Mysore is a city in the state of Karnataka, India. It is known as the cultural capital of Karnataka. Mysore was the capital of the Wodeyar kings who ruled over the Mysore Kingdom for many centuries. Wodeyars were great patrons of art and music and have contributed significantly to make Mysore a cultural centre.Contribution of Wodeyar kings to the art and culture of Mysore city is discussed by Mysore is well known for its palaces, museums and art galleries and the festivities that take place here during the period of Dasara attract a worldwide audience. Mysore has also lent its name to popular dishes like Mysore Masala Dosa and Mysore Pak. Mysore is also the origin of the popular silk sari known as Mysore silk sari and has also given rise to a popular form of painting known as Mysore painting.
Festivals
Dasara Dasara is the Nadahabba (state-festival) of the state of Karnataka. It is also known as Navaratri (Nava-ratri = nine-nights) and is a 10-day festival with the last day being Vijayadashami, the most auspicious day of Dasara. Dasara usually falls in the month of September or October. According to a legend, Vijayadashami denotes the victory of truth over evil and was the day when the Hindu Goddess Chamundeshwari killed the demon Mahishasura. Mahishasura is the demon from whose name Mysore has been derived.
The Dasara festivities are attested at least since Wodeyar King, Raja Wodeyar I (1578–1617 CE) in 1610.Detailed account of the Dasara festival celebrated at Mysore is provided by The Mysore Palace is lit up on all the 10 days of Dasara. The festivities begin with the Wodeyar royal couple performing a special puja to Goddess Chamundeshwari in the Chamundi Temple located on the top of Chamundi Hill at Mysore. This would be followed by a special durbar (royal assembly).Kings wore the traditional Mysore Peta as headgear during the Durbar (court of Indian or princely state's kings) time or in a ceremonial procession during the Dasara celebrations. It was during the reign of Krishnaraja Wodeyar III in 1805, when the king started the tradition of having a special durbar in the Mysore Palace during Dasara; which was attended by members of the royal family, special invitees, officials and the masses. The King and men attending King's court wore the conventional attire called the durbar dress which comprised a black long coat with white trousers and a compulsory Mysore Peta. This tradition has been continued even now with the current scion of the Wodeyar family, Yaduveer Krishnadatta Chamaraja Wodeyar holding a private durbar during Dasara. The ninth day of Dasara known as Mahanavami is also an auspicious day on which the royal sword is worshipped and is taken on a procession involving elephants, camels and horses.Detailed account of the Mysore Dasara festival is provided by
On Vijayadashami, the traditional Dasara procession (locally known as Jumboo Savari) is held on the streets of Mysore city. The main attraction of this procession is the idol of the Goddess Chamundeshwari which is placed on a golden mantapa on the top of a decorated elephant. This idol is worshipped by the royal couple and other invitees before it is taken around in the procession. Colourful tableaux, dance groups, music bands, decorated elephants, horses and camels form a part of the procession which starts from the Mysore Palace and culminates at a place called Bannimantap where the banni tree (Prosopis spicigera) is worshipped. According to a legend of the Mahabharata, banni tree was used by the Pandavas to hide their arms during their one-year period of Agnatavasa (living life incognito). Before undertaking any warfare, the kings traditionally worshipped this tree to help them emerge victorious in the war. The Dasara festivities would culminate on the night of Vijayadashami with an event held in the grounds at Bannimantap called as Panjina Kavayatthu (torch-light parade).
Another major attraction during Dasara is the Dasara exhibition which is held in the exhibition grounds opposite to the Mysore Palace. This exhibition starts during Dasara and goes on till December. Various stalls which sell items like clothes, plastic items, kitchenware, cosmetics and eatables are set up and they attract a significant number of people. A play area containing attractions like ferris-wheel is also present to provide entertainment to the people. Various Governmental agencies setup stalls to signify the achievements and projects that they have undertaken.
On all the 10 days of Dasara, various music and dance concerts are held in auditoriums around Mysore city. Musicians and dance groups from all over India are invited to perform on this occasion. Another attraction during Dasara is the Kusti Spardhe (wrestling-bout) which attracts wrestlers from all around India.Details regarding Dasara Wrestling competition held in Mysore is provided by
Palaces Wodeyar kings of Mysore have built quite a few palaces in Mysore and this has earned the city the sobriquet of City of Palaces. Following are the palaces present here:
Ambavilas Palace
This is the main palace of Mysore and also termed as Mysore Palace. This palace was built in 1912 at a cost of Rs. 4,150,000 in the Indo-Sarcenic style. The earlier wooden palace that existed at this location got burnt in a fire during the wedding of Jayalakshammanni, the eldest daughter of Chamaraja Wodeyar, in February 1897.Detailed description of the palaces in Mysore is provided by The architect of this palace was Mr. Henry Irwin and the consulting engineer was Mr E W Fritchley. The palace is a three storied structure with the tallest tower with a gilded dome rising to 145 feet above ground. In the first floor is the grand Durbar hall, where the kings used to hold their assembly. Some of the other important halls within the palace are Kalyana Mantap (the wedding hall), Gombe Thotti (hall of dolls) and Amba Vilasa (private hall). Lifelike paintings, murals, arms, trophies, stained glass windows and decorated domes enhance the architectural splendour of this palace. This is the center of all festivities during the Dasara.
