Kamal Haasan (born 7 November 1954) is an Indian actor, filmmaker and politician, currently serving as a Member of Parliament, Rajya Sabha for Tamil Nadu. He is an actor, director, producer, screenwriter, playback singer and lyricist who works primarily in Tamil cinema. He has also worked as an assistant director, choreographer, editor, make-up artist, narrator, television host, and a distributor of films. He founded a magazine, Maiam (lit. Center), which he edited, and has written over 100 poems and some books. He has made over 230 films in Tamil, Telugu, Malayalam, Hindi, Kannada and Bengali.* He was conferred the Kalaimamani in 1978, the Padma Shri in 1990, the Padma Bhushan in 2014, and the Order of Arts and Letters (Chevalier) by the Government of France in 2016. He was invited by the Academy of Motion Picture Arts and Sciences in 2025 to become a member of its actors' branch.
Haasan was the first Tamil actor to convert his fan clubs into welfare associations. He was appointed an ambassador by the United Nations in 2007, for its joint campaign with the Tamil Nadu State AIDS Control Society to protect the rights of people living with HIV. On 21 February 2018, he launched a political party, Makkal Needhi Maiam (lit. People's Justice Centre). On 25 July 2025, he took oath as a member of Rajya Sabha (Council of States), the upper house of the Parliament of India.
Early life and family
Kamal Haasan was born on 7 November 1954 in Paramakudi into a Tamil Brahmin Iyengar family, to D. Srinivasan Iyengar, who was a lawyer and freedom fighter, and Rajalakshmi, who was a housewife. He was initially named after Parthasarathy, the presiding deity at the Parthasarathy Temple, Chennai. His father later changed the name to Kamal Haasan, Kamal meaning lotus and Hassan deriving hasya, the Sanskrit word for laughter. His brothers, Charuhasan (born 1931) and Chandrahasan (1936–2017), have also been actors. Haasan's sister, Nalini Haassan (born 1946), is a classical dancer. He received his primary education in Paramakudi before moving to Madras (now Chennai) as his brothers pursued their higher education. Haasan continued his education in Santhome, Madras, and was attracted towards film and fine arts as encouraged by his father.
Film career
1960–1963 When a physician friend of his mother visited A. V. Meiyappan (AVM) to treat his wife, she brought Haasan with her. Apparently impressed by his demeanor AVM's son, M. Saravanan, recommended him for their production Kalathur Kannamma. Haasan won the Rashtrapati Award (President's gold medal) for his performance in Kalathur Kannamma at age six and starred in five more films as a child. He debuted in the Malayalam film industry with Kannum Karalum (1962). Upon his father's encouragement, he joined a repertory company (T. K. S. Nataka Sabha) headed by T. K. Shanmugam. In the meanwhile, he continued his education at the Hindu Higher Secondary School in Triplicane. His time with the theatre company shaped Haasan's craft and kindled his interest in makeup.
1970–1975
After a seven-year hiatus from films, Haasan returned to the industry as a dance assistant, apprenticing under choreographer Thankappan. During this time, Haasan made brief appearances in some films including a few uncredited roles. His first appearance came in the 1970 film Maanavan, in which he appeared in a dance sequence. He went on to assist Thankappan in films such as Annai Velankani (1971) and Kasi Yathirai (1973). In the former he had a supporting role and worked as an assistant director. His first full-fledged role came in K. Balachander's Tamil film Arangetram (1973). Balachander cast him as the antagonist in his Sollathaan Ninaikkiren (1973). Haasan went on to do supporting roles in films such as Gumasthavin Magal (1974), Aval Oru Thodar Kathai (1974) and Naan Avanillai. The same year, he played his first lead role in the Malayalam film, Kanyakumari, for which he won his first Filmfare Award. In Tamil cinema, he had his breakthrough as a lead actor in Balachander's Apoorva Raagangal. He played a rebellious young man who falls in love with an older woman. For this character portrayal, Haasan learned to play the mridangam. The role won him his second Filmfare Award.
1976–1979 In 1976, Haasan appeared in Balachander's Manmadha Leelai; this was followed by Oru Oodhappu Kan Simittugiradhu (directed by S. P. Muthuraman), which won him his third Filmfare Award. Haasan later appeared in the Balachander drama Moondru Mudichu. Avargal (1977) concerned the women's movement and, for this role, he learned ventriloquism. It was remade in Telugu as Idhi Katha Kadhu (1979), with Haasan reprising his role. 16 Vayathinile, in which he played a village bumpkin, which won him a fourth consecutive Best Actor award. In 1977 Haasan starred in his first Kannada film, Kokila, the directorial debut of friend and mentor Balu Mahendra. That year he also appeared in a Bengali film, Kabita, a remake of the Tamil film Aval Oru Thodar Kathai. In 1978 Haasan made his Telugu film debut with a lead role in the cross-cultural romantic Maro Charitra, directed by Balachander. His fifth consecutive Filmfare Award resulted from Sigappu Rojakkal, a thriller in which he played a psychopathic sexual killer. He appeared in the Malayalam film Eeta, for which he won his sixth Filmfare Award. He first played opposite to the Sridevi in the 1977 Malayalam movie Satyavan Savithri directed by P.G. Viswambharan, this combination was later on well-accepted and celebrated. In the 1979 Telugu film Sommokadidi Sokokadidi, Haasan played two parts. This was also his first collaboration with director Singeetam Srinivasa Rao. He appeared in the musical Ninaithale Inikkum, a snake-horror film Neeya and Kalyanaraman. At the end of the 1970s he had six regional Best Actor Filmfare Awards, including four consecutive Best Tamil Actor Awards.
