Mexican literature is one of the most prolific and influential of Spanish-language literatures along with those of Spain and Argentina. Found among the names of its most important and internationally recognized literary figures are authors Octavio Paz, Alfonso Reyes, Carlos Fuentes, Sergio Pitol, José Emilio Pacheco, Rosario Castellanos, Fernando del Paso, Juan Rulfo, Amado Nervo, Sor Juana Inés de la Cruz, Ramón López Velarde, and Carlos de Sigüenza y Góngora, among others.
Introduction
Mexico's literature has its antecedents in the literatures of the indigenous peoples of Mesoamerica and the literary traditions of Spain. With the arrival of the Spanish, a new literature was produced through mestizaje, which made way for a period of creolization of literature in the newly established Viceroyalty of New Spain. The literature of New Spain was highly influenced by the Spanish Renaissance, which was represented in all the Spanish literature of the time, and local productions also incorporated numerous terms commonly used in the vernacular of the viceroyalty and some of the topics discussed in the works of the period shaped a distinctive variant of the Spanish literature produced in Mexico.
During the colonial era, New Spain was home to Baroque writers such as Bernardo de Balbuena, Carlos de Sigüenza y Góngora, Juan Ruiz de Alarcón, Francisco de Castro, Luis Sandoval Zapata, Sor Juana Inés de la Cruz, Diego de Ribera and Rafael Landivar. Towards independence a new wave of writers gave the initial struggle for the emancipation of national literature from the literature of the Spanish peninsula: Diego José Abad, Francisco Javier Alegre and Friar Servando Teresa de Mier.
Towards the end of colonial rule in New Spain arose figures like José Joaquín Fernández de Lizardi, El Periquillo Sarniento is considered as an emblem of the Mexican literature and the first modern novel written in the Americas. By the second half of that century, works like Los mexicanos pintados por sí mismos, a manners book that gives a rough idea of how intellectuals of the time saw the rest of his countrymen. Towards the end of the century, during the Porfirio Diaz government, Mexican writers inclined towards the dominant European trends of the time.
To celebrate the centenary of the Independence of Mexico, there was a literary project surged Antología del Centenario which aimed to collect authors of the first hundred years of Mexico. This was truncated and only the first volume was published in two volumes primarily consisting of collected poetry. The poets of the time that were included were Friar Manuel de Navarrete, Fernando Calderón, Ignacio Rodríguez Galván. Notable modernists of the time included Amado Nervo and Manuel Gutiérrez Nájera. Other notable authors of that time were Luis G. Urbina, Efren Rebolledo, José Juan Tablada, Enrique González Martínez and Ramón López Velarde.
The emergence of the Mexican Revolution favored the development of journalistic genre. After the civil conflict finished, the Revolution theme appeared as a theme in many novels, short stories and plays like those of Mariano Azuela or Rodolfo Usigli. This trend would be an antecedent for the flowering of 'revolutionary literature', which was embodied in the work of writers like Rosario Castellanos or Juan Rulfo. A literature of indigenous themes, which aimed to portray the thoughts and life of the indigenous peoples of Mexico surged along with this revolutionary literature, although ironically, none of the writers were indigenous. The most notable indigenist authors of the time included Miguel Angel Menendez Reyes, Ricardo Pozas and Francisco Rojas González.
In alternative to these mainstream literature, also other literary styles were developed in the country, less known movements being outside the main focus. Among them, the estridentistas (1920s) that included authors such as Arqueles Vela and Manuel Maples Arce. Another relevant movement to the literary history of the country was a group of intellectuals known as Los Contemporáneos (1930s), which unified figures such as journalist Salvador Novo and poets like Xavier Villaurrutia and José Gorostiza.
During the second half of 20th century, Mexican literature had diversified into themes, styles and genres. There were new groups such as Literatura de la Onda (1960s), which sought for an urban, satirical and rebellious literature; among the featured authors were Parmenides García Saldaña and José Agustín; another literary style surged called Infrarrealismo (1970s), which sought to "blow his brains out the official culture"; La mafia cultural (1960s), was composed of Carlos Fuentes, Salvador Elizondo, José Emilio Pacheco, Carlos Monsivais, Inés Arredondo, Fernando Benítez among others. In 1990, Octavio Paz became the only Mexican to date to have won the Nobel Prize for Literature.
Pre-Columbian literature
While the peoples of Mesoamerica developed systems of writing, these were not often used to preserve their literature. Most of the myths and literary works of the indigenous peoples of Mexico were transmitted by oral tradition. The peoples of Mesoamerica, despite having developed writing systems, primarily employed pictographic and logosyllabic forms rather than a phonetic writing system. Among these expressions, the Borgia Group codices are regarded by some scholars as exceptional artistic and literary works. While there is scholarly disagreement, it is commonly accepted that the central section of the Codex Borgia contains a narrative related to the creation of the universe, although an alternate hypothesis suggests that it may depict a series of rituals with an unclear purpose.
In addition to the Codex Borgia, the Mixtec codices Becker 1, Nutall, and Colombino depict the life of the hero-ruler 8-Venado and his efforts towards the unification of the Mixtec people. Another significant manuscript, the Boturini Codex or "Pilgrimage Strip," recounts chapters of the Mexicas' migration from northern Mexico to their eventual settlement in Texcoco Lake. However, it is worth noting that some scholars argue that the Boturini Codex is a copy of an older, unidentified document created during the early stages of the Conquest.
