Foo Fighters is the debut studio album by American rock band Foo Fighters, released on June 26, 1995, through Roswell and Capitol Records in the United Kingdom and on July 4, 1995 in the United States. Former Nirvana drummer Dave Grohl wrote the entire album. He recorded it himself in six days with the assistance of producer Barrett Jones at Robert Lang Studios in Seattle, Washington, in October 1994.

Grohl said that he recorded the album just for fun, describing it as a cathartic experience to recover from the suicide of Nirvana bandmate Kurt Cobain in 1994. The album, featuring more traditional rock stylings than what was typical in grunge, is considered to have established the post-grunge genre.

After Grohl completed the recordings, he passed cassette copies of the sessions to personal friends, using the name "Foo Fighters" to conceal his involvement. When the tapes attracted record label interest, Grohl signed with Capitol and formed a backing band to perform the songs live. The album was promoted through extensive tours and four singles, two of which were accompanied by music videos.

Upon its release, Foo Fighters earned critical acclaim, with reviewers praising its songwriting and performances, and was also a commercial success, becoming the band's second-best-selling album in the United States. It also peaked within the top five of charts of the United Kingdom, Canada, Australia, and New Zealand.

Background In 1990, Dave Grohl joined the grunge band Nirvana as drummer. During tours, he took a guitar with him and wrote songs, but was too intimidated to share them with the band, as he was "in awe" of the songs written by frontman Kurt Cobain.di Perna, Alan. "Absolutely Foobulous!". Guitar World. August 1997. Grohl occasionally booked studio time to record demos and covers, issuing an album of demos, Pocketwatch, under the pseudonym Late! in 1992.Bryant, Tom. "Alien Parking". Kerrang! Legends: Foo Fighters. 2007.

Following Cobain's suicide in April 1994, Grohl entered a state of depression, and found it difficult to both listen to music and play instruments. He was uncertain of what to do next, and despite being invited to drum for bands like Danzig or Tom Petty and the Heartbreakers, Grohl almost decided to abandon his musical career: "I just couldn't imagine [playing in other bands]", he explained in a 2005 interview with Classic Rock magazine, "because it would just remind me of being in Nirvana; every time I sat down at a drum set, I would think of that."My Brilliant Career , Q (November 2007)

Grohl's first musical performance after the demise of Nirvana was with The Backbeat Band at the 1994 MTV Movie Awards in June. Soon thereafter, Mike Watt invited Grohl to play drums on his album Ball-Hog or Tugboat? (1995). Grohl enjoyed these experiences and thus decided to work on his own musical project,From Penniless Drummer To The Bigest (sic) Rock Icon In the World , Kerrang! (November 2009) which he believed could serve as "some sort of cathartic therapy". Grohl consequently booked six days at Seattle's Robert Lang Studios, which were located near his house, where he recorded several of his favorite personal compositions with the assistance of Pocketwatch producer Barrett Jones. Although Grohl played all the instruments on the album, he intended to release it under a name that would make people believe it to be the work of a full band, similar to Stewart Copeland's 1980 EP Klark Kent."Everyone Has Their Dark Side ", Mojo (April 2005)

Recording

Grohl and Jones produced the record across a period of one week in October 1994, with Grohl on vocals and all instruments. Both would arrive in the morning at Robert Lang Studios, start production by noon and do four songs a day. According to Grohl, during the recording process he would run from room to room, "still sweating and shaking from playing drums and [then] pick up the guitar and put down a track, do the bass, maybe another guitar part, have a sip of coffee and then go in and do the next song". The only performance by an outsider was a guitar part on "X-Static" provided by Greg Dulli of The Afghan Whigs, who was watching Grohl record the songs. Grohl eventually asked him if he wanted to play and handed him a guitar. Each song took about 45 minutes to be completed, and the compositions were recorded in the same order that became the album's track listing. The only song that required two run-throughs before completion was "I'll Stick Around". Grohl was insecure about his singing, and added effects to his voice in "Floaty", and tried to enhance the performance through double track – "You know how people double their vocals to make them stronger? That album the vocals are quadrupled."

In an attempt to keep his anonymity, Grohl planned to release the songs under the name Foo Fighters, a name he took from a ufology book he was reading at the time, Above Top Secret, that in a chapter described the "foo fighter" phenomena. It would be a very low-key release, with only 100 LP records being pressed after the sessions were finished. Grohl also went to a cassette duplication lab in Seattle and created 100 cassette copies of the session and started handing them to friends for feedback and "I'd give tapes to everybody. Kids would come up to me and say 'Nirvana was my favourite band' and I'd say 'well here, have this'".Heatley, Michael. Dave Grohl: Nothing to Lose. 2006 Eddie Vedder premiered two songs from the recording on January 8, 1995, during his Self-Pollution radio broadcast. The recordings quickly circulated amongst the music industry, which in turn created record label interest. A deal was eventually signed to Capitol Records, as president Gary Gersh was a personal friend of Grohl ever since he worked on Nirvana's label Geffen Records.

