Santiago Martínez Delgado (1906–1954) was a Colombian painter, sculptor, art historian and writer. He established a reputation as a prominent muralist during the 1940s and is also known for his watercolors, oil paintings, illustrations and woodcarvings.
Martínez attended the Chicago Academy of Fine Arts under the tutelage of Ruth VanSickle Ford."VanSickle papers" The Papers of RVF at the Smithsonian Institution. Smithsonian Magazine. Fall/Winter 1980, p. 239, 322, 344 In 1933, he was awarded the Logan Medal of the Arts for his mural at the "Century of Progress" International Exhibition in Chicago. During these years in Chicago, he produced various illustrations for Esquire Magazine and participated in the Federal Art Project."He was outed for not being a US citizen along with Willen de Kooning" Martínez was a disciple of Frank Lloyd Wright at Taliesin, where he began to experiment with the Art Deco style."Santiago Martinez Delgado el Humanista el Colombiano" Seguros Bolivar1974, p. 29,30
In Colombia, Martínez was awarded the gold medal in the 1940 Salón de Artistas Colombianos and was again awarded the top prize in 1941. In 1947, Martinez Delgado painted the mural at the Salón Elíptico in the Colombian Congress Building, considered one of the greatest murals of the 20th century. Martínez was then awarded La Orden De Boyaca (Colombia's highest government honor). Martinez was at the top of the Latin-American fine-arts scene when he died at the age of 47.
Biography
Genealogy
Martinez's ancestry profoundly influenced his art choices and books. Born into an aristocratic family in Bogotá, his father was the Conservative party leader Luis Martinez and his mother Mercedes Delgado Mallarino. It was a difficult childhood due to his father's expulsion from Colombia as a result of an indictment for his involvement in an earlier Coup d'état.
Early years
Martinez began studying art at age 11 under the instruction of Colombian Master Roberto Pizano and following Andrés de Santa Maria at the Bogotá Fine Arts Academy. In 1925, he moved to Cartagena, where, at the age of 18, he directed and illustrated some sections for the newspaper "La Patria" under the pseudonym of "Sanmardel".
Chicago and Taliesin
Soon after, in 1926, Martínez traveled to Chicago, where he studied and worked for over five years at the Fine Arts Institute of Chicago under the tutelage of Ruth VanSickle Ford. In Chicago, Martínez befriended and worked alongside Edward Hopper, Isamu Noguchi, Willem de Kooning and Edgar Kaufmann Jr., among others."Leonor Concha SMD Collection" Santiago Martinez Delgado Papers SMD Collection. Pictures with Edward Hopper album 3 p. 4 -Picture with Edgar Kaufmann at taliesin Album 4 p. 11,12,14 - Pictures with Frank Lloyd Wright album 4 p. 1,2,3,4,5,6,7,9,11- Picture with Isamu Noguchi and Diego Rivera album 5 p. 4 - Picture with Kooning album 7 P. 3,4 + letter regarding retirement from federal art project letter folio 24 # 4 Wright was quoted: "Young Santiago's brush lines are elegant and his attitude gracious.""Frank Lloyd Wright to Edgar Tafel" Taliesin records Chicago University J. D Bolston Press. Fall 1942, p. 29 In 1929, Martínez was awarded first prize for the "Best advertisement illustration" by the US Federation of Commercial Artists. Shortly after, he won the Logan Medal for the Arts for his mural: "Colombian evolution" at the 1933 Chicago International World Fair and exposition. At the fair, Martínez also assisted with the Murals at the General Motors Exhibit, as Diego Rivera's commission was cancelled due to the Lenin controversy in New York.
