Olga Vladimirovna Borodina (born 29 July 1963, in Leningrad)Borodina, Olga as RussiaProfile.org is a leading mezzo-soprano, known for her roles in Russian operas at her home company, the Mariinsky Theatre, and for her international performing and recording career in a varied repertoire.
In 1992, Borodina made her debut in Samson and Delilah at the Royal Opera House Covent Garden with Plácido Domingo. She performs frequently at the Metropolitan Opera and the San Francisco Opera and many other opera houses in roles including Cinderella in La Cenerentola, Marguérite in La damnation de Faust, Eboli in Don Carlos, Principessa in Adriana Lecouvreur, Carmen in the opera of the same name, Marfa in Khovanshchina, and Amneris in Aida. Borodina is known for her "plush" voice."Working Out Those Royal Father-Son Issues on a Grand Stage" by Anthony Tommasini, The New York Times, 2 December 2006"Rotterdam Philharmonic/Gergiev", by Erica Jeal, The Guardian, 22 August 2003"Rossini’s L’italiana à la russe at the Met; Florez shines" by Robert Levine at ClassicsToday.com
She has received recognition as a People's Artist of Russia in 2002, the first prize gold medal of the 1998 Rosa Ponselle Vocal Competition,Links to opera singers at RosaPonselle.com and also won the Barcelona competition in 1989.Olga Borodina at Mariinsky Theatre She was awarded the State Prize of the Russian Federation (2006).Президент России
Borodina is featured in many Russian opera recordings on Philips conducted by Valery Gergiyev with the Mariinsky company. Her Russian heritage is very important to her:I'm one of the mad people who need their roots. I take nourishment from my native land, my motherland. I want my children to study in Russia, because they are Russian. I think this is tremendously important. But life in St Petersburg is becoming tougher by the day and the Russian spirit, the spirituality that was part and parcel of Russian culture, is almost not there any more."'He's still very angry", interview by Stephen Everson, The Guardian, 28 July 2005
She pulled out of a production of Carmen at La Scala because the recitatives were spoken instead of sung,"The ambitious diva with designs to direct" by Galina Stolyarova, The St. Petersburg Times and left rehearsals at the Royal Opera House for Aida, directed by Robert Wilson, because she found the conductor's (Antonio Pappano) "approach too alien to the opera". Subsequently, critics vindicated Borodina and 2011 she returned to Covent Garden to perform in Aida, also conducted by Pappano. In 2006, the management of the Vienna State Opera "decided to distance itself from an engagement [with Borodina], not just for this production but also for all others" on the night of the première of L'italiana in Algeri."Vienna State Opera Fires Olga Borodina" by Matthew Westphal, Playbill, 20 June 2006 Borodina was scheduled to sing at the Vienna State Opera in Aida in March 2013.
In 2014, Borodina performed the role of Amneris in Aida at the Met in New York, much to critical acclaim. Her signature role, over the years, has been that of Dalila in Camille Saint-Saëns’ Samson et Dalila. Notable performances include the acclaimed production at the Metropolitan Opera featuring Placido Domingo in 1998, a recording with Jose Cura and Sir Colin Davis, and, most recently, a highly-praised performance with Dallas Opera opposite of Clifton Forbis in 2017.
Selected recordings Berlioz, Roméo et Juliette, Olga Borodina, Evgeny Nikitin, Kenneth Tarver, Guildhall School Singers, London Symphony Chorus, LSO, conducted by Valery Gergiev SACD Live LSO 2016
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