Joseph-Marie Vien (18 June 1716 – 27 March 1809) was a French painter. He was the last holder of the post of Premier peintre du Roi, serving from 1789 to 1791, before it was abolished during the French Revolution.Biography, Villa Medici
Biography He was born in Montpellier. As a protégé of the Comte de Caylus, he entered the studio of Natoire at an early age and obtained the Prix de Rome in 1745. He used his time at Rome in applying to the study of nature and the development of his own powers all that he gleaned from the masterpieces around him; but his tendencies were so foreign to the reigning taste that, upon his return to Paris, he owed his admission to the academy for his picture Daedalus and Icarus (Louvre) solely to the indignant protests of François Boucher.
In 1757, Joseph-Marie Vien married Marie-Thérèse Reboul, a French painter and engraver, who he also may have taught. Their son was born in 1761 and later distinguished himself as a painter as well.
His most notably pupil was Jacques-Louis David, who had been referred to him by Jean-François Boucher in 1767 after refusing to take him on, stating he was too old to teach a young artist. Vien remained David’s primary mentor during his years of study at the French Royal Academy, through his three losses and achievement of the Prix de Rome in 1774. David’s first loss was directly due to the intervention of Vien, after his student had submitted without seeking his permission. In 1775, at the height of Vien’s established reputation, he was appointed director of the French Academy in Rome, David was among the pupils who traveled with him.
Joseph-Marie Vien died in Paris and was buried in the crypt of the Panthéon. He left behind many brilliant pupils, including François-André Vincent, Jean-Antoine-Théodore Giroust, Jean-Baptiste Regnault, Joseph-Benoît Suvée, Jean-Pierre Saint-Ours, François-Guillaume Ménageot, and Jean-Joseph Taillasson.
Works
Sainte Marthe recevant le Christ à Bethanie (1747), Église Sainte-Marthe, Tarascon Saint Jérôme méditant sur un crâne, La Fère, Musée Jeanne d'Aboville La résurrection de Lazare (1747), Église Sainte-Marthe, Tarascon L'embarquement de sainte Marthe (1751), Église Sainte-Marthe, Tarascon L'arrivée de sainte Marthe en Provence (1748), Église Sainte-Marthe, Tarascon La prédication de sainte Marthe (1748), Église Sainte-Marthe, Tarascon L'agonie de sainte Marthe (1748), Église Sainte-Marthe, Tarascon Les funérailles de sainte Marthe (1748), Église Sainte-Marthe, Tarascon Hermite endormi (1753), Musée du Louvre Dédale dans le Labyrinthe attachant les ailes à Icare (1754), Musée du Louvre St Theresa of Avila (1754–55), New Orleans Museum of Art La Douce Mélancolie (1756), Cleveland Museum of Art L'Enlèvement de Proserpine (1762), Museum of Grenoble La Marchande d'amours (1763), Palace of Fontainebleau Une Femme qui sort des bains, 1763, (huile 95x68 cm) (private collection)Auctioned €426,685 on 26 March 2004 Gazette de l'Hôtel Drouot. Saint Denis préchant (1767), Church of Saint-Roch, Paris Grecque au bain (1767), Museo de Arte de Ponce, Puerto Rico Jeunes grecques parant de fleurs l'Amour endormi (1773), Musée du Louvre Saint Louis Handing Over the Regency to His Mother (1773), Saint-Louis Chapel, École Militaire, Paris Venus, Wounded by Diomedes, Is Saved by Iris (1775), Columbus Museum of Art Les adieux d'Hector et d'Andromaque (1786), Musée du Louvre Love Fleeing Slavery (1789), Princeton University Art Museum Toilette d'une jeune mariée dans le costume antique, (100x135 cm) (private collection)Auctioned €401,487 in June 1992 by Sotheby's Monaco.
Gallery
Notes
Sources
Further reading
External links
Example of work: Cupid & Psyche, 1767