Yin Style Baguazhang is a style of Baguazhang.
History Yin Fu (尹福) after separating from Dong Haichuan (董海川) went on to teach multiple students. Due to his closed-door methods of teaching, he did not have as many students as teachers directly associated with Cheng Tinghua (程廷華) and others. Of these students, Men Baozhen (門寶珍) and Li Bao Sen (李寶森) were among two students who handed down their arts in Beijing after Yin's death. Men Baozhen eventually taught Xie Pei Qi and Li Bao Sen taught Meng Lian Fu and Zhang Qing Lian. In an interview with Xie Peiqi, dated to 1999, Xie claimed that his teacher, Men Baozhen, was considered to be the third best pupil of Yin Fu, after "Wan Tong" Li (i.e. Li Yongqing) and Ma Gui (Yin's oldest disciple). Dr. Xie died in 2003 and his top student, He Jinbao, is now teaching the system. The Li Bao Sen lineage of Yin style was eventually handed down to Xu Shi Xi who gained a notoriety for being quite skilled at both his fighting abilities and teaching Baguazhang. Other famous students of Yin Fu included Yin Yuzhang (his fourth son), Cao Zhongsheng (who also learned from Ma Gui), and Gong Baotian. Ma Gui, Yin Fu's first disciple, stated that he changed nothing in the bagua he learned from Yin Fu. Included among Ma Gui's students were Wang Peisheng, who is more famous for his Wu style taijiquan, and Liu Wanchuan.
Overview Due to the nature in which Baguazhang was taught by Dong Hai Chuan to his students, in the first few generations no two students' Baguazhang looked exactly the same. While Yin Fu was known by some for particular skills including Piercing/Penetrating palm techniques and Iron Bracelet Qinna, the methods he taught were quite diverse and it can be seen in the diversity of the various Yin Style lineages and their techniques today. Yin style Baguazhang today has many branches with some focusing on particular techniques that one of the teacher's in their lineage may have been particularly fond of and so placed an emphasis on those techniques while other systems have a more broad approach not solely placing importance on only one or a few techniques but rather training a myriad of techniques that can be combined in hundreds if not thousands of ways in combat.
Some schools strongly emphasize correlations to the 易經 I Ching and 八卦 Bagua trigrams while others simply use them for a framework of structuring the system as they teach it and yet some others do not talk much about the correlations to the trigrams at all. Most information that comes down from students of Dong Hai Chuan suggest that he did not call the art '八卦掌' Baguazhang to begin with but rather '轉掌' Zhuan Zhang or rotating palms referring to the circling nature of practice. It also seems he taught three types of palm changes and these changes varied per individual to fit them the best. Techniques were extrapolated or added around the core techniques from these palm changes. It was the second generation of teachers, those who learned from Yin Fu, Cheng Ting Hua, etc., who openly described the system in teaching and writings as Baguazhang and associated it more strongly with the Eight Trigrams. Whether or not this was originally taught by Dong Hai Chuan himself or developed later is hard to tell.
Yin Style Baguazhang under the Xie PeiQi lineage Yin Style as passed down by Xie Peiqi is notable for having eight distinct animal styles within the body of the art. In other words, Xie's Yin Style is a complete system, which is made up of other complete systems. These include the eight animal systems as well as several 'unorthodox' systems, such as the Penetrating Palm and Backhand systems. Each of the eight animal styles is related to one of the Eight Trigrams of the I Ching. The following table describes this relationship:He Jinbao Interview 1
Trigram Animal Chinese Title Chinese Pinyin ☰ 乾 Qián Lion 獅 Interlocking☱ 兌 Dui Monkey 猴 Enfolding☲ 離 Lí Rooster 鷂 Lying step☳ 震 Zhèn Dragon 龍 Lifting and holding☴ 巽 Xùn Phoenix 鳳 Windmill☵ 坎 Kǎn Snake 蛇 Moving with the force☶ 艮 Gèn Bear 熊 Turning the back☷ 坤 Kūn Qilin/Unicorn 麟 Reversing the body
Each animal is a complete system in its own right, possessing its own personality, skills, applications, and functions. Each of the eight animal systems contains eight striking methods, and each striking method has seven strikes. Three of those seven are considered the 'primary' strikes and are emphasized more than the others in single practice. Therefore, the animal systems of Xie's Yin Style Bagua have a total of 448 unique strikes. However, Xie's Yin Style Bagua also contains other unorthodox systems outside of the eight animals, such as Penetrating Palm and the Backhand systems. Hence, there are more than 448 strikes, though 448 are contained within the animals. (Note that the animal relationships with the bagua diagram are not unique to Xie's art; these relationships are also often used for other styles of bagua, including Cheng substyles, such as that of Sun Lutang.)
Other substyles of Yin include different forms and methods. For example, Cao Zhongsheng's system's technical base is the 64 palms (also taught by Wang Peisheng); other substyles focus on only 8 main palms (such as that of Liu Zhenlin, Li Baosen, or other Men Baozhen lineages). Gong Baotian's version has many forms and a strong emphasis on Yin Fu's Luohan forms. Each substyle also includes many supplementary forms (such as luohanquan) and training methods (such as hand hardening methods).
