is a Japanese comedy duo, referred to as an owarai kombi, consisting of Jin Katagiri () and Kentarō Kobayashi ().
Formation Katagiri and Kobayashi met as students and formed a conte group in 1996 while studying printmaking at Tama Art University in Tokyo. They became popular on a national scale after appearing on the NHK show On Air Battle in 1999. Thereafter, Rahmens generally appeared for live performances on stage rather than on televised programs. Kobayashi reported that he personally was motivated more toward stage performance because the idea of being a TV celebrity was unappealing, and did not want people coming to see him simply because of his TV presence. Of the pair, Kobayashi is generally responsible for scriptwriting and stage direction behind the group's performances.
Their last live performance was in June 2009 during their "TOWER" tour.
Notable performances
Rahmens appeared in a regional "Get a Mac" ad campaign produced by Apple Japan, where Katagiri portrays the PC, and Kobayashi portrays the Mac. These advertisements were similar in some respects to content in ads featuring John Hodgman and Justin Long, but some noted subtle differences in the duo's body language and tone from other "Get a Mac" commercials that were intentionally done for the sake of appealing to a Japanese audience, where ads that directly compare brands are generally not well received.
Rahmens was also featured in a series of short films called "The Japanese Tradition." The films were directed by Junji Kojima with screenplay done by Kobayashi. These films were comedic explanations of customs related to various topics such as sushi and apologizing.
Performances
First performance, "Hakoshiki [Box Type]" in 1998Kamiyama, A & Yamada, N.(2009). A study on relationship between sketch comedy and laughter : case study: the sketch comedy of Rahmens [Konto to warai no kankei ni tsuite no kousatsu: Rahmens no konto wo daizai ni site]. Toyama University Journal of the Faculty of Human Development and Science, 3(2), 177-187. https://toyama.repo.nii.ac.jp/?action=repository_uri&item_id=713&file_id=18&file_no=2 Second performance, "Hakoshiki Dainisyu [Second Box Type]" in 1998 Third performance, "Hakoyo Saraba. [Goodbye Box Type]" in 1999 Forth performance, "Kanzen Rippoutai~PERFECT CUBE~ [Perfect Cube]" in 1999 Fifth performance, "home" in 2000 Sixth performance, "FLAT" in 2000 Seventh performance, "news" in 2001 Eighth performance, "Tsubaki [Camellia]" in 2001 Ninth performance, "Kujira [Whale]" in 2001 Special performance, "Zero no Hakoshiki [Box Type of Zero]" in 2001 Tenth performance, "Suzume [Sparrow]" in 2002 Very special performance, "RMS1" in 2002 Eleventh performance, "CHERRY BLOSSOM FRONT 345" in 2002 Twelfth performance, "ATOM" in 2003 Thirteenth performance, "CLASSIC" in 2005 Fourteenth performance, "STUDY" in 2005 Fifteenth performance, "Arisu [Alice]" in 2007 "RAHEMENS PRESENTS 'GOLDEN BALLS LIVE'" in 2007 Sixteenth performance, "TEXT" in 2007 Throughout all the performances, Kobayashi wrote and directed the script. For each performance, they performed six to ten skits for about an hour and a half. Their skits are considered to be positioned in between comedy and theater, different from being completely comedy or completely theater. The characteristics of their skits include repeating words with the same sound but different meanings, each focusing on sound or meaning, making use of the audience's understanding of the setting of the skit, and changing individual characters and their way of performing. Their skits are made up of various elements, which create synergies.Ida, K. (2013). Methodology of Laughter: Kentaro Kobayashi Research [Warai no houhouron: Kobayashi Kentaro kenkyuu]. Expressive Culture, 7,108-134. https://dlisv03.media.osaka-cu.ac.jp/il/meta_pub/G0000438repository_111E0000020-7-7
References