Dorothy Burgess (March 4, 1905 – August 20, 1961) was an American stage and motion-picture actress.
Family, education Born in Los Angeles in 1907, Burgess was a niece of Fay Bainter. On her father's side, she was related to David C. Montgomery of Montgomery and Stone. Her grandfather was Henry A. Burgess Sr. He came to Los Angeles in 1893, establishing a business at Terminal Island. His home was at 637 West 41st Place. He was born in England."H.A. Burgess, Pioneer Merchant, Succumbs", Los Angeles Times, October 2, 1932, p. 9. Her dad was H.A. (Burgie) Burgess, a pioneer air-transport executive. For a decade, he was an assistant to Harris M. (Pop) Hanshue, who founded Western Air Express (Western Airlines), and was its first president."H.A. Burgess, Pioneer Air Official, Ill", Los Angeles Times, April 14, 1960, p. B2. Burgess studied drawing, painting, and sculpture at Mrs. Dow's School in Briarcliff Manor, New York. Her talent in the three artistic disciplines was evident in the creative objects that decorated her Hollywood apartment. Burgess and her mother, Grace, resided in a home in Malibu, California, in 1932."Star And Director Develop Romance", Los Angeles Times, January 26, 1932, p. A3.
Stage actress Burgess made her stage debut in a walk-on role in support of her mother's sister, Bainter. She first came to light as a specialty dancer in The Music Box Revue."Who's Who In The Current Pictures", The New York Times, July 2, 1933, p. X2. In September 1924, Burgess joined the cast of the Broadway hit Dancing Mothers, in which her mother Grace had a featured role, where she had a bit in a cabaret scene and also understudied Helen Hayes in one of the principal roles. Burgess was promoted from understudy to a leading part in November 1924 when Hayes left for Quarantine. Burgess played a 17-year-old in the comedy, The Adorable Liar, which was staged at the 49th Street Theater in August 1926.
Her knowledge of the stage was proficient and she combined this with ample charm and attractiveness."The Adorable Liar Has Fine Exponent", The New York Times, August 31, 1926, p. 15. Burgess was co-featured in a stock company managed by George Cukor and George H. Kondolf at the Lyceum Theatre in Rochester, New York, during the summer of 1928. Her co-star was Henry Hull. The actors opened on Broadway on April 30."Dorothy Burgess As Star", The New York Times, April 30, 1928, p. 21. She learned about being a character actor in stock, along with adapting her voice and mannerisms to each new role.
Burgess was on Broadway in The Squall and played the title role in Lulu Belle;. she was given star billing by David Belasco. The play was performed at the Belasco Theater in Los Angeles in October 1929."Actress' Success Brings Stardom", Los Angeles Times, October 26, 1929, p. A9. Burgess depicted a Mexican girl in The Broken Wing, a Paul Dickerson romantic comedy, staged at El Capitan Theater in Los Angeles, in July 1931."Miss Burgess Resumes Role of Senorita", Los Angeles Times, July 28, 1931, p. A9. She was typecast as a Spanish woman so much that one reviewer commented that perhaps a Spanish onion or a Mexican chili pepper was in her family tree, but offstage, she was much more a typical American co-ed than the Carmenesque young ladies she often played."Dorothy Just The Type", Los Angeles Times, August 9, 1931, p. 26. She made Hollywood her permanent home, living at 210 South Fuller Avenue.
Movie career Fox Film acquired her services and she debuted in In Old Arizona (1928), the first of the outdoor talking films. Burgess portrayed the Mexican minx, who was desired by both Edmund Lowe and Warner Baxter."Cussedness Rules Season", Los Angeles Times, December 23, 1928, p. C8 A reviewer noted that her voice was good."Western Talkie Interests", Los Angeles Times, December 27, 1928, Page A13. The first film made with the Movietone sound system, it was a romance of the old Southwest."Current Films", Los Angeles, December 30, 1928, Page C17.
In May 1929, two large lamps mounted on a tripod toppled over on a sound stage where Burgess was working at the Fox Movietone Studio. She was cut severely over her left eye by one of the incandescent lamps. Burgess was rushed to a studio hospital, where several stitches were taken in her wound."Actress Struck by Falling Lamp on Sound Stage", Los Angeles Times, May 29, 1929, p. A10.
Burgess won the feminine lead in Beyond Victory (1931) after Ann Harding decided not to make the movie. The Pathé Pictures release featured William Boyd as the leading man."Dorothy Burgess Wins Lead", Los Angeles Times, June 4, 1930, p. A8. In December 1931 Burgess signed with First National Pictures for a significant role in Play Girl (1932), which had a screen story by Maude Fulton. The movie was produced by Warner Bros. and First National."Dorothy Burgess In It", Los Angeles Times, December 31, 1931, p. 7.
