble played several concerts at the new Wardour Castle Summer School, founded by Harrison Birtwistle, Peter Maxwell Davies and Alexander Goehr.Birtwistle timeline by Boosey & Hawkes,Wardour 1964 1965 Dr. Michael Hooper, 2009 On 16 August 1964 they played among others Monody for Corpus Christi by Birtwistle, Five Little Pieces (first performance) by Davies, and Suite Op.11 by Goehr. A chamber concert on 17 August featured the Horn Trio by Brahms, on 18 August the Quatuor pour la fin du temps by Messiaen. In 1965, the Melos Ensemble played on 16 August Pierrot Lunaire by Schoenberg. On 18 August parts of In Chymick Art, a cantata on texts by Edward Benlowes that Robin Holloway wrote for the Summer School, were performed for the first time. On 20 August they premiered two works they had commissioned, Tragoedia by Birtwistle, conducted by Lawrence Foster, and two 'In Nomine" of Seven in Nomine by Davies, conducted by the composer.A review of the Wardour Castle Concert 1965 The Times, 23 August 1965, p. 15Davies Premiere All Music Guide, Eugene Chadbourne
Festivals, broadcasts, tours The Melos Ensemble performed regularly at British and International Festivals, among others Warsaw, Venice, Cheltenham, Edinburgh, Bordeaux and the Aldeburgh Festival, their first US tour was in 1966.Biography Neil Sanders Sotone Historic Recordings The group gave many BBC broadcasts, and made over 50 recordings, first with the publisher L'Oiseau-Lyre. Gervase de Peyer directed the extensive recording programme of the Ensemble for EMI.Melos Ensemble – Music among Friends EMI
EMI recordings 1963–1973 Mozart, Brahms, Weber and Bliss Quintets Mozart and Beethoven, Piano and Wind Quintets Schubert, Octet; Beethoven, Septet and Octet for Winds Schumann, Fairy Tales, Fantasy Pieces Berwald, Septet; Nielsen, Wind Quintetwind quintet review Rob Barnett, May 2008 Ravel, Introduction and Allegro for harp, flute, clarinet and string quartetRavel review William Hedley, April 2009, quote: The Melos Ensemble recorded Ravel’s exquisite Introduction and Allegro for L'Oiseau-Lyre in 1961, ... this performance dates from 1967, and Osian Ellis was once again the harpist. There is nothing to choose between the two performances: they are both absolutely marvellous. Françaix, Divertissement; Poulenc, Sonata for Clarinet and Bassoon Bartók, Milhaud and Khatchaturian, Trios Prokofiev, Overture on Hebrew Themes Janáček, Concertino, Mládí John Ireland, Sextet, Trios, SonatasIreland review John France, August 2007 EMI reissued in 2011 a selection from historical recordings, titled "Melos Ensemble – Music among Friends". The principal players were Richard Adeney (and William Bennett, flute), Gervase de Peyer (and Keith Puddy, clarinet), Peter Graeme (and Sarah Barrington, oboe), Neil Sanders (and James Buck, horn), William Waterhouse (and Edgar Williams, bassoon), Emanuel Hurwitz (and Kenneth Sillito, first violin), Ivor McMahon (and Iona Brown, second violin), Cecil Aronowitz (and Kenneth Essex, viola), Terence Weil (and Keith Harvey, cello), Adrian Beers (double bass), Osian Ellis (harp) and Lamar Crowson (piano). The ensemble was expanded for single works by Christopher Hyde-Smith (flute), Anthony Jennings and Stephen Trier (bass clarinet), Barry Tuckwell (horn), David Mason and Philip Jones (trumpet), Arthur Wilson and Alfred Flaszinski (trombone), Robert Masters (violin), Manoug Parikian and Eli Goren (violin), Patrick Ireland (viola), Derek Simpson (cello), Hilary Wilson (harp), Marcal Gazelle (piano), James Blades, Tristan Fry, Jack Lees and Stephen Whittaker (percussion), and singers Mary Thomas (soprano) and Rosemary Phillips (contralto). The collection of 11 CDs contains the works for large ensemble – six to thirteen players – for which the Melos Ensemble was founded, some composed for the ensemble: