Daniel Hendler (born 3 January 1976) is a Uruguayan film, television, and theatre actor and director, who has mostly worked in Argentina.
Hendler made his feature film debut, starring as the protagonist, Ariel Goldstein, in Daniel Burman's Jewish-themed comedy drama, Waiting for the Messiah (2000), for which he was nominated for Breakthrough Actor by the Argentine Film Critics Association. Prominent roles followed in 25 Watts (2001) and he again worked with Burman in Todas las azafatas van al cielo (2002), Lost Embrace (2004) and Family Law (2006). For his role as Ariel Makaroff in Lost Embrace, he was awarded the Silver Bear for Best Actor at the 54th Berlin International Film Festival. Hendler was nominated for Best Actor by the Argentine Film Critics Association for both Lost Embrace and Family Law. In 2003, he starred as protagonist and neurotic architect in Damián Szifron's film, Bottom of the Sea, receiving a nomination for Best Actor from the Argentine Film Critics Association.
Prominent roles followed in The Paranoids (2008), Phase 7 and the box office smash, Mi primera boda (2011). In 2012, he starred in the telenovela, Graduados, which became a phenomenon in Argentina. He reunited with Burman for Argentina's first original Netflix series, Edha (2014).
He later starred in The Lost Brother (2017) and The Intruder (2020). He starred in two seasons of the acclaimed Netflix comedy series, División Palermo (2023-2025) by Santiago Korovsky.
He made his debut as screenwriter and director with the film Norberto's Deadline in 2010. He has since written and directed A Loose End (2025) and 27 Nights (2025).
Hendler is part of the generation of actors who revitalized the Uruguayan cinema with films like 25 Watts, and is one of the regular actors of the so-called New Argentine Cinema.
Early life Hendler was born in Montevideo, Uruguay in 1976, to a Jewish family. He was raised in the Buceo, Pocitos and Cordón neighborhoods. His father was a merchant and his mother a keen theatergoer. He attended the Jewish school Escuela Integral and played basketball at Hebraica Macabi.
Atypically, he had two bar mitzvah ceremonies because his parents were separated since he was five years old. While he's Jewish, he's not religious and does not believe in God. At 14, he began doing theater with some friends.Daniel Hendler in Toulouse (video)
He was assistant professor and head of drama at the Catholic University of Uruguay in Montevideo. In 1994, he started to train in acting. He, with a number of friends, created the theatre group "Acapara el 522" (Here-stops the 522), a sort of inside joke and pun where the bus line stop in his hometown. They appeared at the "Youth Contest of Theater in Montevideo", competing with over a hundred plays, and won, "Since then, we made five works, of which three were written and directed by me, another by a friend, and the other by Leo Maslíah, who is like a friend of the group," said Hendler. During his time in "Acapara el 522," he was linked with musician and writer Leo Maslíah, with whom he made a literary workshop, adapted one of his stories, and was directed in the play Abulimia. He also made some short films with Pablo Stoll and Juan Pablo Rebella.
Hendler spent almost five years in the University of Architecture of Montevideo, plus some other years of theatrical training. First, he wanted to be an actor, then musician (studied guitar for several years), then architect, but finally decided on acting. One of his first experiences as an actor was in the play Rompiendo códigos.
Among his main influences he mentions Roberto Jones, Roberto Fontana, Walter Reyno, Jorge Bolani, Pablo Stoll, and Juan Pablo Rebella.
Career In 2001, he won the award for Best Actor for the Uruguayan movie 25 Watts in the Buenos Aires International Festival of Independent Cinema, "It was a very nice prize, maybe the prettiest of all, but I don't know what it meant in my career, maybe nothing. What meant a lot was the movie, having worked in 25 Watts was important for me and my career," said Hendler. In 25 Watts, Hendler plays a youngster from a quiet neighborhood of Montevideo who wanders without a clear direction while at the same time has to study for a test of Italian and has a crush on his tutor. Filmed in 2000 with a very low budget, the film revitalized the Uruguayan film and aided by the awards received in Europe (Best Film at the International Film Festival Rotterdam) marked the beginning of a new stage in the film scene of that country. Almost ten years after its release, Hendler said in an interview, "It was a novelty to see a Uruguayan movie that didn't submit the mate, the Palacio Salvo, and the promenade as a justification for being, was a story of some neighborhood guys."
Although he had already starred in several short and feature films, he became known in Argentina for the ads of Telefónica, a telecommunications company, in 2002, playing Walter, a character by which would be recognized for several years later. Subsequently, Hendler won the Silver Bear for Best Actor in the Berlin International Film Festival for his work in Lost Embrace and Best Actor in the Lleida Latin-American Film Festival for Bottom of the Sea. In Bottom of the Sea (2003), Hendler plays a paranoid architecture student who pursues his girlfriend's psychoanalyst suspecting she's being unfaithful.
Hendler is regular in the Daniel Burman's works. In addition to his brief role in Every Stewardess Goes to Heaven (playing a taxi driver), he has worked in Waiting for the Messiah (2000), Lost Embrace (2004), and Family Law (2005). In those three films his characters are named "Ariel", considered Burman's alter ego; this is most noticeable in Lost Embrace, where Hendler plays a young Jew who research his Polish ancestry to get a passport and emigrate to Europe, as did the director in real life. On the question, Hendler said, "I don't feel I'm Burman's alter ego."
