The Society for Ethnomusicology is, with the International Council for Traditional Music and the British Forum for Ethnomusicology, one of three major international associations for ethnomusicology. Its mission is "to promote the research, study, and performance of music in all historical periods and cultural contexts."
Officially founded in 1955, its origins extend back to November, 1953 at the annual meeting of the American Anthropological Association in Philadelphia with an informal agreement between Willard Rhodes, David McAllester, and Alan P. Merriam.Merriam, Alan. 1953. "Introduction." Ethno-musicology Newsletter 1 (December), 1-2. These three traveled together to the annual meeting of the American Musicological Society in New Haven to enlist the support of musicologist Charles Seeger in their endeavor to create a new academic society. This meeting resulted in the launch of the Ethno-musicology Newsletter, ethnomusicology's first dedicated serial publication, containing notes about current field research projects, a bibliography, and a list of recordings of interest to the nascent discipline. The first annual meeting of the society was in Philadelphia, in September 1955.
Over the decades, the Society for Ethnomusicology has created a setting that allows scholars to publish and present their work from the field, better communicate and connect with fellow researchers, and provides leadership opportunities for those striving to improve the field of ethnomusicology.Bruno Nettl, “We’re on the Map: Reflections on SEM in 1955 and 2005,” Ethnomusicology 50 (2006)
The society currently publishes a quarterly newsletter, a quarterly journal entitled Ethnomusicology, and an extensive set of "ographies" (bibliography, discography, filmography, videography). It organizes an annual international conference and over a dozen regional conferences, maintains an active website, and presents more than a dozen awards for scholarship and service, such as the Jaap Kunst prize for the best published article in the field.
History of SEM
Before 1953
The founding of the Society for Ethnomusicology was not the first attempt at an organization focusing on the music of the world. Before the work of SEM's founders in the 1950s, several efforts in Europe had taken place through the work of dozens of musicologists and those who would eventually be considered ethnomusicologists, including Frances Densmore, Helen Heffron Roberts, and George Herzog. These and other scholars found inspiration in Viennese Guido Adler and Englishman Alexander Ellis, who both produced articles in 1885 discussing “ethnological studies” of music and the equal treatment of every society's music.Nettl 181. Later, scholars turned to Austrian Erich Moritz von Hornbostel, credited with inventing the musical instrument categorization system still used today, and his 1905 article outlining "The Problems of Comparative Musicology."Nettl 180. The word ethnomusicology, though casually used towards the mid-1900s, was not widely used officially. The word first appeared in publication in Jaap Kunst's book, Ethno-musicology; a study of its nature, its problems, methods representative personalities, which wasn't published in 1955.Jaap Kunst, Ethno-musicology; a study of its nature, its problems, methods and representative personalities; to which is added a bibliography, Martinus Nijhoff, The Hauge, Netherlands, 1955, 9.
These works are a few of the examples of some of the musical thought taking place at the turn of the century. However, many European thinkers found fewer resources and more censorship with the incoming Second World War. In response, Charles Seeger helped found the American Society for Comparative Musicology to house the number of musicologists fleeing the rise of Nazi Germany.Willard Rhodes, "A Decade of Progress", Ethnomusicology 7 (1963): 178, accessed 29 September 2013.William Rhodes, "SEM History", The Society for Ethnomusicology Website, accessed 29 September 2013.
1953
In November 1953, David P. McAllester, Alan P. Merriam, and Willard Rhodes attended the 52nd Annual Meeting of the American Anthropological Association taking place in the city of Philadelphia. The three found they shared a common interest, particularly in North American Indian music, but also had productive conversation about, "the problems of ethnomusicology, historical, theoretical and methodological, and above all, a need for association and communication with persons with similar interests." The scholars believed that the ever-evolving field of ethnomusicology would be better navigated if the scholars, musicologist, anthropologists, and anyone with passion for ethnomusicology formed a society. The three agreed that producing a newsletter was the first step in founding a society, as it would unite the wider community of scholars to better communicate research and ideas of their fellow scholars. Rhodes suggested seeking out colleague Charles Seeger as a fellow conspirator. Following the American Anthropology Association meeting, the team traveled to the American Musicological Society annual meeting the following December. Seeger became the fourth member of the group and, under his consultation and Merriam's editorship, the Newsletter began to take shape.
Ignited and led by McAllester, Merriam, Rhodes, and Seeger, Ethno-musicology Newsletter No. 1 was mailed to about 300 individuals and institutions. While the initial effort towards the creation of the Newsletter lies solely with these four men, many other scholars were working towards the goals the Newsletter set out to promote. A letter separate from the Newsletter signed by the aforementioned four, but also Manfred Bukofzer, Frances Densmore, Mieczslaw Kolinksi, Curt Sachs (who worked alongside Hornbostel), Harold Spivacke, and Richard Waterman, was sent to about 70 individuals. The letter stated, "It must be emphasized that the present effort is the prerogative of no individual or group of individuals rather, the project is conceived as the joint effort of all those interested in seeing contact reestablished among ethnomusicologists."
