Princess Norina Matchabelli (born Eleanora Erna Cecilia Gilli; 3 March 1881 – 15 June 1957) was co-founder of the perfume company Prince Matchabelli, a stage and screen actress, publisher, and a disciple of Indian spiritual teacher Meher Baba. Her stage name was Maria Carmi.
Acting career as Maria Carmi Gilli was born in Florence, Italy, the daughter of confectioner Luigi Gilli, originally from Samedan, and his wife Emma Troll from Winterthur. She was the youngest of five children and spent her youth in Florence and Fiesole.
She began her stage career at Max Reinhardt's acting school at the Deutsches Theater and belonged to his company from 1907 to 1909. Under the stage name Maria Carmi, she played in Italian and German theater and in silent films.
Her most notable performance was as the Madonna in the original spectacle-pantomime play The Miracle written by Karl Vollmöller whom she married in 1904. The play was originally produced in Germany. It opened in London on 23 December 1911 at the Olympia Arena.Boosey & Hawkes On 23 December 1923 it was revived in New York City on Broadway, then went on a tour of Detroit, Milwaukee and Dallas.
In the New York version she alternated nightly with Lady Diana Manners, another international beauty of the period.New York Times, 24 January 1924 In all Norina gave over 1,000 performances of the play.Awakener Magazine, Vol 20, #2 (1983).
Princess and perfume After divorcing Vollmöller, Norina married in 1917 Georges V. Matchabelli, the Georgian prince, member of the House of Matchabelli and a diplomat, in Stockholm, Sweden.United States Petition for Citizenship, Southern District of New York, 17 May 1932. Georges was the Georgian ambassador to Italy until the 1921 Bolshevik takeover of Georgia, and lived in Rome. The couple moved to the United States in 1923. Georges was an amateur chemist and with Norina co-founded the now-famous perfume company Prince Matchabelli in 1926. In 1933, the couple divorced. Georges died in 1935 and in 1936 Norina sold the company to Saul Ganz for $250,000 .New York Times profile, 2 June 1986.
Meher Baba In 1931 Matchabelli met spiritual teacher Meher Baba and became a devotee. She introduced many notable figures of the day to Meher Baba including Gabriel Pascal,Kalchuri, Bhau, Lord Meher, Manifestation, Inc. 1986, p. 1861 Mercedes de AcostaKalchuri, Bhau, Lord Meher, Manifestation, Inc. 1986, p. 1940 and Karl Vollmöller (her first husband). She also founded the periodical Meher Baba Journal in 1938.Baba, Meher, Discourses, Revised 6th Ed. 2007, Sheriar Foundation, Vol. IV, Supplement, A History of the Discourses
In the early 1940s Matchabelli co-founded the Meher Spiritual Center with Elizabeth Chapin Patterson in Myrtle Beach, South Carolina, U.S.
In the 1940s Norina Matchabelli gave a series of well-attended public talks in Carnegie Hall and other places in which she said she was delivering "thought-transmission" messages directly from Meher Baba. When speaking, the personal "I" switched to "I, Meher Baba." This startled some of Meher Baba's followers and they questioned Baba on it in India, but he did not appear concerned.Heroines of the Path
Death Norina Matchabelli died at Youpon Dunes, Myrtle Beach, South Carolina, in 1957, aged 77. Her ashes were interred close by Meher Baba's samadhi on Meherabad Hill, near Ahmednagar, India. Her grave marker bears the inscription: Princess Norina was and will ever remain Baba's.Meher Baba Trust Website, avatarmeherbaba.org; accessed 7 August 2014.
Filmography
1912: The Miracle 1914: Eine venezianische Nacht 1914: L'Accordo in minore 1914: Lost in the Dark 1915: Teresa Raquin 1915: Fluch der Schönheit 1915: Der Hermelinmantel 1915: Die rätselhafte Frau 1915: Sophias letztes Gesicht 1916: Das Wunder der Madonna 1916: Für den Ruhm des Geliebten 1916: Aphrodite 1916: Homunculus, Teil I 1916: Homunculus, Teil IV - Die Rache des Homunculus 1916: Der Pfad der Sünde 1916: Der Letzte eines alten Geschlechts 1916: Die Richterin von Solvigsholm 1916: Das Haus der Leidenschaften 1916: Der Fluch der Sonne 1917: The Path of Death 1917: When the Dead Speak 1917: Die Memoiren der Tragödin Thamar 1917: Rächende Liebe 1918: Das Spitzentuch der Fürstin 1920: Per il passato 1921: Forse che si, forse che no
References
External links
Maria Carmi at the British Film Institute
Stage presence as Maria Carmi Awakener Magazine Article Photos at meherbabatravels.com