Superman II: The Richard Donner Cut (titled onscreen as simply Superman II) is a 2006 re-edited director's cut of the 1980 superhero film Superman II, a sequel to Richard Donner's 1978 film Superman: The Movie, based on the DC Comics superhero of the same name. It stars Gene Hackman, Christopher Reeve, and Marlon Brando and was edited by Michael Thau and overseen and completed by Donner himself. It features a significant amount of discarded footage, alternative takes, and story elements not featured in the theatrical version.
In 1979, after the tense nineteen month-long shoot on Superman and a significant portion of Superman II (as much as 80%), Alexander Salkind, who had bought the film rights to the character, removed Donner from production on the sequel and replaced him with director Richard Lester. Lester completed the remainder of the film for its theatrical release, but also re-wrote and re-shot a substantial portion of Donner's footage in order to receive full director's credit. While the sequel was a critical and financial success upon release, interest in Donner's cut of Superman II became well known after a community of online fans began petitioning for Warner Bros. Pictures to release Donner's vision. After Brando's death in 2004, his family estate allowed for Warner Bros. to feature archival footage of the late actor in the 2006 film Superman Returns, thus granting the studio permission to restore Donner's version of Superman II. Superman II: The Richard Donner Cut is dedicated to Reeve's memory, who also died in 2004.
Since Donner never completed Superman II in its original form, certain key scenes filmed by Lester, along with newly created visual effects shots and an early screen test of one pivotal scene featuring Reeve and Margot Kidder, had to be added to the film in order to create a completed work. The film also features an early developed alternate opening and ending that were both envisioned before the theatrical release of Superman, in which the sequel's original ending was re-worked as the finale to the first film. Donner stated that, had he finished the film in 1980, he would have shot a different ending. Superman II: The Richard Donner Cut was released on DVD, Blu-ray, and HD DVD by Warner Bros. Pictures on November 28, 2006, to positive reviews.
Plot On the planet Krypton, criminals General Zod, Ursa and Non are sentenced to eternal banishment inside the Phantom Zone by Jor-El for insurrection and murder, amongst other crimes. Thirty years later, Superman diverts a missile into outer space, unknowingly freeing them from the Phantom Zone.
At the Daily Planet in Metropolis, Lois Lane suspects that Clark Kent is Superman. She tests Clark by jumping out of a window, but Clark uses his powers to save her while appearing to have done nothing. Meanwhile, with the help of Eve Teschmacher, Lex Luthor escapes from prison, abandoning Otis. They find and infiltrate the Fortress of Solitude, learning of the impending doom brought by General Zod. Lex resolves to meet Zod, and begins tracking him. On the Moon, Zod, Ursa, and Non discover that they have superpowers due to Earth's yellow sun, and ruthlessly kill a group of astronauts.
Perry White has Clark and Lois pose as newlyweds to investigate a honeymoon suite scam at Niagara Falls. Superman's appearance and rescue of a small boy at the Falls renews Lois' suspicions, and she tricks Clark with a gun loaded with blanks into admitting that he is Superman. He takes Lois Lane to the Fortress of Solitude, where the two spend the night together. Meanwhile, Zod, Ursa and Non arrive on Earth and conquer a small town in Idaho. After learning that the U.S. military takes orders from the President of the United States, the Kryptonians fly to Washington, D.C., and invade the White House.
Superman, unaware of Zod's release from the Phantom Zone and his subsequent rampage, decides to transform himself into a human and remove his powers by exposing himself to red Kryptonian sunlight in a crystal chamber. On their way back to Metropolis, Lois and Clark stop at a diner, where Clark gets beaten up by an obnoxious trucker and learns of Zod's conquest of the world.
Knowing that humanity is helpless, Clark returns to the Fortress to reverse the transformation. Having anticipated this decision, Jor-El's artificial intelligence reveals it has been programmed to deal with this situation by sacrificing the remaining Kryptonian energy it needs to operate. To restore Clark's powers, it must be joined with him, fulfilling the Kryptonian prophecy concerning "the father becoming the son", resulting in the "death" of Jor-El and rendering the Fortress of Solitude inoperable.
Lex arrives at the White House. In exchange for Australia, he informs Zod that Superman is the son of Jor-El, and that he has the ability to find him. He takes the three Kryptonians to Metropolis to kidnap Lois as bait for Superman. Superman arrives and a fight ensues in and over Metropolis. After saving a bus full of civilians, Superman realizes he cannot win and flies to his Fortress, with Zod, Ursa, and Non in pursuit, bringing Lois and Lex with them.
At the Fortress, Luthor shows the chamber that stripped Superman of his powers to Zod, who forces Superman to again undergo the transformation process. Superman, feigning defeat, reveals by crushing Zod's hand, that he has altered the process to expose everyone outside the chamber, removing the Kryptonian criminals' powers, while protecting himself. Zod, Ursa and Non are quickly defeated.
