Pedro Muñoz Seca (20 February 1879 – 28 November 1936 ) was a Spanish comic playwright. He was one of the most successful playwrights of his era. He wrote approximately 300 dramatic works, both sainetes (short vignettes) and longer plays, often in collaboration with Pedro Pérez Fernández or Enrique García Álvarez... His most ambitious and best known play is La venganza de Don Mendo (Don Mendo's Revenge, 1918); other major works include La barba de Carrillo (Carrillo's Beard, 1918) and Pepe Conde (1920).

Early life and career Muñoz Seca was born into a large family in El Puerto de Santa María, Cádiz, Spain, on 20 February 1879. (Because Muñoz Seca loved palindromic numbers, however, he often claimed that he was born in 1881.. He also claimed to have been born at 10:15 pm, "the normal time for shows to start". ("hora corriente de comenzar los espectáculos").) Muñoz Seca attended primary school at the Jesuit school of San Luis Gonzaga in El Puerto de Santa María. He then moved to Seville to study philosophy and law; he graduated in 1901. While Muñoz Seca was still a student, his first plays premiered in El Puerto de Santa María (República estudiantil, Un Perfecto de pasivas, and El señor de Pilili) and in Seville (Las Guerreras).

After his graduation, Muñoz Seca moved to Madrid.. There, he taught Latin, Greek, and Hebrew and later would work as a lawyer.. He often attended literary society meetings, and there met Sebastian Alonso. The two collaborated on the play El Contrabando, which premiered in 1904. Muñoz Seca entered public service in 1908, taking a post in the Ministry of Public Works and Transport.. Soon thereafter, he married María Asunción Ariza Díez de Bulnes; they would have nine children..

Career as playwright and execution

His work often employed "slang, puns, plays on words, caricature, parody, and dramatic tricks". He was the inventor of a new genre of comic theatre, the astracanada, the most celebrated example of which is La venganza de Don Mendo, a satire of the romances popular in Spain at the turn of the century.

Muñoz Seca's popularity grew after the premiere of La venganza de Don Mendo. Many of his later plays were very successful, including La pluma verde (1922), Los chatos (1924), La tela (1925), and Los extremeños se tocan (1927) (all written in collaboration with Pedro Pérez Fernández, but who contributed little to the works).. These works shifted away from costumbrismo toward Muñoz Seca's trademark astracanada.

After the establishment of the Second Spanish Republic in 1931, Muñoz Seca was at the height of his career, though his dramatic output slowed. Major works during this period include La voz de su amo (1933), Anacleto se divorcia (1932), La EME (1934), and La plasmatoria (1935). Muñoz Seca was a royalist and friend of Alfonso XIII, and his plays La oca (1931) and Jabalí (1932) sharply criticized the Second Republic. In July 1936, after the outbreak of the Spanish Civil War, he was arrested in Barcelona; he was later transported to Madrid. A humorist to the end, he said to his court-martial, "You can take my hacienda, my land, my wealth, even—as you are going to do—my life. But there is one thing that you cannot take from me—the fear that I have!" On 28 November 1936 he was executed by a Spanish Republican Army firing squad in the Paracuellos massacre. His final words, addressed to the firing squad, were "I am starting to believe you are not intending to count me among your friends!"Berra, Paul (2016). Grave Tidings: An Anthology of Famous Last Words. Biteback Publishing. ISBN 9781785901447. Retrieved 14 May 2021.

Legacy

The Pedro Muñoz Seca Municipal Theater in El Puerto de Santa María and the Muñoz Seca Theater in Madrid are named in Muñoz Seca's honor.

In 1995, the Pedro Muñoz Seca Foundation (Fundación Pedro Muñoz Seca) was established; it is sponsored by descendants of the author and by the government of El Puerto de Santa Maria. The foundation maintains a small museum devoted to the author in his former family home in El Puerto de Santa Maria.

Muñoz Seca is the grandfather of Spanish writer and journalist Alfonso Ussía.

Dramatic works

República estudiantil El espanto de Toledo La novela de Rosario Las inyecciones ¡Usted es Ortiz! Calamar El alfiler ¡Pégame, Luciano! Satanelo ¡Un! ¡Dos! ¡Tres!... ¡La niña para usted! ¡Todo para ti! El drama de Adán Una que no sirve Equilibrios ¡Te quiero, Pepe! Bronca en el ocho El refugio Los quince millones La Eme El gran ciudadano El rey negro ¡¡Cataplum!! ¡Sola! Las cuatro paredes El verdugo de Sevilla La venganza de Don Mendo Los extremeños se tocan La Oca Anacleto se divorcia El último pecado La razón de la locura ¡Por peteneras! La canción húngara Coba Fina Las cosas de la vida El medio ambiente La Nicotina Trampa y cartón El milagro del santo López de Coria El incendio de Roma Cachivache Naide es ná La perla ambarina Lolita Tenorio El marido de la Engracia Albi-Melén El voto de Santiago El teniente alcalde de Zalamea De rodillas a tus pies La fórmula 3k3 Los rifeños Un drama de Calderón Trianerías Las verónicas La Tiziana El mal rato Los amigos del alma Pepe Conde o el mentir de las estrellas Martinglas El clima de Pamplona San Pérez El parque de Sevilla La hora del reparto Tirios y troyanos El número 15 De lo vivo a lo pintado ¡Plancha! El Goya La pluma verde El rey nuevo La mujer de nieve Los chatos Bartolo tiene una flauta La tela Los campanilleros El sonámbulo La cabalgata de los Reyes María Fernández Seguidilla gitana El voto La caraba La mala uva La Lola El rajáh de Cochin Ali-Gui ¡Un millón! El sofá, la radio, el peque y la hija de Palomeque ¿Qué tienes en la mirada? Los ilustres gañanes El cuatrigémino La perulera Una mujer decidida El alma de corcho Mi padre El corzo ¡No hay no! Jabalí Trastos viejos La voz de su amo El Ex... Mi chica El escándalo ¡Soy un sinvergüenza! Papeles Marcelino fue por vino La plasmatoria Zape Las guerreras El contrabando De balcón en balcón Las tres cosas de Jérez El lagar El jilguerillo de los parrales La neurastenia de Satanás La cucaña de Solarillo Fúcar XXI Pastor y Borrego La niña de las planchas La frescura de Lafuente La casa de los crímenes La Remolino El castillo de los ultrajes La escala de Milán La conferencia de Algeciras El último Bravo Los cuatro Robinsones La mujer El rayo Poca cosa es un hombre La cura El clamor La Academia La tonta del rizo Las cuatro paredes (posthumous, premiered in 1940)

Footnotes

References

Works cited

Further reading

External links

Official Web Page - Fundación Pedro Muñoz Seca