Back in Colombia
Martínez returned to Colombia in 1934 with an innovative line pioneering in the pictorial Art Deco style."Painting La Reinas" Strong Art Deco Style painted in Bogotá 1934 that was presided by other Art Deco style painting made from 1929 to 1933 in the US Therefore becoming the 1st Colombian Painter to work in the Art Deco Style, In 1936, Martínez founded the Art school and decoration at the Universidad Javeriana Femenina. From 1937 to 1940, he directed and illustrated the magazine "Revista Vida", which became the main outlet for cultural media at the time. It featured interviews of world-renowned artists like Joan Miró and writers like his longtime friend Gabriela Mistral."Nobel Records Columbia University, New York" La Vida de Gabriela Mistral Oveja Negra. Fall 1972, p. 84 He also made various illustrations for America, Anarkos, Cromos and PAN Magazines.
Madonna dilemma
Martinez, who was an avid historian and protector of the Colombian artistic heritage, discovered a painting by Raphael de Urbino. This discovery started a debate among Colombian scholars that is now referred to as "The dilemma of (La Madonna de Bogotá) (). Martinez Delgado managed to prove the provenance of the piece along with its authenticity with the use of X-rays and detailed forensic work. In 1939, he took the painting to New York City during the 1939 World's Fair, where experts from the Metropolitan Museum, the Chicago Art Institute and the Louvre examined the painting. Among the experts were: Daniel Catton, Rich A. Sweet, Ruber H. Clark, Leo A. Marzolo, Adolfo Venturi and Wilhelm Valentiner."Wilhelm Valentiner, Hamburg Germany" The 1939 notes on the Fair and work at the Metropolitan – Retrospective 1958. – The lost Raphael, pp. 48, 49, 50, 51, 52, 53 They all concurred with Master Martinez and confirmed its authenticity. The painting was included in the artist's catalog as the "Madonna of Bogotá.""Catalog Raphael, Paris" Museo Louvre . – La Madona de Bogotá 1939, p. 322
Golden years
In 1940, Martínez participated in the first Salón de Artistas Colombianos, where he won the Gold Medal for the oil on canvas "El que volvió"; the subsequent year, he won first prize for the oil on canvas "Interludio"."Records Ministerio de Educación, Bogotá Colombia " Salon Nacional de artistas 1940 al 2000 . – pp. 3, 4, 5, 6, 28 (Today at the Colombian National Museum). In 1943, Martínez made his first major mural in Colombia at the school Presentación of Chapinero. In 1945, work started on the Cúcuta Cathedral stations, as well as the murals and carvings at the city's government building. That year, Martínez also illustrated the biography of Sucre, written by Carlos Arturo Caparroso (Editorial Horizontes, Bogotá), and was designated as a Member of the Historic Academy of Bogotá. In 1947, Martinez was commissioned by the Honorable Alberto Lleras Camargo, then-director of the OEA, and the Honorable Laureano Gómez, the Inter-American Conference organizer, to create the mural for the elliptic chamber of the National Congress Building. He finished the fresco in time for the Inter American conference. General George Marshall of the US called the piece a wonder of contemporary art,"George C. Marshall Foundation Library " 1948 Inter American Conference – Visit Capitol Bogotá Remarks – 3 day LUNCH AT ARTIST HOME WITH LAUREANO GOMEZ. – p. 9, 10, 11 and was relieved that the capital was spared from the fires during the Bogotazo. Martinez was given the Cruz de Boyacá award by President Mariano Ospina Pérez. Martinez also became the premier historian on Simón Bolívar and his army during the 1940s and 1950s. His limited edition Iconography on Bolivar is considered the most accurate work on the image and resalable of Simón Bolívar."Records Academia de Historia de Colombia " Miamibro Santiago Martinez Delgado – Bolivar – Nadie a estudiado y conose del Libertador Simón Bolívar como Santiago Martinez Delgado . – Doc. A34, c1 ,c2 ,c3, B12
Early death
In 1948, Martínez founded a commercial art studio. In the following years, he made various well-recognized brand logos, illustrations, history books, and over 30 majestic murals in addition to many of his best-known paintings. During this period, he wrote and directed the dramatization of radio scripts, such as "El Virrey Solis", that broke all the ratings records for that year. Martínez also made plays, including "Estampas místicas de la tierra del Señor", "Juan Manuel el Gavilán" (unedited) and "El derecho de nacer". In 1953, he was commissioned by Nelson Rockefeller to paint an oil on canvas of 8 x 4 meters (the largest Oil on Canvas in South America) for the Bank of New York in Bogotá, but he died before finishing it. It was placed on the bank, where it remains today as the largest oil on canvas in Colombia. Rockefeller, in a speech during the presentation of the painting to the public, called Martinez Delgado "the greatest Latin American artist of the decade"."Catalogo Expocicion Postuma, Martinez Delgado, Santiago / 1974 / Bogotá -Colombia / Biblioteca Lian Angel Arango. / Por Joaquin Pineros Corpas y la Colombiana de Seguros" – p. 5 (Today, the building is the Interior Ministry Building, and City Bank donated the painting to the Colombian Government.)
