The Ellora Caves are a UNESCO World Heritage Site in Aurangabad, India. It is one of the largest rock-cut cave complexes in the world, with artwork dating from AD 600–1000, including Hindu, Buddhist, and Jain caves. The complex is a leading example of Indian rock-cut architecture, and several are not strictly "caves" in that they have no roof. Cave 16 features the largest single monolithic rock excavation in the world, the Kailash temple, a chariot-shaped monument dedicated to the god Shiva. The Kailash temple excavation also features sculptures depicting various Hindu deities as well as relief panels summarizing the two major Hindu epics.
There are over 100 caves at the site, all excavated from the basalt cliffs in the Charanandri Hills, 34 of which are open to the public. These consist of 17 Hindu (caves 13–29), 12 Buddhist (caves 1–12) and 5 Jain (caves 30–34) caves, each group representing deities and mythologies prevalent in the 1st millennium CE, as well as monasteries of each respective religion. They were built close to one another and illustrate the religious harmony that existed in ancient India. All of the Ellora monuments were built during the Rashtrakuta dynasty (r. 753-982 AD), which constructed part of the Hindu and Buddhist caves, and the Yadava dynasty (c. 1187–1317), which constructed a number of the Jain caves. Funding for the construction of the monuments was provided by royalty, traders, and wealthy people from the region.
Although the caves served as temples and a rest stop for pilgrims, the site's location on an ancient South Asian trade route also made it an important commercial centre in the Deccan region. It is northwest of Aurangabad and about east-northeast of Mumbai. Today, the Ellora Caves, along with the nearby Ajanta Caves, are a major tourist attraction in the Marathwada region of Maharashtra and a protected monument under the Archaeological Survey of India (ASI).
Etymology Ellora, also called Verul or Elura, is the short form of the ancient name Elloorpuram.World Heritage Series Ellora, Archaeological Survey of India, Government of India, p. 6. . Printed by GoodEarth Publications, Eicher GoodEarth Limited @ Thomson Press, New Delhi The older form of the name has been found in ancient references, such as the Baroda inscription of 812 AD, which mentions "the greatness of this edifice" and that "this great edifice was built on a hill by Krishnaraja at Elapura, the edifice in the inscription being the Kailasa temple. In the Indian tradition, each cave is named and has a suffix Guha (Sanskrit), Lena, or Leni (Marathi), meaning cave.
It is also thought to be derived from Ilvalapuram, named after the asura Ilvala, who ruled this region, who was vanquished by Sage Agastya.
Location
The Ellora caves are situated in state of Maharashtra about northwest of the city of Aurangabad, east-northeast of Mumbai, from Pune and about west of the Ajanta Caves another UNESCO World Heritage Site and from Grishneshwar Temple (India).
Ellora occupies a relatively flat rocky region of the Western Ghats, where ancient volcanic activity had created multilayered basalt formations, known as the Deccan Traps. The volcanic activity that formed the west-facing cliff that houses the Ellora caves occurred during the Cretaceous period. The resulting vertical face made access to many layers of rock formations easier, enabling architects to pick basalt with finer grains for more detailed sculpting.
Chronology The construction at Ellora has been studied since British colonial rule. However, the overlapping styles between the Buddhist, Hindu and Jain caves has made it difficult to establish agreement concerning the chronology of their construction. The disputes generally concern: one, whether the Buddhist or Hindu caves were carved first and, two, the relative dating of caves within a particular tradition. The broad consensus that has emerged is based on comparing the carving styles at Ellora to other cave temples in the Deccan region that have been dated, textual records of various dynasties, and epigraphical evidence found at various archaeological sites near Ellora and elsewhere in Maharashtra, Madhya Pradesh and Karnataka. Geri Hockfield Malandra and other scholars have stated that the Ellora caves had three important building periods: a Buddhist phase (~600 to 730 CE) and a later Hindu and Jain phase (~730 to 950 CE).
The earliest caves may have been built during the Traikutakas and Vakataka dynasties, the latter being known for sponsoring the Ajanta caves. However, it is considered likely that some of the earliest caves, such as Cave 29 (Hindu), were built by the Shiva-inspired Kalachuri dynasty, while the Buddhist caves were built by the Chalukya dynasty. The later Hindu caves and early Jain caves were built by the Rashtrakuta dynasty, while the last Jain caves were built by the Yadava dynasty, which had also sponsored other Jain cave temples.
The Buddhist monuments: Caves 1–12
These caves are located on the southern side and were built either between 630 and 700 CE, or 600–730 CE. It was initially thought that the Buddhist caves were the earliest structures that were created between the fifth and eighth centuries, with caves 1–5 in the first phase (400–600) and 6–12 in the later phase (650–750), but modern scholars now consider the construction of Hindu caves to have been before the Buddhist caves. The earliest Buddhist cave is Cave 6, then 5, 2, 3, 5 (right wing), 4, 7, 8, 10 and 9, with caves 11 and 12, also known as Do Thal and Tin Thal respectively, being the last.
