Manuel José de Quirós (died 1765) was an 18th-century Guatemalan composer.
Life
Born in Santiago de Guatemala, present day Antigua Guatemala, towards the end of the 17th century, Quirós had a religious education while pursuing his musical apprenticeship and reaching the level of a journeyman. Having taken Franciscan orders, he was put in charge of the Franciscan press, where he served until 1738, when he was appointed chapel master of the cathedral choir and orchestra. He served in this capacity for 27 years, until his death in 1765. As chapel master, he was in charge of the education of choir boys and apprentices, besides conducting the cathedral liturgical music. Among his pupils, the most outstanding was Rafael Antonio Castellanos.
Quirós is the first musician in the New World to receive a critical review. On the occasion of the ceremonies that elevated the Bishopric of Guatemala to the rank of an Archbishopric, Quirós provided liturgical music during the nine days of celebration in November, 1745. Writer Antonio de Paz y Salgado, a high official in the Spanish colonial government, published his enthusiastic review of these musical performances two years later in Mexico City.
A considerable number of Quirós' works are contained in the archive at Guatemala Cathedral.
Works
Besides arranging a sizable amount of music sent from Spain, Lima, and Mexico City, Quirós also provided a number of original villancicos, sacred songs, and cantatas for matins of different feasts of the Catholic year:
Cándidos cisnes, solo voice, continuo Oigan una xacarilla, solo voice, continuo Una escuela de muchachos, 4 voices, horns, violins and continuo Venid, venid a las aras de Dios y de Juan, solo voice, continuo Yo la tengo de cantar, solo voice, continuo Cantad, gilguerillos, 2 treble voices, continuo Clarines suaves, 2 treble voices, continuo Jesús, Jesús, y lo que subes (1743), 2 treble voices, continuo Hoy que en las sacras aras, 2 voices, continuo Oh admirable sacramento, 2 voices, continuo Vagelillo que al viento, 2 voices, 2 violins, continuo Ay niña bella, 2 voices, continuo Joseph Antonio, tus dos nombres, 2 voices, continuo Oigan los triunfos de Domingo Santo, 2 voices, continuo Qué bien, chorus, continuo Ay Jesús, chorus, continuo A el pan de los cielos den adoraciones, chorus, continuo Lucid fragante rosa, chorus, continuo (1741) Un hombre Dios, 4 voices, continuo Luz a luz, y gracia a gracia El baratillo (1758)
Liturgical works on Latin texts Cor mundum, voice, two violins, continuo Liberame, voice, two violins, continuo Auditi meo, two choirs, continuo Ne recorderis, chorus, continuo Iod manum suam, solo voice, continuo Parce mihi Domine, two choirs, continuo Laudate pueri Dominum, SATB chorus, 2 violins, continuo Sanctus Deus (1760), chorus, continuo
Negrillos Digo a Siola Negla (1736) Pues que de pascuas estamos (1745) Amotinados los negros Jesuclisa Magdalena (1745) Vengo turo flanciquillo (1746)
References
Dieter Lehnhoff, Creación musical en Guatemala. Guatemala City: Editorial Galería Guatemala, 2005, pp. 69–85. Alfred E. Lemmon, Music from Eighteenth-Century Guatemala. South Woodstock, Vermont: Plumsock Mesoamerican Studies, 1984. Robert M. Stevenson, "Guatemala Cathedral to 1803." Inter-American Music Review II/2 (Spring-Summer 1980):27-72.
External links