"Alles mit Gott und nichts ohn' ihn" (Everything with God and nothing without him), BWV 1127, is Johann Sebastian Bach's October 1713 setting of a poem in 12 stanzas by Johann Anton Mylius, Superintendent of Buttstädt, a town in the Duchy of Saxe-Weimar. The poem is an acrostic dedicated to Duke Wilhelm Ernst of Saxe-Weimar, on his birthday (30 October). Bach, at the time employed as court organist by the Duke, set Mylius's ode as an aria in strophic form, that is a melody for soprano accompanied by continuo for the stanzas, alternated with a ritornello for strings and continuo. When all stanzas are sung, a performance of the work takes around 45 to 50 minutes.
The work was likely first performed on the Duke's birthday.. The original print of Mylius's poem, with Bach's composition written on two pages at the end, was archived in Weimar, where it remained unnoticed for nearly three centuries, accidentally twice escaping a devastating fire, in 1774 and in 2004, until it was rediscovered in May 2005. After the discovery (in 1924) and publication (in 1935) of Bekennen will ich seinen Namen, BWV 200, this was the first time an autograph of a previously unknown vocal work by Bach had come to light.
Context
Wilhelm Ernst was born on (O.S.) 19 October 1662. In 1683 he became Duke of Saxe-Weimar, jointly with his younger brother Johann Ernst. The elder brother had chosen (everything with God and nothing without him) as his motto. In 1700, when the Gregorian calendar was adopted, Wilhelm Ernst decided that his birthday would henceforth be celebrated on 30 October. In 1703 Johann Sebastian Bach worked for some months at the ducal court in Weimar. In 1708, a year after the death of the younger duke, Bach came to work for the ducal court again, this time in the capacity of organist.
At the time, Johann Samuel Drese and his son Johann Wilhelm were the court composers () at Weimar, and composition of new pieces was no part of Bach's assignment as court organist. In 1713 Bach composed the Hunting Cantata (Was mir behagt, ist nur die muntre Jagd, BWV 208, first performed on 27 February in Weißenfels) and the Canon a 4 perpetuus, BWV 1073 (2 August). Also from around this time are several entries in the Orgelbüchlein, and likely the bulk of his Weimar concerto transcriptions.
Johann Anton Mylius's life is relatively well-documented: in 1751–52 one of his sons published an extended chronicle of the Mylius family, and the family was later also subject to detailed historical research. After studies in Erfurt and Leipzig in the 1680s, Johann Anton became a theologian working in Erfurt and Niederroßla, and, having become Superintendent in 1674, he was from 1697 stationed in Buttstädt, a town some north of Weimar.Mylius, Johann Anton at CERL Thesaurus. 14 September 2020. There, he initiated reforms of the liturgical music, and grand renovation works to the town church (St Michael's), including its organ. Duke Wilhelm Ernst supported Mylius in these endeavours, and even organised a fund-raiser in his realm to finance the renovation works.
Every year Duke Wilhelm Ernst would typically receive over a dozen of written congratulatory tributes. The copies of these tributes which were presented to the Duke were mostly bound in luxurious marbled paper, and conserved in the court library. One of these, published by Mumbachische Schrifften, was by the court preacher , and congratulated the duke on his 52nd [sic] birthday on 30 October 1713 (that date was in fact the Duke's 51st birthday). Mylius and Bach convened to produce a tribute for the same occasion. The title page of that tribute, also printed by Mumbachische Schrifften, reads in part: on 30 October 1713. ... the ... ... birthday of the sovereign, and blessed start of the 53rd year of his life The title page of Mylius's ode contains the same miscalculation of the Duke's age, which, according to Michael Maul, would not be down to any of the individual authors using the services of the Mumbachische Schrifften publishing house, but was likely a more widespread misapprehension. Several composers could have been Mylius's choice for this collaboration: there were not only father and son Drese, but also the musicians with whom he collaborated in Büttstadt – whatsoever, the one with whom he embarked on the project was the 28-year old Bach. The theme of Mylius's congratulatory poem is the Duke's motto, announced thus on the tribute's title page: Our benevolent sovereign's and lord's christian-princely motto or , creed: . . Everything with God and nothing without him. Notwithstanding that the occasion, a birthday, was of a secular nature—usually Bach composed secular odes or cantatas for such occasions—, the result was a sacred work, not in the least because of the religious nature of the motto that became the topic of Mylius's exegetic poem. Bach set it as a strophic aria, a genre that had been widely practised in Germany by the end of the 17th century, but was considered old-fashioned by the second decade of the 18th century. In 1713, Duke Wilhelm Ernst's birthday was officially celebrated on Sunday 5 November, a day before he consecrated the newly finished .Als der Durchlauchtigste Fürst und Herr, Herr Wilhelm Ernst, Hertzog zu Sachsen, Jülich, Cleve und Berg ... Seinen Höchst-erfreulichsten Geburths-Tag Welcher den Lande zu allem Trost d. 30. Octobr. 1713. glücklich angeschienen, Den 5. Nov. celebrirte, Und den Tag darauf Die neu-erbaute S. Jacobs-Kirche Feyerlich einweihete (etc) at the website of Martin Luther University of Halle-Wittenberg. It is unlikely that "Alles mit Gott und nichts ohn' ihn", BWV 1127, was first performed on either of these days, a weekday service in the court chapel on Monday 30 October, the Duke's actual birthday, seeming more likely for that first performance.
Music and lyrics The printed text of Mylius's ode takes five pages in the dedication copy, while Bach's handwritten setting, titled "" (aria for solo soprano and ritornello), takes the last two pages of the pamphlet.
