Kādambarī

Kādambarī is a romantic novel in Sanskrit. It was substantially composed by Bāṇabhaṭṭa in the first half of the 7th century CE, who did not survive to see it through completion. The novel was completed by Banabhatta's son Bhushanabhatta, according to the plan laid out by his late father. It is conventionally divided into Purvabhaga (earlier part) written by Banabhatta, and Uttarabhaga (latter part) by Bhushanabhatta. (An alternate tradition gives the son's name as Pulindabhatta.)

The standard editions of the original Sanskrit text are by Peterson and Kane. There are translations into English by Kale, Layne and Ridding; and an abridgement into Gujarati by Bhalan (edited by Keshavlal Dhruv).

This novel has an extremely intricate plot which is difficult to summarize concisely. Its central thread is that of a romantic attachment (and eventual union) between the hero Chandrapeeda and the heroine Kadambari. However, there are several competing subplots; indeed, the heroine does not make her appearance until past the midpoint. Many of the characters appear in multiple incarnations, some as humans and some as demigods or animals. The narration proceeds in a succession of nested frames; a large part of it is a retelling by a parrot of a story which was told to it by a sage. The latter story also contains several instances of one character relating a sub-story to another character.

The plot has probably been adapted from the story of King Sumanas from Gunadhya's Brihatkatha (a conjectural collection of stories in the extinct Paishachi language). This story also appears in Somadeva's Kathasaritsagara (which is believed to be a Sanskrit precis of Gunadhya's work).

Apart from the Kadambari, Banabhatta is also the author of Harshacharita, a biography of his patron king Harshavardhana. It is this circumstance which allows one to date the author with a reasonable degree of certainty.

Plot synopsis

(The paragraphs have been numbered for ease of reference. The original text is continuous, and has no chapter divisions. The Purvabhaga (first part) ends abruptly inside Paragraph 16, at a point when Kadambari is speaking about her love-sickness to Patralekha, as narrated by the latter to Chandrapeeda.)

