In Greek mythology, Dike or Dice, ( or ; ) sometimes also called Dicaeosyne (), is the goddess of justice and the spirit of moral order and fair judgement as a transcendent universal ideal or based on immemorial custom, in the sense of socially enforced norms and conventional rules. According to Hesiod (Theogony, l. 901), she was fathered by Zeus upon his second consort, Themis.see Pseudo-Clement, Recognitions 10, p. 123, l. 39 She and her mother are both personifications of justice. She is depicted as a young, slender woman carrying a balance scale and wearing a laurel wreath. The constellation Libra (the Scales) was anciently thought to represent her distinctive symbol.

She is often associated with Astraea, the goddess of innocence and purity. Astraea is also one of her epithets, referring to her appearance in the nearby constellation Virgo which is said to represent Astraea. This reflects her symbolic association with Astraea, who, too, has a similar iconography.

Depiction The sculptures of the Temple of Zeus at Olympia have as their unifying iconographical conception the dikē of Zeus,. and in poetry she is often the attendant (, paredros) of Zeus.Sophocles, Oedipus at Colonus 1377; Plutarch, Life of Alexander 52; Orphic Hymn to Dike (61), 2 (Athanassakis and Wolkow, p. 50). In the philosophical climate of late 5th century Athens, dikē could be anthropomorphised as a goddess of moral justice.She is already given a genealogy, as daughter of Themis, in Hesiod, Theogony 901, and approaches the throne of Zeus with lamentation at human injustices in Works and Days, 239f, both poems late 7th century BCE. She was one of the three second-generation Horae, along with Eunomia (Order) and Eirene (Peace):

She ruled over human justice, while her mother Themis ruled over divine justice.Brill's New Pauly, s.v. Dike. Her opposite was adikia ("injustice"); in reliefs on the archaic Chest of Cypselus preserved at Olympia,Minutely described by Pausanias in the later second century CE. an attractive depiction of Dikē throttled an ugly depiction of Adikia and beat her with a stick.

The later art of rhetoric treated the personification of abstract concepts as an artistic device, which devolved into the allegorizing that Late Antiquity bequeathed to patristic literature. In a further euhemerist interpretation, Dikē was born a mortal and Zeus placed her on Earth to keep mankind just. He quickly learned that this was impossible and placed her next to him on Mount Olympus.

Mythology One of her epithets was Astraea, referring to her appearance as the constellation Virgo. According to Aratus's account of the constellation's origin, Dike lived upon Earth during the Golden and Silver ages, when there were no wars or diseases, men raised fine crops and did not yet know how to sail. They grew greedy, however, and Dike was sickened. She proclaimed:

Dike left Earth for the sky, from which, as the constellation, she watched the despicable human race. After her departure, the human race declined into the Bronze Age, when diseases arose and humanity learned how to sail.

Another myth presents Dike as the avenger of Meletus, driven to suicide due to the rejection and torment he suffered at the hands of the youth Timagoras. Dike did not allow Timagoras to gloat after his suitor's fate, and as if compelled by divine forces, he threw himself from the same rock as Meletus and died.

In the New Testament The consensus of most biblical scholarse.g., David Peterson ((2009). The Acts of the Apostles. In The Pillar New Testament Commentary. Grand Rapids, MI: William B. Eerdmans.), John Pohill ((1992). Acts in The New American Commentary. Nashville: Broadman & Holman), and Ben Witherington ((1998). The Acts of the Apostles: A Socio-Rhetorical Commentary. Grand Rapids, MI: Wm. B. Eerdmans Publishing Co.) is that the Acts of the Apostles contains a reference to Dike in its final chapter. In Acts 27 and 28, the Apostle Paul is conducted toward Rome under guard after having appealed his legal case to Caesar.Acts 25:11 After getting caught in a storm, having their boat ran aground, and narrowly escaping death while making it to shore,Acts 27:1-44 they discover they have landed on Malta, where they are cared for by the local populace.Acts 28:1-2 While helping to fuel the fire, Paul is bitten by snake, and the locals conclude, "No doubt this man is a murderer! Although he has escaped from the sea, Justice herself has not allowed him to live!" (NET).NA28, SBLGNT, and UBS5 all agree with the reading Πάντως φονεύς ἐστιν ὁ ἄνθρωπος οὗτος ὃν διασωθέντα ἐκ τῆς θαλάσσης ἡ δίκη ζῆν οὐκ εἴασεν. Ben Witherington III writes of this incident,

It was common belief of the time that the sea was a place where the gods could exact vengeance, and the snakebite was likely perceived as Dike pursuing Paul after surviving the shipwreck.

See also Lady Justice

Notes

References Athanassakis, Apostolos N., and Benjamin M. Wolkow, The Orphic Hymns, Johns Hopkins University Press, 2013. . Internet Archive. Google Books. Brill’s New Pauly: Encyclopaedia of the Ancient World. Antiquity, Volume 4, Cyr-Epy, editors: Hubert Cancik, Helmuth Schneider, Brill, 2004. . Online version at Brill.

Pindar, Olympian Odes. Pythian Odes. Edited and translated by William H. Race. Loeb Classical Library No. 56. Cambridge, Massachusetts: Harvard University Press, 1997. . Online version at Harvard University Press. Smith, William, Dictionary of Greek and Roman Biography and Mythology, London (1873). Online version at the Perseus Digital Library.