Burman and Hendler met each other in 1998 when the first was visiting Uruguayan theatres with director Marco Bechis looking for an actor for Garage Olimpo. They went to see actor Walter Reyno, and in the same play, entitled The amateur, was Hendler. After Hendler performance, they did a casting in a bar with a digital camera, with Burman playing a Jew and Hendler a Nazi. Finally he didn't get the role for Garage Olimpo, but months later Burman called him to make Waiting for the Messiah.
In 2007, The Paranoids was released with Hendler playing Luciano, a hermit and repressed children's parties entertainer who is based on film's director Gabriel Medina, who met Hendler during the filming of Bottom of the Sea. The New York Times critic Stephen Holden wrote, "Yet for all his infuriatingly neurotic self-sabotage, Mr. Hendler makes Luciano such a lovable loser that you root for him to get over himself." while Boxoffice wrote, "Hendler captures the heart of Luciano's anxieties: his fear of success."
Following The Paranoids, Hendler made his first incursion on television appearing on an episode of the series Mujeres Asesinas ("Killer Women"), and in 2008 was seen on the comedy series Aquí no hay quien viva, playing a lazy janitor named Roman. "I wanted to bring myself to do television and, as time passed, not having traveled that path was increasingly weighing on me," said Hendler in an interview for Clarín.
His first work as writer and director was Norberto's Deadline (2010), about a shy and unemployed salesman named Norberto who start to study acting to gain confidence on himself. As screenwriter, he had previously collaborated on the script for Daniel Burman's El nido vacío (2008). The film was filmed in Uruguay and produced by both countries from the Río de la Plata, "The crew that I chose is my 'dream team'; it's the people I dreamed to work with, beyond nationality, and ended up being a very mixed team, a mixture from Uruguay and Argentina," said Hendler. He had never studied filmmaking before, he says, "Many times we begin with the assumption that the problem of film is on the technical knowledge, but the technical rules are the quickest to learn and the least you use. Experience in the use of certain resources is what gives you the possible solutions or shortcuts at the time of transporting to the screen what you imagined. The more knowledge you have, the easier you reach it, but 'the truths' about cinematic technique are the easiest to solve as a director. There were things I already knew how to do, and some others I didn't, and depend on what you're looking in each movie." By 2003, Hendler had started writing an ensemble story called "The Day Ends at 10," he dismissed the story but the characters were kept for another ensemble film, "The Move", which included a character named Norberto, a role that started to have more and more prominence, until the story finally became Norberto's Deadline.
Daniel Hendler played the character Andrés Goddzer in the 2012 telenovela Graduados, which proved a big success. He received a Tato Award and a Martín Fierro award for his work.
In addition to his work in film and TV, Hendler is also a stage actor, "That's where I think I feel more comfortable, where I feel that you're a real actor. On television and in film, you play to be an actor, but in theatre you're there, with all your implements," he said.
Personal life
Hendler married Argentine film director Ana Katz in 2007, they have since separated.Daniel Hendler: “Hay mucha gente intervenida por la realidad que muestran las redes sociales” La Nacion. 26 March 2022 The couple have two children together. He moved from Montevideo to Buenos Aires, and divides his time between Parque Centenario and Montevideo. He has not taken Argentine citizenship.
Filmography Films Year Title Role Notes 2000 Waiting for the Messiah Ariel Goldstein 2001 25 Watts Leche 2001 Todas las azafatas van al cielo Taxista 2001 Sábado Martín 2001 El ojo en la nuca Diego Short film. 2002 No sabe no contesta David 2003 Bottom of the Sea Ezequiel Toledo 2004 Lost Embrace Ariel Makaroff 2004 Whisky Martín, the younger husband 2005 Los suicidas Daniel 2005 Queens Óscar 2006 La Perrera Estudiante en hogar 2006 Una novia errante Miguel 2006 Cara de queso —mi primer ghetto— Vercovich 2006 Family Law Ariel Perelman 2008 La ronda Pedro 2008 The Paranoids Luciano Gauna 2009 Cabeça a prêmio Dênis 2011 Phase 7 Coco 2011 Los Marziano Francisco Peirú 2011 Mi primera boda Adrián 2012 Between Valleys Carlos 2013 Vino para robar Sebastián 2014 Edifício Tatuapé Mahal Javier Juarez Garcia (voice) Short film 2015 My Friend from the Park Gustavo 2015 Hijos nuestros 2017 El otro hermano Javier Cetari 2017 Severina Amigo 1 2019 The Moneychanger Humberto Brause 2019 The Sleepwalkers Sergio 2020 The Intruder Leopoldo 2022 Virus-32 Luis 2022 El sistema K.E.OP/S Fernando 2022 Pequeña flor José 2022 Lunáticos Víctor 2024 The Silence of Marcos Tremmer Dr. Alejandro Tremmer 2025 Astronaut Nicolás 2025 27 Nights Leandro Casares 2025 Crazy Old Lady Pedro 2025 Quase Deserto Benjamín
Television Mujeres en Rojo: Despedida (2003) Sin código (2004) (uncredited) Epitafios (2004) (miniseries) Aquí no hay quien viva (2008) Mujeres Asesinas (2008) Para vestir santos (2010) Cuando me sonreís (2011) Los únicos (2011) Televisión x la inclusión (2011) Graduados (2012) 100 días para enamorarse (2018) Pequeña Victoria (2019-2020) División Palermo (2023-2024) Los mufas, suerte para la desgracia (2025-present)
Director Norberto's Deadline (2010) (written by) A Loose End (2025) 27 Nights (2025)
Awards and nominations