There is a valiant king named Shudraka, who rules over a vast and prosperous kingdom with the capital city of Vidisha. One day, a Chandala (ചണ്ടാല, चाण्डाल) maiden comes to his court and makes a present of a parrot (named Vaishampayana) to the king. After having (eating) some tasty morsels and rested in the royal chambers, the parrot begins to narrate his tale with the preamble, "Your Majesty, this is a very long story; but if you are curious, it will be told." The parrot says that he used to live in the Vindhya forest with his aging father. One day, the forest is overrun by Shabaras (शबर) (a band of hunters) who kill an enormous number of animals and cause great destruction. Vaishampayana's father is dragged from his hollow and murdered. After the commotion has died out, Vaishampayana wanders off, and eventually finds refuge in a hermitage where he meets the divine sage Jabali. The latter stares at the parrot for a while and remarks that "He is experiencing the fruit of his own misbehaviour." The other hermits become curious at this remark, and Jabali begins to narrate the tale which fills a large part of the 'Kadambari'. Jabali says that in the country of Avanti, there was a city called Ujjayini which was ruled by King Tharapeeda. He had wealth, vitality, spiritual knowledge, and a large harem, but no son (अनपत्यता). One night, the king dreams that Chandra (चन्द्र, the Moon God) had entered the mouth of his queen Vilasavati. He relates this dream to his chief minister Shukanasha, who in turn confides that in his dream, a figure clad in white placed a Pundarika (पुण्डरीक, lotus) into the lap of his wife Manorama. Within a few days, both wives are found to be pregnant, and each of them gives birth to a boy. Tarapeeda's son is named Chandrapeeda, and Shukanasha's son is named Vaishampayana (वैशम्बायन:). The two boys, who become bosom friends, are raised together in a heavily fortified university built especially for them. Chandrapeeda acquires a powerful and swift horse called Indrayudha (इन्द्रायुधः), which becomes his inseparable companion. Having completed their education, the two friends reenter the capital city. There are boisterous celebrations at their return, and Chandrapeeda is ogled at by throngs of besotted young women. Queen Vilasavati makes a present of a beautiful prepubescent girl named Patralekha (पत्रलेखा) to her son. Tarapeeda decides to install his son as the heir-apparent. Shukanasha gives him some worldly advice, after which, Chandrapeeda and Vaishampayana, accompanied by a vast army, set forth to conquer the world. Chandrapeeda subdues all the princes in the world, and decides to settle for a temporary rest at Suvarnapura in the Himalayas. One day, while riding his horse, he sees a couple of Kinnaras (किन्नरः, a race of demigods), and gives a chase. They elude him however, and the prince gets lost. He finds himself at the bank of the beautiful lake Acchoda. Having quenched his thirst, he hears a sweet melody and begins to look for its source. It is found to originate from the Veena ( वीणा, lute) of a heavenly and lustrous damsel dressed as an ascetic, sitting in a temple of Lord Shiva (शिव). The damsel, named Mahashveta (महाश्वेत), offers hospitality to Chandrapeeda. He insists that she should narrate her story. Mahashveta begins the narration in a gush of tears with the words, " O Prince, what is to be gained by hearing my story of my renunciation of the world? But if you are eager to know, I shall narrate it for you." Mahashveta relates that she is the daughter of a Gandharva (गन्धर्वः, a demigod). One day, she had come to Lake Acchoda for a bath, when she spotted a handsome young ascetic and was instantly smitten. An enticing smell seemed to emanate from his body. The ascetic, too, appeared to be overwhelmed by passion. She approaches a second young sage (named Kapinjala), who tells her that her object of infatuation is named Pundarika. He is the son of Lakshmi (Goddess of Wealth) who had conceived him while sitting on a lotus, by merely looking at the great sage Shvetaketu (श्वेतकेतु). One day, as Kapinjala and Pundarika were wandering in the Nandana forest, the goddess of the forest presented a fresh mango sprout to Pundarika as an ornament for his ear. It is this sprout which is the source of this smell. Pundarika removes the sprout from Pundarika's ear, and places it onto Mahashveta's ear. His rosary falls down, as he is trembling from the pleasure of touching her cheek. Mahashveta wears it around her neck. Kapinjala scolds Pundarika for succumbing to such a mean passion, contrary to his calling as an ascetic. Pundarika feels abashed, and asks for his rosary back in mock-anger. Since Pundarika is visibly befuddled due to his passion, Mahashveta deceives him by giving him her strand of pearls instead of the rosary. They part company, and that night Mahashveta is driven senseless by her love-sickness. Her beetle-box bearer Taralika mentions to her that she was approached by Pundarika, who enquired about her mistress. He has given a love-letter for Mahashveta written on the bark of a tree using the juice of a leaf as ink. Mahashveta loses her mind after reading it, when the arrival of Kapinjala is announced. The latter reports that Pundarika is driven to the brink of his existence by his passion for Mahashveta, and henceforth his life is in her hands. After Kapinjala has departed, Mahashveta is tormented and falls into a swoon. As the moon rises, she leaves her palace to meet Pundarika. However, she hears Kapinjala's wailing from a distance, who tells her that Pundarika is dead. Mahashveta is heart-broken, and prepares to immolate herself on the funeral pyre. At this moment, a divine being descends from the skies and carries aloft Pundarika's body. He admonishes Mahashveta not to give up her life, and reassures her that "You two will be reunited." Kapinjala is agitated, and flies away himself in pursuit of this being. Mahashveta believes herself to be responsible for Pundarika's death. She has given up all worldly pleasures, and is now an ascetic. This ends Mahashveta's narrative, begun in Paragraph 7. Chandrapeeda consoles Mahashveta and advises her not to blame herself. He enquires after her companion Taralika. Mahashveta explains: The Gandharva king Chitraratha and his queen Madira have a daughter named Kadambari, who has been a childhood companion to me. She is filled with despair due to my plight, and has vowed not to marry as long as I am in grief. Kadambari's parents are vexed by this decision of hers, and have asked me to persuade her. Thus, immediately before your arrival here, I have sent Taralika to deliver my message to Kadambari. The very next day, Taralika returns along with a young Gandharva named Keyuraka. The latter says that Kadambari was very upset by the message and is firmly decided against marrying while Mahashveta's bereavement continues. Mahashveta decides to visit Kadambari herself, accompanied by Chandrapeeda. They visit Mount Hemaketu (the Gandharvas' dwelling). Immediately after Chandrapeeda and Kadambari have seen each other, the two are utterly in love. Mahashveta importunes Kadambari that she should let Chandrapeeda return to his place, since his companions must be anxious about him. Chandrapeeda returns, and is reunited with Vaishampayana, Patralekha and his army. The next day, he is trailed by Keyuraka who brings the message that Kadambari is suffering from pangs of separation. Chandrapeeda, immediately mounts his horse Indrayudha, and accompanied by Patralekha, speeds away towards Kadambari. Kadambari is growing pale from desire. Chandrapeeda coyly offers to cure her by suggesting that his body is at her service, but Kadambari demurs. As Chandrapeeda is about to leave, Kadambari requests that Patralekha be left behind as her companion. This is agreed to, and Chandrapeeda returns to his camp. He receives a letter from his father Tarapeeda complaining of his prolonged absence and requesting his immediate return to the kingdom. Chandrapeeda sends a messenger to Kadambari, leaves Vaishampayana in charge of the slowly returning army and marches rapidly onwards towards the capital. In a few days he reaches Ujjayini. Along the way he comes across a Chandika temple and witnesses the antics of a very eccentric shrivelled Dravida ascetic. (This part seems to have been composed merely for amusement, and has no connection with the later narrative.) Chandrapeeda's parents and the citizens are delighted to see him. In a few days, Patralekha brings news that Kadambari is suffering exceedingly from love-sickness. Keyuraka arrives shortly thereafter, confirming this description of Kadambari. Chandrapeeda's own state of mind is quite the same. He decides to solicit the help of his friend Vaishampayana. He goes forth and meets his returning army, but hears the following strange account from his generals: while the army was camped at Lake Acchoda, Vaishampayana went into a state of trance and seemed to be searching for something. He now refuses to be separated from the lake. Chandrapeeda becomes anxious for his friend and sets out in search of him, having taken leave of his parents. However, he finds no trace of Vaishampayana at Lake Acchoda. He meets Mahashveta however, who narrates the following story. She saw a young Brahmin wandering about, who made passionate advances of love towards her. She was inflamed by anger, and cursed him that he would turn into a parrot. That very moment he fell lifeless on the ground. It was only later that she learnt that the youth was Chandrapeeda's friend Vaishampayana.