Beethoven: Septet, Octet Mendelssohn: Octet Schubert: Octet Franz Berwald: Septet Louis Spohr: Double Quartet Janáček: Mládí, Concertino Ravel: Introduction and Allegro Jean Françaix: Divertissement for Bassoon and String Quintet Nikos Skalkottas: Octet Sergei Prokofiev: Overture on Hebrew Themes Louis Spohr: Octet Richard Rodney Bennett: Calendar Gordon Crosse: Concerto Da Camera Harrison Birtwistle: TragoediaBirtwistle review William Hedley, June 2009, quote: Still a new piece when recorded in 1965, it receives a stunning performance here from the Melos Ensemble under Lawrence Foster. Peter Maxwell Davies: Leopardi Fragments
Other selected recordings Lennox Berkeley: Sextet for clarinet, horn and string quartet (1954)Berkeley review Michael Cookson, May 2008, quote: Berkeley wrote his three movement Sextet for Clarinet, Horn and String Quartet, Op. 47 in 1954 for the Melos Ensemble. Malcolm Arnold: Guitar Concerto, with Julian Bream RCA (1959)Sir Malcolm Arnold (born 1921) / The Collection musicweb-international.com Mátyás Seiber: Three Fragments from A Portrait of the Artist as a Young Man, a Chamber Cantata for Speaker, Chorus and Eight Instruments, with Peter Pears (Speaker) / Dorian Singers / Melos Ensemble London conducted by Matyas Seiber (1960) Mauro Giuliani: Guitar Concerto, with Julian Bream (1961) RCAGramophone Archive Schoenberg: Serenade, John Carol Case, Bruno Maderna, L'Oiseau-Lyre (1962) Britten: War Requiem (1963)Benjamin Britten (1913–1976) / War Requiem musicweb-international.com Prokofiev: Quintet in G minor for oboe, clarinet, violin, viola and double bass, Op. 39 / Shostakovich: Piano Quintet, Op. 57Prokofiev Shostakovich Gramophone Hummel: Septet / Quintet (1966) (L'oiseau-Lyre) Ravel and Maurice Delage: French Songs / Chausson: Chanson Perpetuelle, with Janet Baker (1966)Original Masters – Janet Baker, Arkivmusic.com Ravel: Introduction and Allegro / Poulenc: Trio for Oboe, Bassoon and Piano / Sonata for Clarinet and Bassoon / Francaix: Divertissement for Oboe, Clarinet and Bassoon / Divertissement for Bassoon and String Quartet EMI (1969)Ravel/Poulenc/Francaix : Vinyl CDs & more At Shakedown Records Shakedown Records
Melos Ensemble of London 1974 Following the death of Ivor McMahon in 1972, and the departure of three other members, the group briefly disbanded in 1973, but was reformed in 1974 with eight of the original players. In the later period the following musicians were also among those playing for the ensemble: Hugh Maguire (violin), Thea King (clarinet, 1974–1993), Nicholas WardNicholas Ward (*1952) City of London Sinfonia (violin, from 1977), Sylvie GazeauSylvie Gazeau (*1950) (principal violin for many years), Gwenneth PryorDe Peyer and Pryor page (piano), Iona BrownObituary Iona Brown (1941–2004) The Independent, Margaret Campbell, 11 June 2004 (violin), Patrick Ireland (viola) and Keith HarveyInterview Keith Harvey Internet Cello Society (cello). In 1975 the Melos Ensemble presented its 25th anniversary concert in London. In 1982 the Melos Ensemble appeared in Graz in a retrospective of Egon Wellesz, playing his Oktett für Klarinette, Fagott, Horn und Streichquintett Op.67.Program Archive ORF (in German)
New chamber music Composers created music for unusual groupings with the Melos Ensemble specifically in mind, leading in turn to the formation of similar chamber groups. Hans Werner Henze composed Kammermusik 1958 for tenor, guitar and eight solo instruments, for example. In that way, the Melos Ensemble has directly and indirectly influenced music for new combinations of chamber musicians in contemporary music.
Publications [ Entries to the Melos Ensemble in allmusic] Entries to the Melos Ensemble in WorldCat Reviews in Gramophone Archive
References
External links Gervase de Peyer website, history of the Melos Ensemble