The Salmagundi Club, sometimes referred to as the Salmagundi Art Club, is a fine arts center founded in 1871 in the Greenwich Village section of Manhattan, New York City. Since 1917, it has been located at 47 Fifth Avenue. , its membership roster totaled roughly 1,250 members.

The Salmagundi Club has served as a center for fine arts, artists and collectors, with art exhibitions, art classes, artist demonstrations, art auctions and many other types of events. It is also a sponsor of the United States Coast Guard Art Program (COGAP).

History It was founded in 1871. Originally called the New York Sketch Class, and later the New York Sketch Club, the Salmagundi Club had its beginnings at the eastern edge of Greenwich Village in sculptor Jonathan Scott Hartley's Broadway studio, where a group of artists, students, and friends at the National Academy of Design, which at the time was located at Fourth Avenue and Twenty-third Street, gathered weekly on Saturday evenings.

The club formally changed its name to The Salmagundi Sketch Club in January 1877. The name has variously been attributed to the Salmagundi Stew, which the group has long served, or to Washington Irving's Salmagundi Papers.

Growing rapidly, the organization was housed in a series of rented properties including 121 Fifth Avenue, 49 West 22nd Street, 40 West 22nd Street and finally 14 West Twelfth Street, where it remained for 22 years. In April 1917, following a three-year search, the club purchased Irad and Sarah Hawley's 1853 Italianate-style brownstone townhouse at 47 Fifth Avenue between East Eleventh and East Twelfth Streets from the estate of William G. Park for $75,000.00 and erected a two-story annex in the rear at an additional cost of $20,000.00 to house its primary art gallery and a billiard room. A housewarming event on February 5, 1918, was attended by more than 500 persons. In 1918, the club spearheaded a national effort to produce range-finder paintings used to train military gunners for World War I. The club provided the canvas and painting materials for these special-purpose paintings.Walter, Paul A.F. "Art in War Service". Art and Archaeology 7 (January—December 1918), pp. 395–403, 409.

In 1969 the building was designated a city landmark by the New York City Landmarks Preservation Commission. In 1975 it was added to the National Register of Historic Places. ()

Membership The Salmagundi Club was a male-only club for its first century, although artworks by women were accepted and praised. A sister club for women artists, the Pen and Brush Club, was formed around the corner from Salmagundi in 1894. Salmagundi began admitting women members in 1973.

Members of the Salmagundi Club have included Tore Asplund, Thomas P. Barnett, William Richardson Belknap, Alon Bement, Ralph Blakelock, A. J. Bogdanove, Charles Bosseron Chambers, James Wells Champney, William Merritt Chase, C.K. Chatterton, Frederick Stuart Church, Jay Hall Connaway, Francis S. Dixon, John Henry Dolph, Charles Dana Gibson, William W. Gilchrist Jr., Gordon H. Grant, Walter Granville-Smith, Edmund Greacen, Charles P. Gruppé, Emile Gruppe, William Hart, Childe Hassam, Ernest Martin Hennings, Harry Hoffman, Alexander Pope Humphrey, George Inness Jr., Lajos "Louis" Jambor, John LaFarge, David Wu Ject-key, Ernest Lawson, Austin W. Lord, Frank Mason, Leopold Matzal, Samizu Matsuki, John Francis Murphy, Spencer Baird Nichols, Richard C. Pionk, Howard Pyle, Will J. Quinlan, Norman Rockwell, Harry Roseland, Augustus Saint-Gaudens, R. F. Schabelitz, Leopold Seyffert, Channel Pickering Townsley, Louis Comfort Tiffany, Edward Charles Volkert, Ernest William Watson, J. Alden Weir, Jack Wemp, Stanford White, William Wilson (physicist), Stuart Williamson, Joseph Mortimer Lichtenauer and N.C. Wyeth.

Honorary members have included Paul Cadmus, Schuyler Chapin, Winston Churchill, Buckminster Fuller, Al Hirschfeld, and Thomas Hoving.

Salmagundi curatorial committee is responsible for maintaining Salmagundi's permanent representational art collection of approximately 1,800 works from the 1840s to today, including: paintings, sculpture, objects and works on paper by its past and present artist members.

The collection consists of exhibition purchase prizes, competition purchase prizes, artist donations, and estate bequests.

The works are rotated on a continual basis throughout the townhouse and are featured in live shows and online exhibitions throughout the year.

Past Chairs of the Board have been

Joseph Hartley, 1871–1889 George W. Maynard, 1888–1889 Charles Yardley Turner, 1883–1889 Thomas Moran, 1893–1896 W. Lewis Fraser, 1896–1897 Alexander Theobald Van Laer, 1897–1898 Robert C. Minor, 1898–1899 Alexander Theobald Van Laer, 1899–1900 George H. McCord, 1900–1901 George Inness Jr., 1901–1903 J. Scott Hartley, 1903–1905 Alexander Theobald Van Laer, 1905–1908 Henry B. Snell, 1908–1910 Frank Knox Morton Rehn, 1910–1911 Carleton Wiggins, 1911–1913 Charles Vezin, 1913–1914 F. Ballard Williams, 1914–1919 Emil Carlsen, 1919–1920 J. Massey Rhind, 1920–1922 Hobart Nichols, 1922–1924 W. Granville-Smith, 1924–1926 Franklin De Haven, 1926–1929 Bruce Crane, 1929–1933 Louis Betts, 1933–1935 George Elmer Brown, 1935–1937 Frederick W. Hutchinson, 1937–1939 Gordon Grant, 1939–1941 George Lober, 1941–1944 Frederick K. Detwiller, 1944–1946 Henry O' Connor, 1946–1947 Silvio B. Valerio, 1947–1949 Percy Albee, 1949–1953 Russell Rypsam, 1953–1955 Henry Laussucq, 1955–1957 Junius Allen, 1957–1959 A. Henry Nordhausen, 1959–1963 Francis Vandeveer Kughler, 1963–1966 Martin Hannon, 1966–1970 John N. Lewis, 1970–1976 Martin Hannon, 1976–1977 Raymond R. Goldberg, 1977–1979 Richard Clive, 1979–1981 Carl L. Thomson, 1981–1983 Ruth B. Reininghaus, 1983–1987 Edward A. Brennan, 1987–1990 Kenneth W. Fitch, 1990–1991 Robert Volpe, 1991–1994 Richard C. Pionk, 1994–2007 Claudia Seymour, 2007–2013 Robert Pillsbury, 2013–2019 Elizabeth Spencer, 2019–2021 Jacob Collins, 2021 - 2024 Aurelio ("Ray") Cisneros, 2024 George Grubb, 2024 -

References

External links

Salmagundi Museum of American Art Documenting the Gilded Age: New York City Exhibitions at the Turn of the 20th Century A New York Art Resources Consortium project. Exhibition catalogs from the Salmagundi Club. The Salmagundi Club Photograph Collection at the New York Historical Society Salmagundi Club: David John Gue