Withnail and I is a 1987 British black comedy film written and directed by Bruce Robinson in his directorial debut. Loosely based on Robinson's life in London in the late 1960s, the plot follows two unemployed actors, Withnail and "I" (Richard E. Grant and Paul McGann, respectively), who share a flat in Camden Town in 1969. They plan a weekend holiday at a Lake District cottage owned by Withnail's wealthy eccentric uncle Monty (Richard Griffiths), though the holiday proves less recuperative than expected.

Withnail and I was Grant's film debut and breakout role. Featuring supporting performances by Griffiths, Ralph Brown and Michael Elphick, the film is notable for its 1960s soundtrack and many quotable lines. It has been described as "one of Britain's biggest cult films".

The character "I" is named "Marwood" in the published screenplay but goes unnamed in the film credits. Plot In September 1969, two unemployed young actors, flamboyant alcoholic Withnail and contemplative, neurotic Marwood, live in a squalid flat in Camden Town, London. Their only regular visitor is their drug dealer, Danny. One morning, the pair squabble about housekeeping and then leave for a stroll. In Regent's Park, they discuss the poor state of their acting careers and the desire for a holiday; Marwood proposes a trip to a rural cottage near Penrith owned by Withnail's wealthy uncle Monty. They visit Monty that evening at his luxurious Chelsea house. Monty is a melodramatic aesthete, whom Marwood infers is homosexual. The three briefly drink together as Withnail casually lies to Monty about his acting career. He further deceives Monty by implying that Marwood attended Eton College ("the other place"), whilst a lithograph of Harrow School seen earlier in the flat suggests that both Monty and Withnail were educated there. Withnail persuades his uncle to lend them the cottage key and they leave.

Withnail and Marwood drive to the cottage the next day but find the weather cold and wet, the cottage without provisions and the locals unwelcoming—in particular a poacher, Jake, whom Withnail offends in the pub. Marwood becomes anxious when he later sees Jake prowling around the cottage and suggests they leave for London the next day. Withnail in turn demands that they share a bed in the interest of safety but Marwood refuses. During the night, Withnail fears that the poacher wants to harm them and climbs under the covers with Marwood, who angrily leaves for a different bed. Hearing the sounds of an intruder breaking into the cottage, Withnail again joins Marwood in bed. The intruder turns out to be Monty, with supplies.

The next day, Marwood realises Monty's visit has ulterior motives when he makes suggestive sexual advances upon him; Withnail seems oblivious to this. Monty drives them into town and gives them money to buy Wellington boots but they go to a pub instead, and then to a small cafe where they cause a disturbance. Monty is hurt, though he forgets the offence as the three drink and play poker. Marwood is terrified by the thought of Monty's further sexual overtures and wants to leave immediately, but Withnail insists on staying. Late in the night, Marwood tries to avoid Monty's company but is eventually cornered in the guest bedroom as Monty demands sex, threatening to rape Marwood. Monty also reveals that Withnail, during the visit in London, lied that Marwood was a closet homosexual. Marwood lies that Withnail is the closeted one and that the two of them are in a committed relationship, which Withnail wishes to keep secret from his family and that this is the first night in six years that they have not slept together. Monty, a romantic, believes this explanation and leaves after apologising for coming between them. In private, Marwood furiously confronts Withnail.

The next morning, they find Monty has left for London, leaving a note wishing them happiness together. They continue to argue. A telegram arrives from Marwood's agent with a possible offer of work and he insists they return. As Marwood sleeps in the car, Withnail drunkenly speeds most of the way back until pulled over by the police who arrest him for driving under the influence. The pair return to the flat to find Danny and a friend named Presuming Ed squatting. Marwood calls his agent and discovers he is wanted for the lead part in a play but will need to move to Manchester to take it. The four share a huge cannabis joint but the celebration ends when Marwood learns they have received an eviction notice for unpaid rent, while Withnail is too high to care. Marwood—with new haircut—packs a bag to leave for the railway station. He turns down Withnail's offer of a goodbye drink, so Withnail walks with him to the station. In Regent's Park, Marwood asks Withnail not to walk with him further; the two express that they will miss each other, and then Marwood leaves. Alone with bottle of wine in hand, Withnail performs "What a piece of work is a man!" from Hamlet to the wolves in a London Zoo enclosure, and then turns to walk home in the rain.