Eleven out of the twelve Buddhist caves consist of viharas, or monasteries with prayer halls: large, multi-storeyed buildings carved into the mountain face, including living quarters, sleeping quarters, kitchens, and other rooms. The monastery caves have shrines including carvings of Gautama Buddha, bodhisattvas and saints. In some of these caves, sculptors have endeavoured to give the stone the look of wood.
Caves 5, 10, 11 and 12 are architecturally important Buddhist caves. Cave 5 is unique among the Ellora caves as it was designed as a hall with a pair of parallel refectory benches in the centre and a Buddha statue in the rear. This cave, and Cave 11 of the Kanheri Caves, are the only two Buddhist caves in India arranged in such a way. Caves 1 through 9 are all monasteries while Cave 10, the Vīśvakarmā Cave, is a major Buddhist prayer hall.
Caves 11 and 12 are three-storied Mahayana monastery caves with mandalas, numerous goddesses and Bodhisattva-related iconography belonging to Vajrayana Buddhism carved into the walls. These are compelling evidence to suggest that Vajrayana and Tantra ideas of Buddhism were well established in South Asia by the 8th-century CE.
The Vishvakarma Cave Notable among the Buddhist caves is Cave 10, a chaitya worship hall called the 'Vishvakarma cave', built around 650 CE. It is also known as the "Carpenter's Cave", because the rock has been given a finish that has the appearance of wooden beams. Beyond its multi-storeyed entry is a cathedral-like stupa hall also known as chaitya-griha (prayer house). At the heart of this cave is a 15-foot statue of Buddha seated in a preaching pose.
Cave 10 combines a vihara with a chapel-like worship hall that has eight subsidiary cells, four in the back wall and four in the right, as well as a portico in the front. It is the only dedicated chaitya griha amongst the Buddhist caves and is constructed along similar lines to Caves 19 and 26 of Ajanta. Cave 10 also features a gavaksha, or chandrashala, arched window and a side connection to Cave 9 of Ellora.
The main hall of the Visvakarma cave is apsidal in plan and is divided into a central nave and side aisles by 28 octagonal columns with plain bracket capitals. In the apsidal end of the chaitya hall is a stupa on the face of which a colossal high seated Buddha in vyakhyana mudra (teaching posture). A large Bodhi tree is carved at his back. The hall has a vaulted roof in which ribs (known as triforium) have been carved in the rock imitating the wooden ones. The friezes above the pillars are Naga queens, and the extensive relief artwork shows characters such as entertainers, dancers and musicians.
The front of the prayer hall is a rock-cut court entered via a flight of steps. The entrance of the Cave has a carved facade decorated with numerous Indian motifs including apsaras and meditating monks. On either side of the upper level are pillared porticos with small rooms in their back walls. The pillared verandah of the chaitya has a small shrine at either end and a single cell in the far end of the back wall. The corridor columns have massive squared shafts and ghata-pallava (vase and foliage) capitals. The various levels of Cave 10 also feature idols of male and female deities, such as Maitreya, Tara, Avalokitesvara (Vajradhamma), Manjusri, Bhrkuti, and Mahamayuri, carved in the Pala dynasty style found in eastern regions of India. Some southern Indian influences can also be found in various works in this cave.
The Hindu monuments: Caves 13–29
The Hindu caves were constructed during the Kalachuri period, from the mid-6th century to the end of the 8th century in two phases. Nine cave temples were excavated early in the 6th century, followed by a further four caves (caves 17–29). Work first started , in order, on Caves 28, 27 and 19 then Caves 29 and 21, which were excavated concurrently with Caves 20 and 26. Caves 17 and 28 were the last ones to be started.
The later caves, 14, 15 and 16, were constructed during the Rashtrakuta period, some being dated to between the 8th to 10th centuries. Work first began in Caves 14 and 15 with Cave 16, the "world's largest single monolith", that is located in the Kailash temple in Maharashtra, India, being the last of the three to be constructed. These caves were completed in the 8th century with the support of king Krishna I.
Early Hindu temples: Dhumar Lena, Cave 29 .These early caves were generally dedicated to the Hindu god Shiva, although the iconography suggests that the artisans gave other gods and goddesses of Hinduism prominent and equal reverence. A common feature of these cave temples was a rock-cut linga-yoni within the core of the shrine with each being surrounded by a space for circumambulation (parikrama).
Cave 29, also called Dhumar Lena, is one of earliest excavations in Ellora and among the largest. Early Hindu temple building in the cave centred around the "Vale Ganga", a natural waterfall that was integrated into the monument. The waterfall is visible from a rock carved balcony to the south and has been described as "falling over great Shiva's brow", particularly during monsoon season. The carvings in this cave are larger than life size but, according to author Dhavalikar, they are "corpulent, stumpy with disproportionate limbs" compared to those found in other Ellora caves.
Rameshwar temple, Cave 21
Cave 21, also called Rameshwar Lena, is another early excavation whose construction has been credited to the local dynasty of the Kalachuris of Mahishmati. The cave was completed prior to the ascension of Rashtrakuta dynasty which went on to expand the caves at Ellora.