Within the cultural tapestry of ancient Mexico, a multitude of ceramic artifacts, stone carvings, stelae, and monoliths bear witness to historical, mythical-genealogical, cosmogonic, and legendary narratives. Notably, the Olmecs, Toltecs, Mayas, Nahua, and Mixtec peoples have produced a plethora of pieces that reflect their culutre.
The Olmecs, often credited as the originators of complex civilizations in Mesoamerica, are associated with the oldest known stone writing. Among their relics, a gravel block named 'Bloque de Cascajal' in Spanish is adorned with glyphs and has been carbon-dated to approximately 3,000 years ago, making it a significant archaeological find. This discovery sheds light on the early development of written communication in the region, highlighting the Olmecs' sophisticated cultural achievements.
We know that one of the activities that were to dominate the novices of priests among the Mexica was the memorization of lyrical works or mythology of their people.
Some of these productions were permanently fixed by writing them down using the Latin alphabet that the missionaries of the 16th century used to transcribe the information they received from the native inhabitants. Modern scholars such as Angel Maria Garibay K. and Miguel Leon-Portilla, have translated these works which were once dispersed in several texts and have reunited or reviewed these works in publications such as in "Visión de los vencidos. Relaciones indígenas de la Conquista" or "Historia de la literatura Náhuatl."
The works of Spanish missionaries in central Mexico contributed to the preservation of the oral tradition of the Nahuatl speaking peoples by writing them down on paper using the Latin alphabet. In this regard the lyrical works of Acolmiztli Nezahualcoyotl (1402–1472), tlatoani of Texcoco, were preserved and passed down to posterity giving the author the title of Poet King. His works, along with other nobles of the nahuatlaca peoples of the Altiplano such as Ayocuan of Chalco-Atenco, and Tecayehuatzin of Huexotzinco, constitute the largest sample of pre-Columbian works and philosophical lyrics preserved into the modern era.
There are also smaller stocks of Postclassic Era literature recovered among other peoples such as the Purépecha, the Zapotec and Mixtec. The Case of the Mixtec is special as four codices have been preserved which have led to an approach to the study of the history of these people under the imprint of Eight Deer, Lord of Tututepec and Tilantongo. In the Mayan world there are preserved fragments called Books of Chilam Balam.
Another well known pre-Columbian literature is that of the Quiché people who did not inhabit the current Mexican territory, but rather, lived in what is now Guatemala. The Popol Vuh (Book of Counsel) was written in the Quiché language and incorporates two Mayan cosmogonical myths: the creation of the world and falling of Hunahpu and Xbalanque into Xibalba which is the underworld of the Maya.
Outside of Mesoamerica, Arturo Warman forwarded the hypothesis that the verses sung by the Yaquis and Mayo musicians during the performance of the Danza del Venado have their origin in pre-Columbian times and have survived to this day with very little change since then.
Among the prehispanic literature which flourished are:
Epic Poetry which chronicles the life of famous people such as Topiltzin Quetzalcoatl, the founding of cities and pilgrimages of tribes. Lyric poetry of religious, military or philosophical context. Dramatic poetry, which mixed elements of music and dance, as the feast of Tezcatlipoca. Historical Prose and didactic genealogies, also proverbs called Huehuetlatolli ("The sayings of the old").
Spanish colonial period
In the colonial literature of Mexico we can distinguish several periods. The first period is linked with the historical moment of conquest, it chronicles and letters abound.
16th century
The influence of indigenous themes in the literature of New Spain is evident in the incorporation of many terms commonly used in the common local tongue of the people in colonial Mexico as well as some of the topics touched in the works of the period which reflected local views and cultures. During this period, New Spain housed writers such as Bernardo de Balbuena.
In the colonial literature of Mexico we can distinguish several periods. The first examples of literature are linked with the historical moment of conquest, colonization chronicles and letters. Works and writers:
Itinerario de la armada del rey católico a la isla de Yucatán[...], probably by Juan Díaz (1480–1549) Relación de algunas cosas de las que acaescieron a Hernan Cortés[...] by Andrés de Tapia (1498? -1561) Cartas de relación de Hernán Cortés (1485–1547) Historia verdadera de la conquista de la Nueva España by Bernal Diaz del Castillo (1492–1584) Historia general de las cosas de Nueva España Friar Bernardino de Sahagún (1499–1590) Historia de las Indias, Brevísima relación de la destrucción de las Indias, Apologética historia [...], etc. Friar Bartolomé de las Casas (1484–1566) Historia general de las Indias, La Conquista de México by Francisco Lopez de Gomara (1511–1566) Antigüedades de la Nueva España by Francisco Hernández (1517–1578) Relación de las cosas de Yucatán Friar Diego de Landa (1524–1579) Crónica mexicana y Crónica mexicáyotl by Fernando Alvarado Tezozómoc (c. 1525 – c. 1610) Historia de Tlaxcala by Diego Muñoz Camargo (c. 1530 – c. 1600) Historia Chichimeca by Fernando de Alva Cortés Ixtlilxóchitl (1568? -1648) Historia general de las Indias occidentales y particular de la gobernación de Chiapa y Guatemala by Friar Antonio de Remesal