Four Basic Practices There are four basic practice methods in Xie Peiqi's Yin Style Baguazhang: standing, turning, striking, and changing. These practices are the basic pillars of the style, and are all considered equally important.He Jinbao Interview 3
Standing The standing practices involve nine static strengthening postures specific to a given animal. Each posture requires precise body alignment and distinct isometric pressures necessitating full body exertion to maintain properly. These postures are undertaken to develop and check the structure of every part of the body.
Turning Turning (or turning the circle), is the practice many people associate with Baguazhang. "Yin style Bagua is the art of striking while you are moving. You ceaselessly move and strike, and are always trying to get to the outside [of your opponent] by turning. No matter what, position yourself to avoid the heavy blows and let the light ones fall. It is within turning that these movements and techniques are honed to perfection or to a higher level. All movements and techniques are linked smoothly together.He Jinbao Interview 4"
Striking Striking is the most fundamental way of developing power in Yin Style Baguazhang. It is introduced through the stationary drilling method, unaccompanied by footwork. It is intended to establish the harmony between hand and waist that is necessary for generating power.
The moving strike practices consist of:
One-step drilling method, of which there is the zig-zag stepping or dominating the side, straight stepping, or dominating the center, and closing or turning the back method. Two-step, or square drilling, which consists of advance-back-step, advance-advance, or back-step-advance, and back-step back-step. Three-step, or horizontal drilling method, which combines the stationary strike, advance step, and back-step.
Changing Changing is most obvious when changing hands to face opposite directions. Changing also includes the changing or redirecting of force, or alterations in stepping.
Animal Styles in Xie Peiqi's Yin Style
Commonalities Between the Animal Styles Each animal style in Yin Style Baguazhang is its own complete system; however, each system contains practices and movements from all of the other animal systems. Example: when practicing forms in Yin Style Bagua, a practitioner may practice, for example, the Lion System Windmill Sweeping Strike Form. The strikes come from the lion system, but the Windmill movements come from the Phoenix system.
Thus, each animal has a specific movement technique in addition to its 8 striking methods. Each animal also has its own kicking technique, which is not included in its striking methods.
Qian Trigram Lion System The lion is pure Yang energy, or hardness, and is one of two animals represented by a pure trigram; the other is the Unicorn. The lion trigram is characterized by powerful and ferocious full-body force generated from the waist. The lion's eight striking methods are: sweeping, cutting, chopping, hooking, shocking, blocking, seizing and grasping.
The lion's characteristic movement technique is Linking the Forms.
Kan Trigram Snake System
The Snake's striking methods are: shoulder, elbow, knee, hip, shooting, binding, entrapping, and grasping. The style is characterized by a smooth and flowing motion of the force-palm, with many of the strikes targeted at vital organs.
The snake's characteristic movement technique is Moving with the Force.
Gen Trigram Bear System
The bear system is distinguished by a strategy of taking advantage from a losing position. The Bear's striking methods are: rushing, penetrating, withdrawing, carrying, leaning, shocking, soft and following. The Bear's power is generated from the back, and is short and blunt.
The bear's characteristic movement technique is Turning the Back.
Zhèn Trigram Dragon System
Known as the lifting and holding palm. Its striking methods are: pushing, lifting, carrying, leading, moving, capturing, chopping and entering. The Dragon's power is emitted through a forward motion of back and waist. The Dragon style, although practiced differently in Yin Style, is the animal practiced by Cheng Style Baguazhang.
The dragon's characteristic movement technique is Lifting and Upholding.
Xun Trigram Phoenix System
In the phoenix system, force is emitted from the shoulders, and characterized by whipping action. The striking methods are: dodging, extending, chopping, shocking, transforming, removing, curling in, and cutting.
The phoenix's characteristic movement technique is Windmill.
Li Trigram Rooster System
The rooster focuses on long, deep footwork with one's center of gravity close to the ground. Power comes from the elbows. The Rooster's striking methods are: dodging, extending, lifting, shifting, entering, whipping, rushing and stabbing.
The rooster's characteristic movement technique is Reclining Step (also known as Lying Step).
Kun Trigram Qilin/Unicorn System
The Unicorn is the opposite of the Lion, being pure Yin. The Unicorn's striking methods are: sticking, kneading, soft, following, hip, striking, chopping and cutting. It issues force by employing all joints to produce a flexible, snapping power.
The unicorn's characteristic movement technique is Reversing the Body.
Dui Trigram Monkey System
Concentrates on leg techniques, referred to as the interlocking leg. Its striking methods are: bending, thrusting, straightening, hip, chopping, swinging, stopping, and ending.
The monkey's characteristic movement technique is Compacting the Body.
Yin Style Bagua Zhang under the Li Bao Sen lineage The Yin Style passed down through Li Bao Sen (李寶森) differ's in many ways from the Men Bao Zhen lineage speaking to the diversity of training methods taught and developed under Yin Fu and by his students. While not much is known about Li Bao Sen's personal life he trained a number of students who went on to win large national fighting tournaments during the Republic era. Li Bao Sen's most notable student's include Meng Lian Fu (孟連富) and Zhang Qing Lian (張慶廉).
Brief History of Li Bao Sen's students