Burgess had a featured role as a romantic rival of Jean Harlow in Hold Your Man (1932), also starring Clark Gable. Burgess also appeared in Swing High (1930), Taxi! (1932), Ladies They Talk About (1933), Strictly Personal (1933), Headline Shooter (1933), Night Flight (1933), Black Moon (1934), and Miss Fane's Baby Is Stolen (1934). Burgess acted with Lowe and Nancy Carroll in the Paramount Pictures release, I Love That Man (1933), directed by Harry Joe Brown and produced by Charles R. Rogers."Production Started", Los Angeles Times, February 16, 1933, p. A6 Burgess strained ligaments in her back and shoulders during filming at Universal Pictures studio in July 1933. She was performing fight scenes with Mary Carlisle and Sally O'Neil."Injured Actress Collapses on Set", Los Angeles Times, July 14, 1933, p. A1
Burgess appeared with Richard Barthelmess and Jean Muir in A Modern Hero (1934), which deals with a young circus rider."Happy Endings New Demand of Popular Actor", Los Angeles Times, June 20, 1934, p. 10 Gambling (1934) starred George M. Cohan, and was produced by Harold B. Franklin at the Eastern Services Studios in Astoria, Queens. Burgess played the part of Dorothy Kane."Screen Notes", The New York Times, December 3, 1934, p. 14 Her role as Trixie in The Lone Star Ranger (1942) represented a return to playing a dance-hall girl, as she did in In Old Arizona. The film was produced by 20th Century-Fox."Greasepaint's Lure Too Strong For Jane Bryan?", Los Angeles Times, September 8, 1941, p. 22
Private life Burgess became engaged to movie director Clarence Brown in 1932. She was involved in a romance with wealthy New York jeweler Jules Galenzer in 1934."Around and About in Hollywood", Los Angeles Times, August 31, 1934, p. 10
Manslaughter charge Burgess was charged with manslaughter following an auto accident in which she was driving; 17-year-old Louise Manfredi died in the wreck, in San Francisco, on the night of December 23, 1932. Burgess, driving alone, collided with a car driven by 18-year-old Andrew Salz, a student at the University of California-Berkeley. Burgess's hearing was postponed and her bail was fixed at $50. She suffered from shock and was placed in a San Francisco sanitarium. Salz and Burgess each accused the other of responsibility for the accident."Film Star, Accused In Fatal Crash, Ill", The New York Times, December 24, 1932, p. 10.
Burgess was sued by Louise Manfredi's parents, Italo and Marie Manfredi, in January 1933. They sought $25,000 in damages."Actress Sued in Auto Death", Los Angeles Times, January 6, 1933, p. 10. A compromise payment of $6,150 was approved by the San Francisco Superior Court in August 1933. Earlier, a compromise amounting to $6,000 was agreed upon for damages claimed by 18-year-old swimmer Betty Lou Davis, who was injured in the same accident."Actress Settles Damage Claims", Los Angeles Times, August 22, 1933, p. 1
Death Dorothy Burgess was living in Palm Springs, California in May 1961 when she was hospitalized."Dorothy Burgess Seriously Ill", Los Angeles Times, June 3, 1961, p. 11. On August 20, 1961, she died of lung cancer at the Motion Picture Country Home in Woodland Hills, Los Angeles, California."Dorothy Burgess Dies of Cancer At Chatsworth." Desert Sun, 2 Sept. 1961, p. 4 She was 54. Her remains are in vaultage at Chapel of the Pines Crematory in Los Angeles.
Partial filmography
In Old Arizona (1928) as Tonia Maria Protection (1929) as Myrtle Hines Pleasure Crazed (1929) as Alma Dean A Song of Kentucky (1929) as Nancy Morgan Swing High (1930) as Trixie Recaptured Love (1930) as Peggy Price Oh! Oh! Cleopatra (1931, Short) as Cleopatra Lasca of the Rio Grande (1931) as Lasca Taxi! (1932) as Marie Costa Play Girl (1932) as Edna The Stoker (1932) as Margarita Valdez Out of Singapore aka Gangsters on the Sea (1932) as Concha Renaldo Malay Nights (1932) as Eve Blake On Your Guard (1933) as 'Sissy' Shannon Ladies They Talk About (1933) as 'Sister' Susie What Price Decency (1933) as Norma Strictly Personal (1933) as Bessie Rusty Rides Alone (1933) as Mona Quillan Hold Your Man (1933) as Gypsy Angecon Easy Millions (1933) It's Great to Be Alive (1933) as Al Moran I Love That Man (1933) as Ethel or Giggles The Important Witness (1933) as Ruth Dana Headline Shooter (1933) as Ruby - Burnett's moll Ladies Must Love (1933) as Peggy Burns Night Flight or Dawn To Dark (1933) as Pellerin's Girlfriend From Headquarters (1933) as Dolly White Miss Fane's Baby Is Stolen (1934) as Dotty Orient Express (1934) as Mable Express Fashions of 1934 (1934) as Glenda A Modern Hero (1934) as Hazel Flint Radier Affairs of a Gentleman (1934) as Nan Fitzgerald Black Moon (1934) as Juanita Perez Lane The Circus Clown (1934) as Babe Hat, Coat, and Glove (1934) as Ann Brewster Friends of Mr. Sweeney (1934) as Millie Seagrove Gambling (1934) as Dorothy Kane Village Tale (1935) as Lulu Stevenson Manhattan Butterfly (1935) as Another Singer The Lady in Question (1940) as Antoinette (uncredited) I Want a Divorce (1940) as 'Peppy' Gilman Cadet Girl (1941) as Minor Role (uncredited) Lady for a Night (1942) as Flo Lone Star Ranger (1942) as Trixie Man of Courage (1943) as Sally Dickson Girls in Chains (1943) as Mrs. Peters The West Side Kid (1943) as Toodles (final film role)
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