After destroying the Fortress of Solitude with his heat vision, Superman returns Lois to her apartment, where she wishes him a tearful goodbye, knowing that she can never be with him. To undo everything, Superman accelerates around Earth, traveling back in time to restore the past few days, rebuild the Fortress of Solitude and place Zod, Ursa and Non back into the Phantom Zone. Clark returns to work the following day as Lois and Perry experience a slight case of déjà vu. Clark revisits the diner with the obnoxious trucker and summarily defeats him.
History
In 1977, director Richard Donner set about simultaneously filming an epic two-part adaptation of the Superman comic book series. Principal photography began on March 28, 1977, at Pinewood Studios for the Krypton scenes, but by May 1977, production had run two weeks behind schedule. It was reported that Donner had developed tensions with the Salkinds and Pierre Spengler concerning the escalating production budget and production schedule. Donner responded by claiming he was never given a budget. However, Donner told Starlog in March 1979, "I got along with the Salkinds all right, but I didn't get on with Pierre Spengler. I told him to his face that the film was too big for him but he wouldn't face up to the responsibility. It had nothing to do with the film itself, it was in the making of the film—the knowledge to pull it off."
In July 1977, Richard Lester, who worked with the Salkinds on The Three Musketeers (1973) and The Four Musketeers (1974), was brought in as a temporary co-producer to mediate the relationship between Donner and the Salkinds who were no longer on speaking terms. Prior to this, Lester had won a lawsuit against the Salkinds for money still owed to him from making the films, but the assets were held in legal entanglements in the Bahamas. The Salkinds then offered to compensate him if he would help on the Superman films, in which Lester became a second unit director where he and Donner formed an effective partnership.
By October 1977, Gene Hackman, Ned Beatty, and Valerie Perrine had completed their scenes as they were all under contract to finish both pictures. Nevertheless, with months left of filming, the Salkinds halted filming for Superman II and focused on finishing Superman by which time Donner had already completed 75% of the sequel.
Following Supermans December 1978 release, it was widely assumed that Donner would be recalled to complete the remainder of the sequel. Spengler had encountered Variety columnist Army Archerd at a Christmas party, and assured him that while there had been tension, he was proud of the film and looked forward to working with him on the sequel. Archerd then contacted Donner in which he responded "If he's on it—I'm not." However, a number of events led to Donner's eventual replacement as director of the movie. Most importantly, producers Alexander and Ilya Salkind announced that Marlon Brando's completed scenes for Superman II would be excised from the movie in order for them to avoid having to pay the actor the reported 11.75% of gross U.S. box-office takings he was now demanding for his performance in the sequel. Donner publicly lambasted this decision, announcing that he would make the film his way or not at all. In January 1979, Donner had told Variety, "That means no games... They have to want me to do it. It has to be on my terms and I don't mean financially. I mean control." As Donner had become unavailable during the European promotional campaign for Superman, the Salkinds approached Guy Hamilton to take over directional reins for Superman II since Lester was filming Cuba (1979) at the time. Hamilton was unavailable, but by the time Superman II was ready to begin filming, Lester had completed Cuba and was available to direct.
Eventually, on March 15, 1979, the Salkinds decided to replace Donner with Richard Lester. Donner recalled that "One day, I got a telegram from them saying my services are no longer needed and that my dear friend Richard Lester would take over. To this day, I have not heard from them." Ilya Salkind countered, "Dick Donner said, 'I will do the second movie on my terms and without [Pierre] Spengler'...Spengler was my friend since childhood and my father and I were very loyal guys. We said no, and it really boiled down to that."
The 1980 theatrical Superman II (The Richard Lester Cut)
With Lester placed as director, he was not sympathetic to Donner's filmmaking style: "Donner was emphasizing a kind of grandiose myth. There was a kind of David Lean-ish attempt in several sequences, and enormous scale. There was a type of epic quality which isn't in my nature, so my work really didn't embrace that...That's not me. That's his vision of it. I'm more quirky and I play around with slightly more unexpected silliness." Since Geoffrey Unsworth had died before the release of Superman, Lester brought on cinematographer Robert Paynter to have the film evoke the garish color scheme of the comics.
Tom Mankiewicz was approached by Terry Semel, then a Warner Bros. vice president, to return for the sequel, but he declined out of loyalty to Donner. Mankiewicz recounted "I have a lot of respect for [Lester]. Friendship is more important than anything. And Dick [Donner] brought me on the picture and my loyalty was with Dick and I couldn't believe that they fired him." David and Leslie Newman were then brought back to re-tool the script constructing a new opening and an ending. The new opening involved Superman thwarting the nuclear terrorists at the Eiffel Tower. The new ending involved Clark causing Lois to forget his secret identity through a hypnotic kiss.