Jaganmohan Palace Jaganmohan Palace was built in 1861 by Krishnaraja Wodeyar III in a predominantly Hindu style to serve as an alternate palace for the royal family. This palace housed the royal family when the older Mysore Palace was burnt down by a fire. The palace has three floors and has stained glass shutters and ventilators. It has housed the Sri Jayachamarajendra Art Gallery since the year 1915. The collections exhibited here include paintings from the famed Travancore ruler, Raja Ravi Varma, the Russian painter Svetoslav Roerich and many paintings of the Mysore painting style.A brief description about Jaganmohana Palace is provided by The Durbar Hall here was the place where the early convocations of the Mysore University were held. The hall also serves as an auditorium for staging cultural programmes.
Jayalakshmi Vilas Mansion This palace was built in 1905 for Jayalakshmi Devi, eldest daughter of Chamaraja Wodeyar. This mansion has three wings and contains a series of twin Corinthian and Ionic columns, regal pediments and oval ventilators. The mansion was originally built with a cost of Rs. 700,000. This mansion was acquired by the Mysore University to house its post-graduate campus. It was renovated in 2002 from funding provided by Infosys foundation.A description about Jayalakshmi Vilas Mansion is provided by The main hall in this mansion is the Kalyana Mantapa which has an eight-petal shaped dome with stained glass windows with a gold-plated Kalasha(tower) at the top. A new gallery called as Writer's Gallery has been created in the Kalyana Mantapa hall that will exhibit personal items, photographs, awards and writings of renowned writers of Kannada. A special illumination system has also been added to this heritage structure. This mansion is said to be the first university museum complex in the country.
Lalitha Mahal The architect of this palace was Mr E W Fritchley. The palace was built by Krishnaraja Wodeyar IV in 1921 for the exclusive stay of the Viceroy of India. The palace is pure white in colour and is built in the style of Italian palazzo with twin Ionic columns and domes. It also has a sprawling terrace and landscaped gardens.Profile of the Lalitha Mahal is provided by This palace has now been converted into a five-star hotel belonging to the Ashok Group of Hotels. The interior of this palace contains venation marble floors, rosewood furniture and a stately balustrade staircase. The central hall in the palace contains life size portraits of the royalty, lithographs, motifs, a Belgian glass dome and carved wood shutters. An ancient elevator, still in working condition, is also present.
Rajendra Vilas This is a palace atop the Chamundi Hill. This was conceived in the 1920s and completed in 1938–1939. This was built as a summer palace for the Wodeyar kings. This palace is currently owned by the current scion of the royal family, Yaduveer Krishnadatta Chamaraja Wadiyar. There are plans to convert this into a Heritage hotel.Restoration work at Rajendra Vilas Palace is discussed by
Cheluvamba Mansion This mansion was built by Krishnaraja Wodeyar IV for his third daughter, Cheluvajammanni. It now houses the CFTRI (Central Food and Technological Research Institute).
Painting
Mysore painting
The traditional form of painting called as Mysore painting is an offshoot of the Vijayanagar school of Painting. With the fall of the Vijayanagar empire, the artists who were involved in the Vijayanagar Paintings were rendered jobless. The Wodeyar king, Raja Wodeyar (1578–1617 CE) rehabilitated these artists in Srirangapatna and under his patronage, a new form of painting called as Mysore painting evolved.A detailed account of the traditional form of Mysore painting is provided in These artists employed by the king made use of locally available materials to do the paintings. Squirrel hair was used as a brush by tying the hair with a silken thread and inserting them into the narrow end of a quill. A cloth spread over a wooden plank formed the painting board. Properly burnt tamarind sticks were used as a sketching charcoal. The main attraction of these paintings was the gesso work in which gold foils were pasted on appropriate regions on the painting. Gesso was used for depicting intricate designs of clothes, jewellery and architectural details. Stories from the Ramayana, Mahabharata, Bhagavata Purana and Jain epics formed the basis of these paintings. Mummadi Krishnaraja Wodeyar (Krishnaraja Wodeyar III) was instrumental in the growth of the Mysore painting form and is said to have commissioned more than 1000 portraits during his reign. Many of these paintings can still be seen on the walls of the Jaganmohan Palace at Mysore.A brief description the traditional Mysore Painting is provided by
Ganjifa Art
Ganjifa or Ganjeefa was a popular card game in ancient India. Played extensively in the Mughal period, Ganjifa is now known more for the art work on the cards than the game itself. Cards made for royalty were inlaid with precious stones and were also made of ivory, mother-of-pearl and wafers of lac. In Mysore, this game was known as "Chadd" (God's play).An account on Ganjifa is provided by One of the finest exponents of Ganjifa Art, Ganjifa Raghupathi Bhatta is a resident of Mysore and has set up an International Ganjifa Research Centre at Mysore. The cards are generally circular and sometimes rectangular in shape with lacquered backs with exquisite paintings on them.
Carpentry
Rosewood Inlay work