Cast

Richard E. Grant as Withnail Paul McGann as "...& I" (Marwood) Richard Griffiths as Monty (Montague H. Withnail) Ralph Brown as Danny Michael Elphick as Jake Daragh O'Malley as Irishman (aggressive pub visitor) Michael Wardle as Isaac Parkin (farmer) Una Brandon-Jones as Mrs Parkin Noel Johnson as General (bar owner) Irene Sutcliffe as Miss Blennerhassit, Tea Shop Waitress Llewellyn Rees as Tea Shop Proprietor Robert Oates as Policeman 1 Anthony Wise as Policeman 2 Eddie Tagoe as Presuming Ed

Production Development Writing

The film is an adaptation of an unpublished novel written by Robinson in 1969–1970 (an early draft of which sold at auction for £8,125 in 2015). Actor friend Don Hawkins (who had starred in the 1970 film Tam Lin with Robinson) passed a copy of the manuscript to his friend Mordecai (Mody) Schreiber in 1980. Schreiber paid Robinson £20,000 to adapt it into a screenplay, which Robinson did in the early 1980s. When meeting Schreiber in Los Angeles, Robinson expressed concern that he might not be able to continue because the writing broke basic screenplay rules and was hard to make work as a film. It used colloquial English to which few Americans would connect ("Give me a tanner and I'll give him a bell"), characters in dismal circumstances, and a plot prodded by uncinematic voice-overs. Schreiber told him that that was precisely what he wanted. On completing the script, producer Paul Heller urged Robinson to direct it and found funding for half the film. The script was then passed to HandMade Films and George Harrison agreed to fund the remainder of the film. Robinson's script is largely autobiographical. "Marwood" is Robinson; "Withnail" is based on Vivian MacKerrell, a friend with whom he shared a Camden house and "Uncle Monty" is loosely based on Franco Zeffirelli, from whom Robinson received unwanted amorous attentions when he was a young actor. He lived in the impoverished conditions seen in the film and wore plastic bags as Wellington boots. For the script, Robinson condensed two or three years of his life into two or three weeks. Robinson stated he named the character of Withnail after a childhood acquaintance named Jonathan Withnall, who was "the coolest guy I had ever met in my life".

Early in the film, Withnail reads a newspaper headline "Boy lands plum role for top Italian director" and suggests that the director is sexually abusing the boy. This is a reference to the sexual harassment that Robinson alleges he suffered at the hands of Zeffirelli when, at age 21, he won the role of Benvolio in Romeo and Juliet. Robinson attributed Uncle Monty's question to Marwood ("Are you a sponge or a stone?") as a direct quotation of Zeffirelli. The headline "Nude au pair's secret life" was an actual headline from News of the World on 16 November 1969.

The end of the novel saw Withnail committing suicide by pouring a bottle of wine into the barrel of Monty's shotgun and then pulling the trigger as he drank from it. Robinson changed the ending, as he believed it was "too dark".

Name of "I"

While the name of McGann's character is never spoken in the film, in the screenplay it is "Marwood". The name "Marwood" is used by Robinson in interviews and in writing as well as by Grant and McGann in the 1999 Channel 4 documentary short Withnail and Us. The name "Marwood" was known to film critic Vincent Canby of the New York Times in a 27 March 1987 review coinciding with the film's New York premiere at the New Directors/New Films series at the Museum of Modern Art. In the end credits and most media relating to the film, McGann's character is referred to solely as . In the supplemental material packaged with the Special Edition DVD in the UK, McGann's character is referred to as Peter Marwood in the cast credits.

It has been suggested that it is possible that 'Marwood' can be heard near the beginning of the film: As the characters escape from the Irishman in the Mother Black Cap, Withnail shouts "Out of my way <indistinct word>!". Some hear this line as "Out of the way, Marwood!", although the script reads simply "Get out of my way!".

The first name of "I" is not stated anywhere in the film. A myth that it is "Peter" arose as a result of a line of misheard dialogue.Hewitt-McManus, Thomas: "Twenty things you might want to know about Withnail & I", DVD insert. Anchor Bay, 2006. In the scene where Monty meets the two actors, Withnail asks him if he would like a drink. In his reply, Monty both accepts his offer and says "...you must tell me all the news, I haven't seen you since you finished your last film". While pouring another drink, and downing his own, Withnail replies that he has been "Rather busy uncle. TV and stuff". Then pointing at Marwood he says "He's just had an audition for rep". Some hear this line as "Peter'''s had an audition for rep", although the original shooting script and all commercially published versions of the script read "he's".

Towards the end of the film, a telegram arrives at Crow Crag on which the name "Marwood" is partially visible.

Pre-production Peter Frampton worked as make-up artist, Sue Love as hair stylist and Andrea Galer as costume designer.

Casting Mary Selway worked as casting director.

McGann was Robinson's first choice for "I" but he was fired during rehearsals because Robinson decided McGann's Scouse (Liverpool) accent was wrong for the character. Several other actors read for the role but McGann eventually persuaded Robinson to re-audition him, promising to affect a Home Counties accent and quickly won back the part.

Actors Robinson considered for "Withnail" included Daniel Day-Lewis, Bill Nighy, Kenneth Branagh and Edward Tudor-Pole. Robinson claims that Grant was too fat to play Withnail and told him that "half of you has got to go". Grant has denied this.

Though he plays a raging alcoholic, Grant is a teetotaller with an allergy to alcohol. He had never been drunk prior to making the film. Robinson decided that it would be impossible for Grant to play the character without having ever experienced inebriation and a hangover, so he "forced" the actor on a drinking binge. Grant has stated that he was "violently sick" after each drink and found the experience deeply unpleasant.

Filming