The New Yorkers is a musical with score by Cole Porter and book by Herbert Fields that satirizes New York City types during Prohibition, from high society matrons to con men, bootleggers, thieves, and prostitutes. The musical premiered on Broadway in 1930, based on a story by E. Ray Goetz and Peter Arno, cartoonist for The New Yorker magazine. Star Jimmy Durante contributed additional songs to feature his character. The original Broadway production received mostly positive reviews and ran for 168 performances.
The musical introduced "Love for Sale", one of Porter's most notable songs, which was banned from radio broadcast for its frank lyrics concerning prostitution.
History The musical was "built to order around star comic Jimmy Durante, indisputably featured special material (songs as well as bits) that wouldn't scan without Schnozzola himself delivering it."Denton, Martin."2002–03 Theatre Season Reviews" nytheatre.com, April 5, 2003 Durante himself wrote five additional songs to highlight his performing talents.
Ray Goetz, who was the producer of the show as well as production supervisor, wanted to help audiences forget the Great Depression and so made The New Yorkers "as bright and sparkly as possible-from the variegated costumes and the Arno settings to the large and dynamic cast...He also featured a young group that had never appeared on Broadway as the stage band for the show: Fred Waring and his Pennsylvanians." The clean-cut band sang as well as played instruments.Schwartz, Charles (1979). Cole Porter. Da Capo Press. , pp. 115–116
Synopsis Wealthy New York socialite Alice Wentworth has a romantic interlude with Al Spanish, a nightclub owner and bootlegger. During their time together, they escape from the police and go on many adventures. Jimmy Deegan and his buddies Ronald and Oscar aid in their escapades, invent a new alcoholic drink, murder Feet McGeehan and assist with the gangland wedding of Al and Alice, while offering tributes to money, wood, and "The Hot Patata". Jokes and songs about alcohol, and how far people will go to get it, such as "Drinking Song" and "Say It with Gin", reflect the musical's origin from the Prohibition period.
Musical numbers Music and lyrics by Cole Porter unless otherwise noted.
Act 1 Go Into Your Dance – Mona Low, Lola McGee, and Toro Girls The Hot Patata (music and lyrics by Jimmy Durante) – Jimmie Deegan, Ronald Monahan, and Cyril Gregory Where Have You Been? – Al Spanish and Alice Wentworth Say It With Gin – Ensemble and Trainor Brothers Venice† – Alice Wentworth, Ronald Monahan, Jimmie Deegan, and Cyril Gregory Love for Sale – May and Three Girl Friends I'm Getting Myself Ready for You – Mona Low, James Livingston, Lola McGee, and Alfredo Gomez Drinking Song (music by Fred Waring, lyrics by Charles Henderson)–Waring's Pennsylvanians The Great Indoors – Mona Low and Girls Money (music and lyrics by Jimmy Durante) – Jimmie Deegan, Ronald Monahan, and Cyril Gregory Wood (music and lyrics by Jimmy Durante) – Jimmie Deegan, Ronald Monahan, Cyril Gregory, and Company
Act 2 Sheikin Fool (music and lyrics by Jimmy Durante) – Jimmie Deegan, Ronald Monahan, and Cyril Gregory Let's Fly Away – James Livingston, Alice Wentworth, and Ensemble I Happen to Like New York – Mildew Let's Fly Away (Reprise) – James Livingston, Alice Wentworth, and Ensemble Sing Sing for Sing Sing – Al Spanish and Waring's Pennsylvanians Sing Sing for Sing Sing (Reprise) – Mona Low, Three Girl Friends, and Waring's Pennsylvanians Data (music and lyrics by Jimmy Durante) – Jimmie Deegan, Ronald Monahan, Cyril Gregory, and Waring's Pennsylvanians Sing Sing for Sing Sing (Reprise) – Waring's Pennsylvanians Take Me Back to Manhattan – Entire Company
†Music missing; Lyric partially lost;
Productions The New Yorkers began pre-Broadway tryouts at the Chestnut Street Opera House, Philadelphia on November 10, 1930Chestnut St. Opera House pre-Broadway tryout program and then moved to the Shubert Theatre, Newark, New Jersey on November 24, 1930.