Martinez died on January 12, 1954, in the hacienda "El Molino", of a stroke. On August 3 of the same year, the National Museum, with the collaboration of the Education Ministry, organized an exhibition in his honor.
Listing of selected works
Martinez produced over 100 paintings in his career, in addition to murals, produced illustrations for books, lithographs, a great number of drawings, dozens of sculptures, and various other projects, including a large number of books and published articles, before passing at the age of 47. The list below has some of his most significant works.
Murals
A century of Colombian evolution – 1933 3rd Pavilion Chicago World Fair - Chicago. Columns GE pavilion – 1933 General Electric Pavilion Chicago World Fair - Chicago. Bolivar and Santander in the Cucuta Congress – Elliptic Room of the National Congress - Bogotá. Ceiling fresco in the San Carlos Palace – Old presidential home, current foreign ministry - Bogotá. Fresco of Bavaria Building - Hall of the lobby old Bavaria Building - Bogotá. Building Caja Colombiana de Ahorros - Banco Santander - Bogotá. Cid Campeador – Cid Theater - Bogotá. El hombre - Theater Colombia - Bogotá. Room Hotel Granada (Missing)- Bogotá. Windmills of Quixote – Walls of café El Molino - Bogotá. Rooms Club Campestre - Club Campestre de Medellín - Medellín. El Trabajador - Banco Comercial Antioqueño - Medellín. Sin Titulo - Banco de Colombia - Medellín. Los Proceres - Banco de Colombia - Cúcuta Episodes of Santander's Life – National Palace of Cúcuta - Cúcuta. Madono of el Molino - Hacienda el Molino - Madrid, Colombia
Sculpture
Rock face at the front of the National Palace in Cúcuta - Cucuta The Carving Collection made at Taliesin - Private Collection - USA The head of John the Baptist - National Museum - Bogotá Carvings at the Polytechnic School - Bogotá
Paintings/various media
Bolívar (Charcoal) - Private Collection Mío Cristo del Monte - Private Collection The stories of Grim - Private Collection An Afternoon at the Hacienda - Private Collection Conchita Cintrón - Private Collection Head of Girl - Private Collection Illustrations for Vida - over 300 - ? Door Church of San Francisco - ?
Oil on Canvas
Interludio - Museo Nacional - Bogotá El que volvio - Private Collection Retrato de José María Cordovez Moure - Acadeima de Historia - Bogotá Gold Diggers - Private Collection Don Quixote de la Mancha - Private Collection The rice of Jesus in the Cross - Cucuta Cathedral - Cucuta Jesus meets with the Virgin Mery - Cucuta Cathedral - Cucuta
Jesus and Pilates - Cucuta Cathedral - Cucuta Agony of Jesus - Cucuta Cathedral - Cucuta Jesus carrying the Cross - Cucuta Cathedral - Cucuta Natural resources of Colombia - Interior Ministry Building - Bogotá
Watercolors
Luisita Kling Fernández - Private Collection Amanecida - Private Collection Castle of San Felipe of Barajas - Private Collection Afternoon in La Mancha - Private Collection El Picador - Private Collection Potranca - Private Collection María Cecilia Aparicio Concha - Private Collection