Mylius's ode
Mylius's poem is an acrostic in 12 stanzas of eight lines. The motto of Duke Wilhelm Ernst, in Latin and German, is given as the title of the poem on the page that holds its first stanza in the 1713 print. The first and last line of each stanza is the German version of the Duke's motto. In a footnote to the first line of the first stanza, Mylius gives these biblical references for the sovereign's motto (): Psalm 18:30, "For by thee I have run through a troop; and by my God have I leaped over a wall." in KJV, translation of Ps. 18:30 in Luther Bible, 1704 edition (Kelp). Psalm 60:14, "Through God we shall do valiantly: for he it is that shall tread down our enemies." in KJV, translation of Ps. 60:14 in Luther Bible, 1704 edition (Kelp). 1 Chronicles 30:14, 16, "But who am I, and what is my people, that we should be able to offer so willingly after this sort? for all things come of thee, and of thine own have we given thee. ... O LORD our God, all this store that we have prepared to build thee an house for thine holy name cometh of thine hand, and is all thine own." in KJV, translation of I. Chron. 30:14, 16 in Luther Bible, 1704 edition (Kelp). The second line of the first stanza reads:To which Mylius adds this footnote:The footnote indicates the scheme of the acrostic: The emphasized letters (W, E, H, W, S, and Z) are the initials of the Duke's name, i.e. (Wilhelm Ernst Duke of Saxe-Weimar). The third word, (wondrous), starts with the same letter as Wilhelm Ernst's name. The second line of each stanza starts with and ends on : the word between these two half-phrases, in the case of the first stanza, reads for the 12 consecutive stanzas: ... ... (... wondrous ...) ... ... (... Jesus' ...) ... ... (... country's ...) ... ... (... heaven's ...) ... ... (... noble ...) ... ... (... life's ...) ... ... (... many ...) ... ... (... eternal ...) ... ... (... rich ...) ... ... (... new ...) ... ... (... soul's ...) ... ... (... thousand ...) The initials of these words read "WJLHELM ERNST" – that is the Duke's name. The acrostic technique was very common in such congratulatory poetry, and the Duke apparently appreciated it. The seventh line of each stanza is a variant of its second line, starting with (Must ...) instead of (Will ...). The four middle lines of each stanza are an exegetic explanation of its second line, and Mylius indicates in footnotes which Bible passages support his theological interpretation. By stanza these biblical references for the four middle lines are, (wondrous blessings): Psalm 72:18, "Blessed be the LORD God, the God of Israel, who only doeth wondrous things." in KJV, translation of Ps. 72:18 in Luther Bible, 1704 edition (Kelp). Genesis 15:1, "After these things the word of the Lord came unto Abram in a vision, saying, Fear not, Abram: I am thy shield, and thy exceeding great reward." in KJV, translation of Genesis 15:1 in Luther Bible, 1704 edition (Kelp). Job 14:1, "Man that is born of a woman is of few days and full of trouble." in KJV, translation of Hiob 14:1 in Luther Bible, 1704 edition (Kelp). (Jesus' blessing): Luke 5:3ff, "And [Jesus] entered into one of the ships, which was Simon's, and prayed him that he would thrust out a little from the land. And he sat down, and taught the people out of the ship." in KJV, translation of Luc. 5:3 in Luther Bible, 1704 edition (Kelp). (blessings for the country): Sirach 10:5, "In the hand of God is the prosperity of man: and upon the person of the scribe shall he lay his honour." in KJV, translation of Sir. 10:5 in Luther Bible, 1704 edition (Kelp). Deuteronomy 33:13, "And of Joseph he said, Blessed of the LORD be his land, for the precious things of heaven, for the dew, and for the deep that coucheth beneath" in KJV, translation of Deut. 33:13 in Luther Bible, 1704 edition (Kelp). (blessings from heaven): Hosea 2:21, "And it shall come to pass in that day, I will hear, saith the LORD, I will hear the heavens, and they shall hear the earth" in KJV, translation of Hos. 2:21 in Luther Bible, 1704 edition (Kelp). Jeremiah 5:24, "Neither say they in their heart, Let us now fear the LORD our God, that giveth rain, both the former and the latter, in his season: he reserveth unto us the appointed weeks of the harvest." in KJV, translation of Jer. 5:24 in Luther Bible, 1704 edition (Kelp). Psalm 85:11, "Mercy and truth are met together; righteousness and peace have kissed each other." in KJV, translation of Ps. 85:11 in Luther Bible, 1704 edition (Kelp). (noble blessings): Deuteronomy 33:13, "And of Joseph he said, Blessed of the LORD be his land, for the precious things of heaven, for the dew, and for the deep that coucheth beneath" (life's blessings): Psalm 133:4, "for there the LORD commanded the blessing, even life for evermore." in KJV, translation of Ps. 133:3b in Luther Bible, 1704 edition (Kelp). Kohelet 1:8, "All things are full of labour; man cannot utter it: the eye is not satisfied with seeing, nor the ear filled with hearing." in KJV, translation of Prediger 1:8 in Luther Bible, 1704 edition (Kelp). (many blessings): Psalm 139:1, "O lord, thou hast searched me, and known me." in KJV, translation of Ps. 139:1 in Luther Bible, 1704 edition (Kelp). (eternal blessings): 2 Corinthians 4:17, "For our light affliction, which is but for a moment, worketh for us a far more exceeding and eternal weight of glory" in KJV, translation of 2 Corinth. 4:17 in Luther Bible, 1704 edition (Kelp). Romans 8:18, "For I reckon that the sufferings of this present time are not worthy to be compared with the glory which shall be revealed in us." in KJV, translation of Rom. 8:18 in Luther Bible, 1704 edition (Kelp). (rich blessings):