The mixing sessions of the album began in Robert Lang Studios (which were used on the 100 tapes Grohl gave away) but eventually those mixes were discarded and the sessions moved to Rob Schnapf and Tom Rothrock's "The Shop" studio in Arcata, California. Mixes were done on a 32 channel API DeMedio console, custom built by Frank DeMedio in 1972 for Wally Heider Recording's 'Studio 4'. A Stephen's 24 track 2" tape machine was used for playback. Processors used in the mixes included an Eventide Omnipressor compressor for vocals and guitar solos, an Alan Smart stereo compressor for "squashing" the drums and mixing them back in as well as being used over the entire mix. Other processors included UREI 1176 and LA3A compressors as well as an Echoplex for delays and a "crappy digital reverb". Mixes were "nothing that crazy" Rob described, adding that he "mixed 'Big Me' in 20 minutes".

During the sessions, Grohl was invited by Tom Petty to perform with The Heartbreakers on Saturday Night Live one month later. The performance was followed by an invitation to be a full-time member of the Heartbreakers, but once Petty heard about the Foo Fighters, he instead encouraged Grohl to move on with this solo project. Grohl soon recruited a full band, which included bassist Nate Mendel and drummer William Goldsmith of the recently disbanded Sunny Day Real Estate, as well as Nirvana touring guitarist, and former Germs member, Pat Smear.

Music and composition

Nine of the songs in the album were composed before or during Grohl's tenure with Nirvana, and existed in demos created by Grohl on his home 8-track tape recorder. The only compositions done after Cobain's death were "This Is a Call", "I'll Stick Around", "X-Static" and "Wattershed".Daley, David. Feels Like The First Time , Alternative Press (January 1996) The album's sound has been primarily described as punk rock, grunge, alternative rock, melodic hardcore, and post-grunge. Stephen Thomas Erlewine of AllMusic stated that the album was a "handful of punk-pop gems that show, given the right musicians and songwriters, the genre had not entirely become a cliché by the middle of the '90s." The music mostly followed a hard rock sound with the soft-loud dynamics seen in Nirvana tracks such as "Smells Like Teen Spirit" and "Heart-Shaped Box". Variants include the melancholic "Exhausted", which Grohl defined as a song that's "sad but makes you feel good".

Most of the lyrics on Foo Fighters are nonsensical lines written by Grohl in the 20 minutes before recording began. As Grohl later explained, "I had seven days to record fifteen songs. I was just concentrating on everything being as together as possible, having everything be tight and in sync. There wasn't too much time spent sitting in a chair thinking." Grohl would add that the gibberish was deliberate, given that "there was too much to say" following Cobain's death and "a lot of emphasis [was] placed on the meaning of the first Foo Fighters album." Grohl still considered that "the things you write down spur of the moment are most revealing. Now I look at them and some of them seem to actually have meaning", and revealed that a few songs have lyrics inspired by "personal experiences of the last four or five years", with the standout being "Big Me", an "out-and-out love song" to Grohl's then-wife Jennifer Youngblood that he described as his favorite track on the album. Contrasting with the aggressive and rebellious themes of Nirvana, Grohl had positive and cheery tunes such as "This Is a Call", defined as "a 'hello' and a 'thank you'" to everyone that had played a key role in Grohl's life; the playful "For All the Cows"; and "Wattershed", with a title referencing Mike Watt and lyrics that described Grohl's "love of hardcore and old school punk rock".

Title and packaging

The name "Foo Fighters" was taken from the description World War II aircraft pilots would use to describe various UFOs. This science fiction theme is further continued with the name of Grohl's Capitol Records imprint, Roswell Records, a reference to the city of Roswell, New Mexico, known for the Roswell UFO incident of 1947; and the album cover done by Grohl's then-wife, photographer Jennifer Youngblood, featuring a Buck Rogers XZ-38 Disintegrator Pistol.Apter, 2006. pp. 271-4 Some reviewers considered the gun on the cover insensitive, given Kurt Cobain died by shooting himself, but Grohl dutifully disregarded it as just a coincidence. Goldsmith later explained, "It was all pretty much based on the whole Foo Fighters thing—Roswell, the space stuff, an antique Buck Rogers raygun. It's really a completely separate thing. Dave wasn't even conscious of that." Despite Grohl being the album's only contributor, at Capitol's insistence the liner notes included a picture of the full band that Grohl had recruited.

Release and promotion

In spring 1995, Foo Fighters embarked on their first ever United States tour, supporting Mike Watt on his Ring Spiel Tour along with fellow tour newbies Hovercraft, whose line-up included Vedder at the time. As well as performing with their own bands, Grohl and Vedder each picked up a role as a member of Watt's backing band throughout the tour, supplying drums and guitar respectively. In May 1995, radio stations KROQ-FM and KNDD started playing some tracks of the then-unreleased album before receiving a cease-and-desist from Capitol. That June, "Exhausted" and "This Is a Call" were sent to college and modern rock radio stations. One week later, "This Is a Call" became the band's first commercial single.

Foo Fighters was released June 26, 1995, on Roswell Records, distributed by Capitol Records. The band promoted the release that summer by completing another US tour with Wool and Shudder to Think, with 25 concerts in little over a month. Foo Fighters also made their network television debut on the Late Show with David Letterman on August 14, performing "This Is a Call". Afterwards, the band played several of their largest shows up to that point, making their debut on the European festival circuit with performances at Pukkelpop, Reading and Lowlands.Apter, 2006. p. 294-8