1955-1962
The popularity of the Newsletter increased dramatically, jumping to 472 recipients by April 1955. With the intense interest in ethnomusicology, it was felt that the society could soon be founded. The September Newsletter announced that an organized meeting of ethnomusicologists would take place at the 54th Annual Meeting of American Anthropology Association in Boston on 18 November 1955. McAllester, Merriam, Rhodes, Seeger, and several others, nearly all recipients of the Newsletter, founded the Society for Ethnomusicology and elected its first council:
President: Williard Rhodes,
Honorary President: Curt Sachs
Vice President: Mieczlaw Kolinski
Sectretary-Treasurer: David McAllester
Editor: Alan Merriam
The first official annual conference for the Society for Ethnomusicology was held the following year in alongside the 5th International Congress of Anthropological and Ethnological Sciences on September 5, 1956, in Philadelphia. The constitution was drafted, officer positions expanded, and mission statement defined: “…to promote the research, study, and performance of music in all historical periods and cultural contexts." It was also decided that the hyphen would be removed from ethno-musicology with some disapproval."David P., McAllester, "Obituary: Willard Rhodes (1901-1992)", Ethnomusicology 37 (1993): 251-262, accessed 29 September 2013.
The following year, it was recorded that 25% of the Society’s membership was made up of non-U.S. residents and only 7% of that were Canadian.Nettl 184. The Newsletter expanded and added David McAllester and Bruno Nettl as editors. In 1962, Wesleyan University took over the publication of the printed pamphlet newsletter, which had until this point been sponsored by the founding four.
1963-1955
In 1963, The Society for Ethnomusicology produce a special, tenth anniversary issue with articles that looked back at the Newsletter and Society’s accomplishments. Challenged to find a way to measure these successes, David McAllester and Donald Winkelman both commented on the impressive efforts made at academic institutions around the country to include courses entirely or partially related to ethnomusicology. In McAllester’s “Ethnomusicology: The Field and the Society” article, he quoted Winkelman's finding that about 30 institutions offered anywhere from one to fourteen courses related to ethnomusicology.David P., McAllester, "Ethnomusicology, the Field and the Society", Ethnomusicology 7 (1963): 182, accessed 29 September 2013. This is an incredible number when compared to the findings of Bruno Nettl, who had been charged to construct a survey of the institutions that offered courses in ethnomusicology in 1954, which showed that only fourteen institutions made the list.Nettl 183. Winkelman found that the number had doubled in about ten years.
Among these institutions, a few stood out as academic leaders in ethnomusicology in 1963. UCLA offered one of the largest graduate program, which believed that the “actual performance of an exotic music is essential to the full understand of its structure and purpose."McAllester, “Ethnomusicology, the Field and the Society,” 183. UCLA was also praised for sending its graduate students abroad to be immersed in a culture and its music. The University of Hawaii was well known for its ability to harmonize the relationship between the anthropology and music departments, drawing from both to create well-rounded ethnomusicology courses. Alan Merriam had made significant headway at Indiana University, having been made a professor of anthropology in 1962, equipped with skills in African music, music analysis, and Indian music. He worked closely with music professor and ethnomusicologist, Walter Kaufmann. At Columbia University, Willard Rhodes had already been teaching some ethnomusicology course since he was made full Professor in 1954.McAllester, “Obituary: Willard Rhodes (1901-1992),” 255. He helped develop the ethnomusicology depart alongside Nicholas England, but later traveled to Africa and Asia to conduct and bring back research.McAllester, “Obituary: Willard Rhodes (1901-1992),” 256. Bruno Nettl and Richard Waterman were able to bridge the gap between the anthropology and music departments by teaching across both departments, bringing up Wayne State University as one of the countries strongest ethnomusicology institutions.McAllester, "Ethnomusicology, the Field and the Society," 184. Of course, Wesleyan University had already proven its great strength and devotion to ethnomusicology by printing the Newsletter, but McAllester continued to develop the ethnomusicology department throughout his time there.Bonnie C., Wade, "Fifty Years of SEM in the United States: A Retrospective", Ethnomusicology 50 (2006): 192, accessed 29 September 2013.
In addition to the rise in institutions teaching ethnomusicology courses, Williard Rhodes found that students were able to produce more dissertations that ever before. Rhodes believed that this was because the Newsletter's Bibliographies and Reviews sections had given students access to material and research that had previously been unavailable to them: “In comparison with the limited ethnomusicological literature in English that appeared during the first half of the present century, the production of books and monographs during the past decade is remarkable in quantity, quality, and range of subject matter."Rhodes, “A Decade of Progress,” 179. Rhodes found that Frank Gillis’ 1962 supplement (Ethnomusicology 6: 191–214) written for Alan Merriam's 1960 “Annotated Bibliography of Theses and Dissertations in Ethnomusicology and Folk Music Accepted at American Universities” (Ethnomusicology 4: 21–35) showed an increase from 180 to 197 titles nationwide.Rhodes, “A Decade of Progress,” 180.
Stance on Music as Torture