1980–1989 Haasan's films during the 1980s included the 1980 Tamil-language Varumayin Niram Sivappu, the film was simultaneously shot in Telugu as Aakali Rajyam, in which he played an unemployed youth and earned him a first Filmfare Award in Telugu. In 1980 he appeared in the drama film Ullasa Paravaigal, Guru and Maria My Darling. Haasan made his debut in Hindi cinema with Ek Duuje Ke Liye (1981), the remake of his own acted Telugu-language film Maro Charitra directed by K. Balachander (which earned him his first Filmfare Hindi-language nomination). He made his 100th film appearance in 1981 in Raja Paarvai, debuting as a producer. Despite the film's relatively poor box-office performance, his portrayal of a blind session violinist earned him a Filmfare Award. After a year of starring in commercial films, Haasan won the first of three National Awards for Best Actor for his portrayal of a schoolteacher caring for an amnesia patient in Balu Mahendra's Moondram Pirai, later reprising his role in the Hindi version, Sadma. During this period he focused on Bollywood remakes of his Tamil films, including Yeh To Kamaal Ho Gaya and Zara Si Zindagi. In 1983 he appeared in Sagara Sangamam, directed by K. Viswanath. His portrayal of an alcoholic classical dancer won him his first Nandi Award for Best Actor and his second Filmfare Best Telugu Actor Award.
After 1984's multistarrer Raaj Tilak, Haasan appeared in Saagar (released 1985), winning the Filmfare Best Actor Award and nominated for the Best Supporting Actor award. The film was India's representative for the Best Foreign Language Oscar in 1985. He left Bollywood temporarily after Geraftaar and Dekha Pyar Tumhara to feature in Japanil Kalyanaraman (a sequel to his 1979 Kalyanaraman).
In 1986, Haasan produced the technically brilliant Vikram and collaborated with Kodandarami Reddy for Oka Radha Iddaru Krishnulu and then K. Viswanath in Swathi Muthyam, playing a cognitively disabled person who tries to change society and won him his second Nandi Award for Best Actor. it was India's entry for Best Foreign Language Film at the Academy Awards in 1986. These Tollywood films found him a large audience in Andhra Pradesh, and many of his later Tamil films were dubbed into Telugu.
Following Punnagai Mannan (in which he played two roles, including a satire of Charlie Chaplin as Chaplin Chellappa) and Kadhal Parisu, Haasan appeared in Mani Ratnam's 1987 film Nayakan. He received his second Indian National Award for his performance; Nayakan was submitted by India as its entry for Best Foreign Language Film at the 1987 Academy Awards, and is on the Time's All-Time 100 Movies list. Haasan appeared in his only dialogueless film to date: Pushpaka Vimana (1987) a black comedy film, in which he played an unemployed youth and earned him a first Filmfare Award in Kannada. In 1988 he appeared Unnal Mudiyum Thambi, Malayalam film Daisy and Sathyaa which were his own productions. Haasan's all four films of 1989 were major success, Apoorva Sagodharargal, where he played a dwarf, then Chanakyan, an original Malayalam film, later Vettri Vizhaa (where he played an amnesiac) and finally Haasan played two parts in Indrudu Chandrudu, winning the Filmfare Best Actor and won him his third Nandi Award for Best Actor for his performance. By the end of the 1980s Haasan was successful in the Malayalam, Kannada, Telugu and Hindi film industries, with Filmfare Awards in each industry and two national awards.
1990–1998 In 1990, Michael Madana Kama Rajan saw Haasan build on Apoorva Sagodharargal by playing quadruplets. It began as a collaboration with writer Crazy Mohan for future comedy films. Haasan won successive Best Actor awards for his portrayal of deranged, obsessive protagonists in Gunaa and Thevar Magan (which was remade in Hindi as 1997's Virasat). He was credited with the story for the latter. Haasan won his third National Film Award this time as a producer for Thevar Magan. The film was India's submission for the Academy Awards that year. A series of films followed: Singaravelan, Maharasan, Kalaignan, Mahanadhi, Nammavar, and Sathi Leelavathi. Sathi Leelavathi, produced by Haasan, featured himself alongside Kannada actor Ramesh Aravind and comedian Kovai Sarala. Haasan resumed his collaboration with K. Viswanath in the Telugu film, Subha Sankalpam, and starred in the police story Kuruthipunal (Tamil) simultaneously shot in Telugu as Drohi with Arjun Sarja and won Filmfare Best Actor. Haasan's success in the latter was followed by his third National Film Award for Best Actor for Indian. Haasan also won Tamil Nadu State Film Award for Best Actor and Filmfare Best Actor for Indian. The film was India's submission for the Academy Awards.
After Indian, Haasan played a woman in the comedy Avvai Shanmughi, which was inspired by Mrs. Doubtfire. He chose Shantanu Sheorey to direct the Hindi remake of Avvai Shanmughi, Chachi 420, but after dissatisfaction with five days of shooting Haasan took over as director. In 1997, Haasan began directing an unfinished biopic of Muhammad Yusuf Khan (born as Maruthanayagam Pillai), Marudhanayagam; a forty five minutes of film and a trailer was shot. Marudhanayagam was expected to be the biggest, most expensive film in Indian cinematic history and his magnum opus; a number of well-known actors and technicians had been signed, and it was launched at a public ceremony by Queen Elizabeth during her 1997 visit to India. Although the film failed to materialise due to budget constraints, Haasan expressed an interest in reviving the project. In 1998, he appeared in Singeetam Srinivasa Rao's romantic comedy, Kaathala Kaathala opposite Prabhu Deva. The film was a commercial success and was dubbed in Hindi as Mirch Masala, which was never released.Housefull, a remake of Kaathala Kaathala? . Articles.timesofindia.indiatimes.com (11 May 2010). Retrieved 19 May 2015.
2000–2009