The musical opened as the first legitimate stage production at the refurbished Broadway Theatre on December 8, 1930, closing after 168 performances on May 2, 1931. Directed by Monty Woolley, with choreography by George Hale, special numbers were staged by Fred Waring, and the production supervised by E. Ray Goetz. Costumes were by Peter Arno and Charles Le Maire, and the set design was by Dale Stetson, based on sketches by Peter Arno. The conductor was Max Meth. The cast featured Frances Williams as the hostess Mona Low, Charles King as Al Spanish, Hope Williams as Alice Wentworth, Ann Pennington as Lola McGee, Marie Cahill as Gloria Wentworth, the Fred Waring Orchestra, Lou Clayton as Cyril Gregory, Eddie Jackson as Ronald Monahan, Jimmy Durante as Jimmie Deegan, Kathryn Crawford as May (later replaced by Elisabeth Welch), and Oscar Ragland as Mildew. (Clayton, Jackson & Durante were a successful vaudeville act.)"Jimmy Durante", redhotjazz.com, accessed August 31, 2009Golden, Eve. "Jimmy Durante - That Well Dressed Man", filmsofthegoldenage.com, Fall 1998Bakish, David (1994). "Jimmy Durante", McFarland. , p. 26, accessed August 31, 2009
The musical was performed at the Marriott Theatre in Lincolnshire, Illinois in 1996. "Musicals Tonight!" presented the musical as a staged concert in April 2003 in New York City.Reviews: The New Yorkers by Donald Lyons, New York Post, April 11, 2003, via musicalstonight.org, accessed March 8, 2017 The "Lost Musicals" series presented The New Yorkers at Sadler's Wells Theatre, London, in March and April 2009, starring Anna Francolini as Alice and Dawn Spence as Mona Low.McHugh, Dominic. "Cole Porter: The New Yorkers", musicalcriticism.com, accessed August 23, 2009"Lost Musicals, 2009", lostmusicals.org, accessed August 23, 2009 The New York City Center presented it in March 2017 in its Encores! staged concert series with Tam Mutu as Al Spanish, Scarlett Strallen as Alice Wentworth, and Kevin Chamberlin as Jimmie Deegan, directed by John Rando.Clement, Olivia. "The Encores! Revival of The New Yorkers Finds Its Cast" Playbill, February 23, 2017
Response Brooks Atkinson, theatre critic for The New York Times wrote that the musical "manages to pack most of the madness, ribaldry, bounce and comic loose ends of giddy Manhattan into a lively musical." As for Porter's songs, "most ... hold well to the average of song-and-dance scores."Atkinson, Brooks. "The Play: Gilded Gotham", The New York Times, December 9, 1930, p. 34
The song "Love for Sale" was sung by an actress playing the role of a prostitute ("advertising young love for sale"). As recounted by Charles Schwartz in his biography Cole Porter, the critic for the World, Charles Darnton, "excoriated" the song and called it "in the worst possible taste." The song was subsequently banned from the radio.
The reviewer of the "Musicals Tonight!" 2003 concert noted that Peter Arno (who provided the story) was a cartoonist whose drawings appeared on the cover and pages of the magazine The New Yorker. "His subjects were jazz babies, society dames, gangsters, café habitues, with a specialization in the lusty and lustful. Herb Fields's book...is full of that kind of sexuality, with a heaping helping of puns and double (and triple) entendres."Mackler, David."Upper crust and other assorted flakes"The off-off-Broadway Review, accessed August 24, 2009
References
External links
"The New Yorkers: Reclaiming Cole Porter's Lost 'Pre-Code' Musical" by Jack Viertel, Playbill, republished by New York City Center, March 3, 2017